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Music and Ritual in Trebbus Mevlevi Tekke (Lodge) in Germany 音乐和仪式在德国的Trebbus Mevlevi Tekke（小屋）

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Musicologist Pub Date : 2019-06-30 DOI: 10.33906/MUSICOLOGIST.551058

Osman Öksüzoğlu

引用次数: 0

Cross-Cultural Influences in Makam Theory: The Case of Greek-Orthodox Theorists in the Ottoman Empire Makam理论的跨文化影响:以奥斯曼帝国的希腊正统理论家为例

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Musicologist Pub Date : 2018-12-29 DOI: 10.33906/MUSICOLOGIST.456708

Nevin Ş Şahin, Cenk Güray, A. F. Aydin

{"title":"Cross-Cultural Influences in Makam Theory: The Case of Greek-Orthodox Theorists in the Ottoman Empire","authors":"Nevin Ş Şahin, Cenk Güray, A. F. Aydin","doi":"10.33906/MUSICOLOGIST.456708","DOIUrl":"https://doi.org/10.33906/MUSICOLOGIST.456708","url":null,"abstract":"The makam theory, which has been transmitted for nearly 5,000 years in Anatolian culture through the periods of Ancient Greek, Roman, and Byzantine Empires, Medieval Islam, the Ottoman Empire, and the Turkish Republic, presents an efficient cultural base on which sociocultural changes can be traced. In this regard, the works of Greek Orthodox theorists, who played a dominant role in the transmission of Ottoman music theory, especially after the 17 th century, establish a powerful database for research on such topics as multi-culturalism in Ottoman music, the effect of Byzantine Music theory on Ottoman music, and the reflections of national identities in music. To be able to derive conclusions on these topics, the scope of this paper concentrates on a comparative survey of works of three Greek Orthodox theorists, namely Halacoglu, Marmarinos, and Kiltzanidis from the 18 th and 19 th centuries, and the works of other prominent theorists of the Ottoman music scene, such as Cantemir and Nâsir Abdulbâki Dede. The comparative analysis provides a scope to better understand how the music related to the social life of the Ottoman Empire at the time, and how the aesthetic and social changes were reflected in the music.","PeriodicalId":29680,"journal":{"name":"Musicologist","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2018-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46752765","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ancient Greek Rhythms in Tristan and Nietzsche 特里斯坦与尼采的古希腊韵律

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Musicologist Pub Date : 2018-12-29 DOI: 10.33906/MUSICOLOGIST.481394

Wai-Ling Cheong

引用次数: 0

The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition 伊朗和阿塞拜疆共和国的阿塞拜疆人：走向分歧传统的跨国比较

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Musicologist Pub Date : 2018-12-29 DOI: 10.33906/MUSICOLOGIST.493221

Anna Oldfield, Behrang Nikaeen

引用次数: 2

“Sung Poetry” of the South Siberian Turks: Interrelations between Music and Poetry 南西伯利亚突厥人的“颂诗”:音乐与诗歌的关系

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Musicologist Pub Date : 2018-12-29 DOI: 10.33906/MUSICOLOGIST.493184

G. Sychenko

{"title":"“Sung Poetry” of the South Siberian Turks: Interrelations between Music and Poetry","authors":"G. Sychenko","doi":"10.33906/MUSICOLOGIST.493184","DOIUrl":"https://doi.org/10.33906/MUSICOLOGIST.493184","url":null,"abstract":"The article is devoted to the so-called ‘sung poetry’ of several Turkic-speaking peoples of South Siberia. The author’s main focus is on the problem of metric organization of poetic and musical parameters and the interrelations between them. The author starts with a discussion of some methodological issues, in particular, what can be regarded as ‘meter’ in vocal folk music. Contrary to some authors, who attribute this term exclusively to poetic expression, in this article it is understood in a broader sense: as a system of temporal organization. In Altai, Tuva, Shor, and Khakass song traditions, there is a ‘syllabic rhythmical formula’ (SRF), which corresponds to the verses, as well as to the melodic line. The SRF, following the author’s opinion, can be regarded as a meter for a song, or the song as genre. It usually regulates number and quality of musical units in correspondence with the syllables. This common and rather simple picture, nevertheless, becomes more complicated when the author starts to describe some particular cases. The traditions of the Telengits, Chalkans and Kumandins, Shors, and Khakasses-Sagays are chosen to demonstrate a variety of arrangements of the of ‘sung poetry’ of the South Siberian Turks.","PeriodicalId":29680,"journal":{"name":"Musicologist","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2018-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47984577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Metaphors and Meaning in the Turkish Contemporary Christian Music 土耳其当代基督教音乐中的隐喻与意义

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Musicologist Pub Date : 2018-06-30 DOI: 10.33906/MUSICOLOGIST.439254

