e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes最新文献

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O exercício da crítica: «minha prosa mais áspera» 批评练习:“我最粗俗的散文”
Ida Alves
{"title":"O exercício da crítica: «minha prosa mais áspera»","authors":"Ida Alves","doi":"10.53943/elcv.0219_11","DOIUrl":"https://doi.org/10.53943/elcv.0219_11","url":null,"abstract":"The importance of the plural work of Jorge de Sena (1919-1978) in the field of Portuguese literary criticism. His intense work of critique dedicated to Portuguese-Brazilian cultural, political and literary relations, based on the life experience in the two countries connected by the same language. The concept of culture defined by a threefold requirement: methodical doubt, analytical judgment, synthetic vision along with a method of analysis that consisted of a penetrating interpretive dialectics.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"136 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127352503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
O mar como um Outro Espaço nas fraseologias portuguesa e croata 在葡萄牙语和克罗地亚语中,大海是另一个空间
Nina Lanović
{"title":"O mar como um Outro Espaço nas fraseologias portuguesa e croata","authors":"Nina Lanović","doi":"10.53943/elcv.0219_14","DOIUrl":"https://doi.org/10.53943/elcv.0219_14","url":null,"abstract":"Based on a more comprehensive study dedicated to presenting the concept of the SEA in Portuguese and Croatian phraseology, in this work we focus on the aspect pointing to the conceptualization of the SEA as Other Space (otherness, «non-self»). The analysis of the semantic-conceptual structure of phraseological units (idioms and proverbs with figurative meaning) with constituents from the sea semantic sphere revealed that the motivation of the subgroup’s idiomatic meaning is based on some kind of «cultural» or «secondary» experience (and not physical-perceptive) of space, implying a considerable influence of «folk theories», which in principle are subjective. In this case the SEA, at the conceptual level, represents a space that, in relation to the subject, is «exterior», alien, unnatural, inadequate, where the subject «does not exist». We propose to identify the most relevant metaphorical structures for such conceptualisation, as well as the specific mappings that motivate meanings of units in our corpus.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132240844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’hôte impertinent: le thème de la menstruation dans la poésie de Gregório de Matos 淘气的主人:格雷格·德·马托斯诗歌中的月经主题
Francisco Topa
{"title":"L’hôte impertinent: le thème de la menstruation dans la poésie de Gregório de Matos","authors":"Francisco Topa","doi":"10.53943/elcv.0219_15","DOIUrl":"https://doi.org/10.53943/elcv.0219_15","url":null,"abstract":"The article focuses on four poems by Gregorio de Matos (1636-1695) dominated by the topic of menstruation. After the contextualization of the theme from an anthropological point of view, we study the unusual way that the topic assumes in the texts of the Bahian poet, highlighting in particular the imagery variations performed by the author, in a register in which the obscene is attenuated by humor.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"238 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115180651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
António Patrício: a versão demoníaca de Eros antonio patricio:恶魔版的爱神
T. Cerdeira
{"title":"António Patrício: a versão demoníaca de Eros","authors":"T. Cerdeira","doi":"10.53943/elcv.0219_17","DOIUrl":"https://doi.org/10.53943/elcv.0219_17","url":null,"abstract":"In the wake of Les fleurs du mal, the fin de siècle literature incorporates into the ethos of eroticism a demonic vision of divinity confrontation. The work of António Patrício is on the boundary between the presence of God and the confrontation with God, which is the other possible side of seduction. In D. João e a máscara, this confrontation with divinity is revealed in the close relation that exists between death and eroticism. Aspiring to eternity is a way of craving for the divine. Paradoxically, if the desire to be like God is the desire to attain the absolute, on the human scale one can only secure this through death: «Nothing can we call our own but death».","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125481630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
São Tomás de Aquino metido num “imbróglio”: A demonstração da existência de Deus 圣托马斯·阿奎那陷入了“混乱”:上帝存在的证明
S. Oliveira
{"title":"São Tomás de Aquino metido num “imbróglio”: A demonstração da existência de Deus","authors":"S. Oliveira","doi":"10.53943/elcv.0219_13","DOIUrl":"https://doi.org/10.53943/elcv.0219_13","url":null,"abstract":"This article attempts to clarify the thesis by St. Thomas Aquinas, according to which it is possible to prove that the existence of God can be demonstrated. On the basis of the analyses in Summa Theologica I, q.2 and Summa contra gentiles I (I-XV), there is an attempt to understand the meaning and relevance of this thesis, its implications and its philosophical and theological significance. Thomas Aquinas’ analyses underline the importance of distinguishing between a knowledge about the existence of God and one regarding his essence, while highlighting in each case a set of difficulties and lack of knowledge factors. In a context where the idea of confusion plays a central role, Thomas Aquinas tries to show that: a) no matter how confused knowledge about God is and no matter how large the disproportion between the human and divine perspectives, there is an ineradicable notitia Dei, and b) this notice is linked at the same time to the inability to know God’s essenceand the ability to demonstrate His existenceby means of certain effects and traces of His. This all leads to the peculiar demonstration of the existence of a Deus absconditus. It is precisely the discovery of this God who manifests himself and at the same time hides himself that makes it possible to document the pos-sibility of demonstrating that God exists and that constitutes the foundations on which every and any demonstration of the existence of God rests.