{"title":"卡利斯托eloi和波利卡波大斋节或与现代性的对抗(堂吉诃德式)","authors":"Sérgio Dinis Teixeira de Sousa","doi":"10.53943/elcv.0219_16","DOIUrl":null,"url":null,"abstract":"Both A queda dum anjo (Camilo Castelo Branco) and Triste Fim de Policarpo Quaresma (Lima Barreto) update the figure of Quixote. In this article, we try to enumerate the defining aspects of the quixotism of the protagonists, in a first moment, and the satirical reach of this quixotism; and then to emphasize what distinguishes Calisto and Polycarp, drawing conclusions from this distinction.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"39 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Calisto Elói e Policarpo Quaresma ou o confronto (quixotesco) com a modernidade\",\"authors\":\"Sérgio Dinis Teixeira de Sousa\",\"doi\":\"10.53943/elcv.0219_16\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Both A queda dum anjo (Camilo Castelo Branco) and Triste Fim de Policarpo Quaresma (Lima Barreto) update the figure of Quixote. In this article, we try to enumerate the defining aspects of the quixotism of the protagonists, in a first moment, and the satirical reach of this quixotism; and then to emphasize what distinguishes Calisto and Polycarp, drawing conclusions from this distinction.\",\"PeriodicalId\":288631,\"journal\":{\"name\":\"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes\",\"volume\":\"39 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.53943/elcv.0219_16\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53943/elcv.0219_16","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
A queda dum anjo (Camilo Castelo Branco)和Triste Fim de Policarpo Quaresma (Lima Barreto)都更新了堂吉诃德的形象。在这篇文章中，我们试图在第一时间列举主人公堂吉诃德主义的定义方面，以及这种堂吉诃德主义的讽刺范围;然后强调卡利斯托和波利卡普的区别，并从中得出结论。
Calisto Elói e Policarpo Quaresma ou o confronto (quixotesco) com a modernidade
Both A queda dum anjo (Camilo Castelo Branco) and Triste Fim de Policarpo Quaresma (Lima Barreto) update the figure of Quixote. In this article, we try to enumerate the defining aspects of the quixotism of the protagonists, in a first moment, and the satirical reach of this quixotism; and then to emphasize what distinguishes Calisto and Polycarp, drawing conclusions from this distinction.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
