Patrimoniul cultural: cercetare, valorificare, promovare最新文献_第3页

Metaphysics of an Act as a Topic of Implicit Education among Chisinau Jews as Exemplifi ed in a Memoir Analytical Novel by a Native of Chisinau 行为的形而上学:基希讷乌犹太人隐性教育的主题——以基希讷乌人的回忆录分析小说为例

Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2022-11-01 DOI: 10.52603/pc22.31

Жозефина Кушнир

{"title":"Metaphysics of an Act as a Topic of Implicit Education among Chisinau Jews as Exemplifi ed in a Memoir Analytical Novel by a Native of Chisinau","authors":"Жозефина Кушнир","doi":"10.52603/pc22.31","DOIUrl":"https://doi.org/10.52603/pc22.31","url":null,"abstract":"Within the framework of the interdisciplinary noetic system of concepts developed by us, “metaphysics of an act” as a term implies one of Besht’s constant concepts determined by two basic principle maxims: “Nothing is in vain” and “To save everything.” We refer to the spiritual as noetic (following V. Frankl and C. Geertz), but not in the theological sense, but in the anthropological one. Specifi c ways of implicit exemplifi cation and translation of these principle maxims are revealed in the behavioral realities of several generations of a Jewish family from Chisinau as exemplifi ed in Gita Govinda (Song of the Shepherd), a memoir analytical novel by Elena Cușnir. To examine this narrative, the interpretative ethnological noetic model titled Th e Decalogue: Th e Aspect of Upbringing (the Case of an “I-Document” as a Literary Work) was applied. As a result, the forms in which the principle maxims “Nothing is in vain” and “To save everything” can be present in the consciousness and /or the unconsciousness of a modern person are demonstrated; in addition, behavioral realities, due to which they become the object of translation, are revealed. Th e anthropological noetic content of the concept of “ethics”, which corresponds to the ideas by A. Schweitzer, E. Fromm, and V. Frankl, is specifi ed.","PeriodicalId":296131,"journal":{"name":"Patrimoniul cultural: cercetare, valorificare, promovare","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132756182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The history of the 2nd male gymnasium in Chisinau and the house church built with it at the end of the 19th – 20th centuries (for the 120th anniversary of the construction of the church) 基希讷乌第二座男子体育馆的历史和19 - 20世纪末用它建造的家庭教堂(为纪念教堂建造120周年)

Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2022-11-01 DOI: 10.52603/pc22.11

Alla Chastina

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The forest as a space of filmic challenges 森林是电影挑战的空间

Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2022-11-01 DOI: 10.52603/pc22.18

Violeta Tipa

{"title":"The forest as a space of filmic challenges","authors":"Violeta Tipa","doi":"10.52603/pc22.18","DOIUrl":"https://doi.org/10.52603/pc22.18","url":null,"abstract":"Th e image of the forest or of the woods is deeply implanted in the spiritual life, becoming for centuries a maternal symbol of our people. In most folk tales, the main characters, on their way to becoming, wander through a thick and dark forest, or the forest itself is the destination point, where the dramatic denouement, an unpredictable meeting or a love idyll will take place. A possible classifi cation of the forest motif in cinematographic art is proposed from the perspective of various artistic functions.Th e works of the researcher-folklorist Vladimir Propp on the structure of folk tales point directly to the image of the forest as an inevitable space for the unfolding of the action. We fi nd this space of transformations especially in the screening or interpretation of cult stories/fairy tales. We will elucidate this space, represented in various interpretations through the cinematic language. Our interest extends to fi lms, which represent the interpretation of faity tales in European cinema. A separate chapter will be dedicated to fi lms-tales, where the image of the forest is one full of mysteries, populated by the most diverse, equally mysterious characters, whose contact with human characters oft en constitutes the dramaturgical axis of the fi lm.","PeriodicalId":296131,"journal":{"name":"Patrimoniul cultural: cercetare, valorificare, promovare","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129277097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The use of proportions in the study of architectural monuments (From monuments with certain dates - to those with uncertain dates) 比例法在建筑古迹研究中的应用(从日期确定的古迹到日期不确定的古迹)

Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2022-11-01 DOI: 10.52603/pc22.09

T. Nesterova

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Th e autochthonous element in Byzantine pew singing from the Romanian area in the XVI - XVII centuries 十六至十七世纪来自罗马尼亚地区的拜占庭式唱法的本土元素

Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2022-11-01 DOI: 10.52603/pc22.16