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"56 15","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131471388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Calisto Elói e Policarpo Quaresma ou o confronto (quixotesco) com a modernidade 卡利斯托eloi和波利卡波大斋节或与现代性的对抗(堂吉诃德式)
Sérgio Dinis Teixeira de Sousa
{"title":"Calisto Elói e Policarpo Quaresma ou o confronto (quixotesco) com a modernidade","authors":"Sérgio Dinis Teixeira de Sousa","doi":"10.53943/elcv.0219_16","DOIUrl":"https://doi.org/10.53943/elcv.0219_16","url":null,"abstract":"Both A queda dum anjo (Camilo Castelo Branco) and Triste Fim de Policarpo Quaresma (Lima Barreto) update the figure of Quixote. In this article, we try to enumerate the defining aspects of the quixotism of the protagonists, in a first moment, and the satirical reach of this quixotism; and then to emphasize what distinguishes Calisto and Polycarp, drawing conclusions from this distinction.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128178132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«Como de vós…»: um acto de fé “就像你一样……”:信仰的行为
A. Nascimento
{"title":"«Como de vós…»: um acto de fé","authors":"A. Nascimento","doi":"10.53943/elcv.0219_07","DOIUrl":"https://doi.org/10.53943/elcv.0219_07","url":null,"abstract":"Approach of Jorge de Sena’s poem «Como de Vós...», the last one of his book Fidelidade (1958), from a Christian religious perspective.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"122 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122202923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Da «miséria de ser por intervalos»: música e silêncio na poesia de J. de Sena 摘自《间隔的痛苦》:J. de Sena诗歌中的音乐与沉默
L. Salles
{"title":"Da «miséria de ser por intervalos»: música e silêncio na poesia de J. de Sena","authors":"L. Salles","doi":"10.53943/elcv.0219_05","DOIUrl":"https://doi.org/10.53943/elcv.0219_05","url":null,"abstract":"The present article intends to suggest a reading of musical language as a semiotic presupposition in the construction of Jorge de Sena’s poetics.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"697 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114959146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aquele que passeia ao teu lado: o fascínio de duplos em Mário de Sá-Carneiro e Richard Weiner 在你身边行走的人:mario de sa -Carneiro和Richard Weiner的双打魅力
Silvie Špánková
{"title":"Aquele que passeia ao teu lado: o fascínio de duplos em Mário de Sá-Carneiro e Richard Weiner","authors":"Silvie Špánková","doi":"10.53943/elcv.0119_08","DOIUrl":"https://doi.org/10.53943/elcv.0119_08","url":null,"abstract":"The aim of the present article, based on the comparative method, is to analyse the topic of the double in the work of two authors belonging to literatures that, at first sight, seem to have little in common. The first is Mário de Sá-Carneiro (1890-1916), Portuguese writer and poet, and the second is Richard Weiner (1884-1937), Czech writer, poet and dramatist. The two authors lived in the same period of modernism, in Paris, being influenced by the same artistic and literary sources. In fact, there are some identical, typical modernist proceedings and issues in the work of the two authors (especially, the subjectivism and the identity/alterity problem). In this essay, the common double theme is analysed in the short-stories «Eu-próprio o Outro» (1915) by Sá-Carneiro and «Dvojníci (1916) by Weiner.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131768389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Receção das literaturas de língua portuguesa na Sérvia 在塞尔维亚接受葡萄牙语文学
Anamarija Marinović
{"title":"Receção das literaturas de língua portuguesa na Sérvia","authors":"Anamarija Marinović","doi":"10.53943/elcv.0119_09","DOIUrl":"https://doi.org/10.53943/elcv.0119_09","url":null,"abstract":"This paper aims to explain the reception of literatures in Portuguese language in the Serbian cultural space. Firstly, I will study the relations between Portugal and Serbia from historical and diplomatic perspectives, and afterwards I will focus on the teaching of the Portuguese language and culture in the former Yugoslavia, highlighting the translation activity in the process of approaching the Lusophone and Slavic worlds, namely Serbian world. One of the topics to be analyzed are the stereotypes about Portugal in Serbia, before and after contact with literature, concluding that the path of cultural cooperation in the Iberian and Slavic languages — is open, but always with new perspectives to explore.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121914071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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