Uğur Aslan

引用次数: 0

Shift and Transformation in Salento: Investigating Change in the Polyphonic Structure and Performance Practice of Canti Polivocali in Southern Puglia 萨伦托的转换与转换——《南普利亚》中坎蒂·波利莫克复调结构的变化与演奏实践

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Musicologist Pub Date : 2018-06-30 DOI: 10.33906/MUSICOLOGIST.439343

M. Morello

{"title":"Shift and Transformation in Salento: Investigating Change in the Polyphonic Structure and Performance Practice of Canti Polivocali in Southern Puglia","authors":"M. Morello","doi":"10.33906/MUSICOLOGIST.439343","DOIUrl":"https://doi.org/10.33906/MUSICOLOGIST.439343","url":null,"abstract":"This paper will focus on documenting change and transformation of polyphonic singing in the Salento region of lower Puglia (southern Italy), based on a comparative analysis of early field recordings and recently collected materials. Cantipolivocali (“multi-voiced songs”), the repertoire of vocal polyphony distinct to the Salento region, was once widely practiced throughout the region with subregional musical dialects and a rich repertory of local variants. This rich musical activity was captured in early field recordings by the first major wave of researchers in the field, notably between the mid-1950s to late 1960s by ethnomusicologists Diego Carpitella, Alan Lomax, Gianni Bosio, and Clara Longhini. After mass emigration and significant changes in traditional music’s positioning in contemporary Italian culture, the tradition of this singing in Salento has shifted considerably in both its polyphonic structure and how it is situated in cultural spaces. By comparing recordings of the aforementioned early collections with field recordings recently collected by the author through analysis, this paper will aim to document these changes and identify the significant transformations of cantipolivocali in Salento.","PeriodicalId":29680,"journal":{"name":"Musicologist","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2018-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44870191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Towards The History of Ideas in Ethnomusicology. Theory and Methods Between the Late 18th and The Early 20th Century 走向民族音乐学思想史。18世纪末20世纪初的理论与方法

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Musicologist Pub Date : 2018-06-30 DOI: 10.33906/MUSICOLOGIST.439321

Ulrich Morgenstern

{"title":"Towards The History of Ideas in Ethnomusicology. Theory and Methods Between the Late 18th and The Early 20th Century","authors":"Ulrich Morgenstern","doi":"10.33906/MUSICOLOGIST.439321","DOIUrl":"https://doi.org/10.33906/MUSICOLOGIST.439321","url":null,"abstract":"The history of ethnomusicology is the history of ideas and concepts of why and how to deal with expressive practices in social formations which are usually located outside the researcher’s primary cultural experience. Ideas in ethnomusicology (comparative musicology, anthropology of music, folk music research, folkloristics) are interlinked with other scholarly disciplines and academic fields. The history of the field is sometimes described as a shift from either a more philologically oriented study of “national” folk music or “armchair anthropology” to a modern anthropological concept expressed in context-oriented, sociological, and performer-centered research, as well as in urban ethnomusicology. However, a great deal of issues frequently associated with English-speaking mainstream ethnomusicology of the last five decades (the “ethnographic turn”) appeared in the intellectual folk music discourses as early as the late 18th and the 19th century. In a similar way, the history of comparative musicology as a scholarly concept can be traced back at least to the Age of Enlightenment. This article traces the emergence and early history of motivations, theoretical paradigms and research methods by discussing the following key issues and conceptual oppositions: Comparative study of musical cultures; Fieldwork experience; Aesthetic appreciation vs. value-free textual analysis; Relativism of expressive cultures: \"our\" and \"their\" concepts (emic/etic issues); The paradigm of orality vs. Kunstlieder im Volksmunde; “Living antiquities” vs. the sociology of folklore; Cultural homogeneity vs. performercentered research; Studying songs vs. studying singing; Music in its cultural context—“uses and functions”; Standards of notation and documentation; Rural vs. urban research; ‘Cultural purity' vs. intercultural exchange. KEYWORDS","PeriodicalId":29680,"journal":{"name":"Musicologist","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2018-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43015757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

The Spring Holiday Nauryz-Meiramy in the Kazakh Tradition 哈萨克传统中的春节Nauryz Meiramy

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Musicologist Pub Date : 2018-06-30 DOI: 10.33906/musicologist.439341

D. Amirova

引用次数: 0

The Musical Performance Presented for Sultan Abdülaziz at the Crystal Palace - As an Example Using Music as a Diplomatic Tool 在水晶宫为苏丹阿卜杜勒-阿齐兹举行的音乐演出-以音乐作为外交工具为例

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Musicologist Pub Date : 2018-06-30 DOI: 10.33906/MUSICOLOGIST.439311

Hikmet Toker, H. Erbay

引用次数: 0