在摩尔多瓦雕塑裸体的制作建模技术和塑料程序的相互依存

A. Marian
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引用次数: 0

摘要

有许多不同的材料适合创作雕塑裸体,但他们几乎是相同的那些用来创建一个雕塑肖像。其中有粘土,石头(从石灰石和花岗岩到大理石和一些半宝石),金属(青铜,铝,银,金),木材(各种类型),蜡(作为初步材料),橡皮泥(也用于草图)和石膏(用于铸造工程)。J.J.温克尔曼写道:“视觉艺术始于粘土模型;然后是木头造型,然后是象牙,最后是石头和金属。”在创造裸体时,建模和塑料技术的相互依存使它更具表现力。因此,选择创作“裸体”的材料并不是偶然的。造型技术,或者换句话说,外表面渲染的质量,有助于揭示作品的艺术信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Th e Interdependence of Modeling Techniques and Plastic Procedures in the Making of Moldovan Sculptural Nudes
Th ere are many various materials suitable for the creation of sculptural nudes, but they are almost identical to those which used to create a sculptural portrait. Among them there are clay, stone (from limestone and granite to marble and some semi-precious stones), metals (bronze, aluminum, silver, gold), wood (of various types), wax (as a preliminary material), plasticine (which is also used for sketches) and gypsum (intended for casting works). J.J. Winckelmann wrote: “Visual arts begin with modeling in clay; then there was modeling in wood, then it was in ivory, and fi nally stone and metal were processed.” Th e interdependence of modeling and plastic techniques in creating nudity makes it more expressive. Th us, the choice of material for creating “nude” is not accidental. Th e modeling technique or, in other words, the quality of the rendering of the external surface, helps to reveal the artistic message of the work.
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