The Spring Holiday Nauryz-Meiramy in the Kazakh Tradition

IF 0.3 0 MUSIC
D. Amirova
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引用次数: 0

Abstract

The present article is the first attempt by the author to give a scholarly interpretation of the interesting yet under investigated phenomenon of Kazakh ‘Nauryz’. The ethno-cultural traditions of ‘Nauryz’, lost as a result of Islamization and Sovietization of Kazakhstan, have been revived over the last 30 years. The article reviews the basic socio-historical prerequisites of ‘Nauryz’ in the system of Kazakh traditional culture, taking into account the typological features of spring holiday (the idea of cyclic revival of life), as well as specific aspects of Central Asian nomadism. The author regards ‘Nauryz-meiramy’ as a complete calendar-ceremonial complex of high social and spiritual significance and conditionally differentiates three interconnected components of the traditional ‘Nauryz-meiramy’ (ritual, competitive, entertaining) and emphasizes their duplicative character. The article devotes special attention to an examination of the musical context of ‘Nauryz-mejramy’. The author argues for the existence of the currently lost song genre specific to Nauryz-meiramy (akin to carols) and based on the available data attempts to reconstruct its original model. KEYWORDS
哈萨克传统中的春节Nauryz Meiramy
本文是作者首次尝试对哈萨克语“Nauryz”这一有趣但研究不足的现象进行学术解释。在过去的30年里,由于哈萨克斯坦的伊斯兰化和苏维埃化而失去的“Nauryz”民族文化传统得到了复兴。本文回顾了哈萨克传统文化体系中“Nauryz”的基本社会历史前提,考虑到春假的类型特征(生命周期性复兴的思想),以及中亚游牧的具体方面。作者将“Nauryz meiramy”视为一个具有高度社会和精神意义的完整的历法仪式综合体,并有条件地区分了传统“Nauryz-meirami”的三个相互关联的组成部分(仪式、竞争、娱乐),强调了它们的重复性。这篇文章特别关注“Nauryz mejramy”的音乐语境。作者认为,目前已经消失的歌曲流派存在于Nauryz meiramy(类似于颂歌),并根据现有数据试图重建其原始模型。关键字
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
50.00%
发文量
0
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