Violina Galaicu

{"title":"Th e autochthonous element in Byzantine pew singing from the Romanian area in the XVI - XVII centuries","authors":"Violina Galaicu","doi":"10.52603/pc22.16","DOIUrl":"https://doi.org/10.52603/pc22.16","url":null,"abstract":"A fi rst and precious Romanian contribution to the Byzantine musical heritage of the designated period is contained in the codices from medieval Putna (most of them date from the XVI century). Th e psalters of Putna, led by Evstatie Protopsaltu, developed, through joint eff ort, a special melodic style, recognizable in the landscape of Eastern European Byzantine sound art. Th e songs written or transcribed in Putna (with texts in Greek and Slavonic) stand out for their melismatic luxuriance, the variety of rhythmic structures, the improvisational momentum in the melodic proliferation. Even if it does not bring into the equation phenomena of the scope of the Musical School of Putna, the XVII century makes the decisive turning point towards the Romanization of religious singing of the Byzantine tradition. Among the catalyzing circumstances of the process are: the reforming current coming from the West through Transylvania, the grounding of printing in the Romanian countries, the crystallization of the Romanian literary language, the act of uniting with Rome of a part of Transylvanian Romanians. Th e socio-cultural and identity ferment of the XVI – XVII centuries prepared the spiritual eff ervescence of the Brancovean era and the launch of the fi rst collection of sacred chants with Romanian text - the Romanian Psalticha by Filotei sin Agăi Jipei.","PeriodicalId":296131,"journal":{"name":"Patrimoniul cultural: cercetare, valorificare, promovare","volume":"338 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134128827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Th e Interdependence of Modeling Techniques and Plastic Procedures in the Making of Moldovan Sculptural Nudes 在摩尔多瓦雕塑裸体的制作建模技术和塑料程序的相互依存

Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2022-11-01 DOI: 10.52603/pc22.04

A. Marian

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Cinematic Elegy: Valorizing the Constellation of Ancestral Paradigms 电影挽歌:对祖先范式星座的估价

Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2022-11-01 DOI: 10.52603/pc22.15

Ana Plamadeala

{"title":"Cinematic Elegy: Valorizing the Constellation of Ancestral Paradigms","authors":"Ana Plamadeala","doi":"10.52603/pc22.15","DOIUrl":"https://doi.org/10.52603/pc22.15","url":null,"abstract":"Th e current fi lmological approach highlights one of the most relevant genuistic confi guratio ns of the native fi lm in the era of the “ethnic renaissance”- the cinematic elegy. Ad ovo, the phenomenon of the validity of this structure is indicated in both aspects: the genuistic one and the aesthetic one. Th e author undertakes a preventive excursion in the context of the adjacent arts of the period, discovering the presence of the elegiac spirit in the creation of Ion Druță, Vasile Vasilache, Grigore Vieru, Mihail Grecu as the ancestral metastate of the nostalgic hero. As regards the contribution of the seventh art to the valorization of cultural archetypes, the author, focusing on the representative samples Cristian Luca’s Confessions and Th e Last Autumn Month, demonstrates by operating with multidimensional exegesis, the consonance of both discourse aspects at the intersection of global contemplativeness and confessional frenzy of the experiences of the spirit and the soul. In conclusion, the contribution of the elegy to the enrichment of the cinematographic language is emphasized by delimiting the time and space of the seventh art, but also the creation of an atmosphere of unprecedented emotional tension by sensitizing the viewer to the allegories of nature and the music of obvious cathartic lineage.","PeriodicalId":296131,"journal":{"name":"Patrimoniul cultural: cercetare, valorificare, promovare","volume":"419 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115612086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Scenographic art in interwar Bessarabia 两次世界大战之间比萨拉比亚的舞台艺术

Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2022-11-01 DOI: 10.52603/pc22.01

Tudor Stăvilă

{"title":"Scenographic art in interwar Bessarabia","authors":"Tudor Stăvilă","doi":"10.52603/pc22.01","DOIUrl":"https://doi.org/10.52603/pc22.01","url":null,"abstract":"Th e history of scenographic art in the Republic of Moldova coincides with the appearance of the National Th eater founded in Chisinau in 1921. Testimonies in this regard are the works of Bessarabian artists that are preserved in the collections of the National Museum of Art of Moldova. An impetus for the emergence of modern Bessarabian scenography was the Russian emigrant Georges Pojedaeff , who appeared in Chisinau in 1920 and befriended. Auguste Baillayre, who organized the personal exhibition of the scenographer at the School of Fine Arts on the borders of 1920-1921. Th anks to Auguste Baillayre, Th eodor Kiriacoff , Boris Nesvedov, Elena Barlo, Maria Starcevschi, Elisabeth Ivanovsky, Natalia Brăgalia and many others asserted themselves in this fi eld in Bessarabia, contributing to the establishment of modern Romanian scenography. Th e works kept in the museum’s collections demonstrate the painters’ attraction through the originality of the treatment and the tendencies of European art, included in the circuit of the well-known Russian Ballet tours organized in Paris by Serj Deagilev between 1905-1912. At the same time, we specify that the numerous works with which the Bessarabian exhibitors participated in the local Bucharest salons were lost during the last World War, being known the fate of the collection of the future Municipal Art Gallery, founded in Chisinau in November 1939.","PeriodicalId":296131,"journal":{"name":"Patrimoniul cultural: cercetare, valorificare, promovare","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124013965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Scenographic art from Moldova - beginnings and evolutions 摩尔多瓦的舞台艺术——起源和演变

Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2022-11-01 DOI: 10.52603/pc22.03

Vitalie Malcoci

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Th e value dimension of schooling through the pianoforte musical instrument in interwar Basarabia 两次世界大战间巴萨拉比亚钢琴乐器教育的价值维度

Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2022-11-01 DOI: 10.52603/pc22.23

Vasile Grecu

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