Scenographic art from Moldova - beginnings and evolutions

Vitalie Malcoci
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Abstract

Th e end of the XIX century intensifi es the theatrical life in Bessarabia, a fact that leads to the improvement of staging methods and plastic and decorative solutions of the stage space. Th is gains even greater revival towards the middle of the XX century, being oft en mentioned by critics in the press of the time, who describe the decorations and the costumes in the staged performances. A new phase in the decorative-theatrical art of Bessarabia begins with the appearance of the great personalities who contributed to the creation and development of the Bessarabian Romanian scenography. Th is phase coincides with the activity of some outstanding personalities of the scene-painting in Bessarabia from the beginning of the XX century, such as Auguste Baillayre, Th eodor Chiriakoff , George Löwendal, Boris Nesvedov, Natalia Bragalia, Elisabeth Ivanovsky, Maria Starcevschi, Natalia Danilcenco, Elena Barlo and others. Th e decorations made by these plastic artists starts to be known to the local public. Th is familiarization takes place mainly through the tours in Bessarabian cities and towns, as well as in cultural centers.
摩尔多瓦的舞台艺术——起源和演变
十九世纪末,比萨拉比亚的戏剧生活得到了加强,这一事实导致了舞台方法的改进,以及舞台空间的塑料和装饰解决方案。在20世纪中期,它获得了更大的复兴,当时的新闻界的评论家经常提到它,他们描述了舞台表演中的装饰和服装。比萨拉比亚装饰戏剧艺术的新阶段开始于为比萨拉比亚罗马尼亚舞台艺术的创造和发展做出贡献的伟大人物的出现。这一阶段与20世纪初比萨拉比亚风景画的一些杰出人物的活动相吻合,如Auguste Baillayre, theeodor Chiriakoff, George Löwendal, Boris Nesvedov, Natalia Bragalia, Elisabeth Ivanovsky, Maria Starcevschi, Natalia Danilcenco, Elena Barlo等人。这些塑料艺术家制作的装饰品开始为当地公众所知。这种熟悉主要是通过在比萨拉比亚城镇以及文化中心的旅行来进行的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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