The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition

IF 0.3 0 MUSIC
Anna Oldfield, Behrang Nikaeen
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引用次数: 2

Abstract

The Azeri asiq tradition is a genre of musical storytelling that has circulated through the Caucasus and Northern Iran for over 500 years. Asiqs travelled between regions to perform, and practitioners remained in contact for most of the genre’s history. This contact was disrupted in the early 20 th century, when northern Azerbaijan was incorporated into the USSR. Divided between two countries, the asiqs of the Republic of Azerbaijan and Northern Iran have developed along separate paths. This paper will compare contemporary asiq performances as observed in The Republic of Azerbaijan and Northern Iran, focusing on historical factors, performance contexts, and gender. Finally, it will consider how increased interaction between the two regions since the 1990s may influence the future of the genre. This study is based on the fieldwork and research of Anna Oldfield in the Republic of Azerbaijan and Behrang Nikaeen in Iran.
伊朗和阿塞拜疆共和国的阿塞拜疆人:走向分歧传统的跨国比较
阿塞拜疆的asiq传统是一种音乐叙事形式,在高加索和伊朗北部流传了500多年。亚洲人在不同地区之间进行表演,从业者在这一流派的大部分历史中都保持着联系。这种联系在20世纪初中断,当时阿塞拜疆北部被并入苏联。阿塞拜疆共和国和伊朗北部的两个地区分为两个国家,沿着不同的道路发展。本文将比较在阿塞拜疆共和国和伊朗北部观察到的当代asiq表演,重点关注历史因素、表演背景和性别。最后,它将考虑自20世纪90年代以来两个地区之间日益增加的互动可能如何影响该类型的未来。本研究基于Anna Oldfield在阿塞拜疆共和国和Behrang Nikaeen在伊朗的实地调查和研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.60
自引率
50.00%
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