{"title":"‘Not the kind to die’: Katherine Mansfield and the Unquiet Ghost of ‘little brother’","authors":"J. L. Mitchell","doi":"10.3366/edinburgh/9781474439657.003.0015","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474439657.003.0015","url":null,"abstract":"This article documents the longstanding and special bond of affection between Katherine Mansfield and her brother Leslie Heron Beauchamp (known as ‘Chummie’ and ‘Bogey’ by family) and the often oblique but artful ways this bond is reflected in her stories. With the aid of War Office records, contemporary New Zealand newspaper reports, and Beauchamp family letters in the Alexander Turnbull Library, the essay specifically addresses hitherto unknown, yet biographically significant, issues concerning Leslie’s education, his social life and military training in England, and his accidental death in Flanders. In so doing, the essay thereby corrects some misapprehensions about Leslie and the nature and extent of Mansfield’s relationship with him.","PeriodicalId":284953,"journal":{"name":"Katherine Mansfield and Virginia Woolf","volume":"380 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115903721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Seated between ‘Geniuses’: Conrad Aiken’s Imaginative and Critical Responses to Katherine Mansfield and Virginia Woolf","authors":"S. Kaplan","doi":"10.3366/EDINBURGH/9781474439657.003.0004","DOIUrl":"https://doi.org/10.3366/EDINBURGH/9781474439657.003.0004","url":null,"abstract":"The writing of the American poet, fiction writer and critic, Conrad Aiken (1889-1973) significantly affected the critical receptions of Katherine Mansfield and Virginia Woolf in the United States during the first half of the twentieth century. His personal encounters with them during his time of involvement in the production of the Athenaeum is reflected not only in his incisive reviews of their fiction, but in his own creative writing as well. His short stories and experimental memoir, Ushant, (1963) reveal the two women's differing forms of influence upon him. In his memoir, he portrays the relations between Woolf and Mansfield as representative of the ‘merciless warfare’ that prevailed in the London literary world in 1920. If his creative legacy from Woolf was stylistic and psychological, from Mansfield it was inspirational. He was in love with the spontaneity and life-enhancing vitality of her prose, her ‘genius’ for making her characters ‘real.’ The sense of an intuitive connection between himself and Mansfield underpins his imaginative efforts to recreate his encounters with her, as is exemplified most powerfully in his short story: ‘Your Obituary, Well Written,’ (1928) in which he creates a thinly veiled portrait of characters uncannily similar to Katherine Mansfield and John Middleton Murry.","PeriodicalId":284953,"journal":{"name":"Katherine Mansfield and Virginia Woolf","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116454336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Together and Apart","authors":"M. Dibattista","doi":"10.3366/edinburgh/9781474439657.003.0003","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474439657.003.0003","url":null,"abstract":"Mansfield was dead a week when Virginia Woolf confided in her diary that ‘probably we had something in common which I shall never find in anyone else’. Woolf attributed their rapport to Mansfield’s ‘caring so genuinely if so differently from the way I care about our precious art’. Perhaps only in death could Woolf finally agree to the less equivocal version of their relationship that Mansfield had put to her years before: ‘We have got the same job, Virginia, & it is really very curious & thrilling that we should both, quite apart from each other, be after so very nearly the same thing. We are you know; there’s no denying it.’\u0000One can feel no need to deny it and yet still wonder what that ‘something in common’ actually was and why Woolf, given her extensive and varied circle of family and friends, felt so inconsolable upon the loss – not simply the diminishment – of it. This essay is motivated by that wonder. It explores the artistic affinity that brought Mansfield and Woolf together in a unique literary rapport but also insists on the differences – especially in their attitudes towards time as a fulfiller or thwarter of human hopes – that ultimately set them apart in their representations of ‘Life’.","PeriodicalId":284953,"journal":{"name":"Katherine Mansfield and Virginia Woolf","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121893550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Powers of Disgust: Katherine Mansfield and Virginia Woolf","authors":"Maud Ellmann","doi":"10.3366/edinburgh/9781474439657.003.0002","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474439657.003.0002","url":null,"abstract":"Woolf and Mansfield are often noted for their lyricism, but they also share a powerful undercurrent of disgust. This essay considers how recent theories of disgust pertain to their writing, especially to Mansfield’s In a German Pension and Woolf’s The Years. It concludes with a comparison of two short stories, Woolf’s “The Duchess and the Jeweller” (1938) and Mansfield’s ‘Je ne parle pas français’, which have aroused disgusted reactions in their readers.","PeriodicalId":284953,"journal":{"name":"Katherine Mansfield and Virginia Woolf","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126710573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}