Acintya Jurnal Penelitian Seni Budaya最新文献

{"title":"SIMBOLISME PATUNG MACAN KURUNG JEPARA","authors":"Wisnu Adisukma","doi":"10.33153/ACY.V10I2.2283","DOIUrl":"https://doi.org/10.33153/ACY.V10I2.2283","url":null,"abstract":"The existence of Macan Kurung statue nowadays is very rare. If there is craftsperson or artisan who made it, there was very rare of them who certainly recognize the Macan Kurung statue symbolism. In this research, this statue is considered as artifact that contain of expression of self-representation which is constructed by instinctive culture. This expression was represented by object i.e. art of Macan Kurung statue and the meaning of statue appareance. The searching for meaning was the existence from artist concept, Asmo Sawiran and Singowiryo. This research was conducted to obtain tension qualified information. Therefore, this research used qualitative research method. The result showed the message of anti-colonialism value from this statue. Macan Kurung statue was also as counter culture appearance. This culture was wished for assemble Javanese culture legality as adiluhung and dynamic although foreign culture considered as modern culture entered in Javanese people.Keywords : Jepara, Macan Kurung, Symbolism","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127695130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENCIPTAAN BATIK Korporat Isi surakarta","authors":"S. Sukirno","doi":"10.33153/ACY.V10I2.2279","DOIUrl":"https://doi.org/10.33153/ACY.V10I2.2279","url":null,"abstract":"This research on arts creation focuses on creation of corporate batik for InstitutSeni Indonesia Surakarta. The created model is possible to be applied to other institution. The creation of batik corporate is based on the need of a uniform for institution unity as well as to express good image to the community. This research applies the approach of design creation implemented in the series of batik creation especially of Institut Seni Indonesia. The research method of design creation includes the following steps: (1) identification (2) research (3) formulating ideas (4) prototype (5) selection (6) application (7) evaluation. The result represents the specific batik of Institut Seni Indonesia Surakarta academic staffs according to institution vision. The vision and mission of Institution can be searched from the realized logo and the official color of Institution as well as landscape that can become the icon.Keywords: Batik, corporate, ISI Surakarta","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"158 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122987022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EKSISTENSI TARI BEDHAYA KETAWANG","authors":"Eko Supriyanto","doi":"10.33153/acy.v10i2.2280","DOIUrl":"https://doi.org/10.33153/acy.v10i2.2280","url":null,"abstract":"Bedhaya Ketawang dance is a dance developed in the Surakarta Palace. This dance in ancient times should only be performed when Jumenengan sinuwun. The development of this dance can then be danced outside the palace walls. The problem in this study is how the philosophical values contained in the Bedhaya Ketawang Dance and how the existence of the Bedhaya Ketawang Dance existed in the past with the present. The benefits of this research are entitled Philosophical Values in Bedhaya Ketawang Dance (Its existence in the past with the present) is to find philosophical values in the Bedhaya Ketawang Dance and see its existence in the past with the present. Research on Philosophical Values in Bedhaya Ketawang Dance is a type of library research. Library research is a study carried out by examining a number of libraries that are used as references. The results of this study are the philosophical values contained in the Bedhaya Ketawang Dance and the existence of the existence of the Bedhaya Ketawang Dance in the past with the present.Keywords: Bedhaya Ketawang, philosophy, existence, shift","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114789599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DETERMINAN PERUBAHAN DESAIN OMAH MBOK MASE TERHADAP KARAKTER KAMPUNG LAWEYAN DI SURAKARTA","authors":"Dhian Lestari Hastuti","doi":"10.33153/acy.v10i2.2274","DOIUrl":"https://doi.org/10.33153/acy.v10i2.2274","url":null,"abstract":"This articleis the result of research about change design determination of Omah Mbok Mase To Character Kampung Batik Laweyan Surakarta Year 2004-2015. The research method is used phenomenology by using the Social Change Theory aproach. The result is the process of design changes Omah Mbok Mase caused by: 1) Fortress (front wall fence) built souvenir shop, 2) Tear down of buildings and replace with new buildings, 3) Selling of building structures 4) Sell all the assets, 5) Revitalize the building as a souvenir shop. The determinants of such design changes are influenced by internal factors, namely: the financial problems of the Omah Mbok Mase heirs, the inheritance system, and the mindset of trading that still using conventional means. External factors are the influence of technology and regulation of Surakarta City Government. Technological influences play a role in the cultural lag of process in economic activity. The Omah Mbok Mase heirs are evolving in a social change from a closed-character society to an open character, which must serve the tourists.Keywords: Determinant, design changes, Omah Mbok Mase, social changes, Laweyan","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"185 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123577161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"RAMATURGI TEATER REALISME SIASAT DRAMATIK DAN ARTISTIK MENCIPTA ILUSI REALITAS","authors":"Wahyu Novianto","doi":"10.33153/ACY.V10I2.2282","DOIUrl":"https://doi.org/10.33153/ACY.V10I2.2282","url":null,"abstract":"This research reveals the theatrical dramaturgy of realism and its staging strategies. As a dramaturgy study, history, theory, and theatrical conventions of realism are also revealed, from the beginning and development in the West to Indonesia. Furthermore, how a realism theater is created What are the dramatic and artistic tactics carried out by the director to bring the illusion of reality on the stage. This research is a literature review that makes books or other sources of literature the object of research.The results of the study explain that the history of the emergence of the theater of realism in the West is a rejection of the classical theater style that presents gods, fairies, and other mythological creatures. Theatrical realism conventions are themes around social life and psychology; the characters have sociological, psychological, and physiological dimensions; linear plot; settings are made static; absence of symbols; the fourth wall; and catharsis. The dramatic and artistic tactics carried out by the director are based on chaos, a personal experience experienced by the director.Key words: dramatic tactics, artistic tactics, realism, and the illusion of reality","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130585056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"OBJECTIFIKASI DIRI TUBUH DAN EGO DIRI DALAM FOTO KONSEPTUAL","authors":"Purwastya Pratmajaya Adi, S. A. Triadiputra","doi":"10.33153/ACY.V10I2.2275","DOIUrl":"https://doi.org/10.33153/ACY.V10I2.2275","url":null,"abstract":"Objectification is a way to block things that are not supposed to be objects, which often in practice is not generally realized by those who become objects or make them become objects. The human body that appears in photographic imagery in modern life, becomes an appropriate example of how the collective unconsciousness of objectification practices is carried out and produced continuously. This unconsciousness will have an impact on human inability to control and master, and in other perspectives it will also build negative representations of the body and itself. In this work the collective unconscious is accommodated by the ego which then becomes personal awareness, where personal awareness will be conceptualized in the picture frame. This artistic research is interested in conducting an in-depth investigation of the behaviors of unconsciousness of objectification, especially those relating to the human body and self, then explored and used as ideas and foundations for the creation of photographic works. The choice of approach to realize this idea, will use conceptual photography which emphasizes the expression or context of the personal interpretation of the photo artist on a phenomenon as the basis of ideas and main ideas in the creation of his photographic artwork.Keywords: Self Objectification, Body and Ego, Conceptual Photos","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131269146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANALISIS STRUKTUR NASKAH LUDRUK LAKON MLIWIS HITAM","authors":"Tafsir Huda","doi":"10.33153/ACY.V10I2.2281","DOIUrl":"https://doi.org/10.33153/ACY.V10I2.2281","url":null,"abstract":"This research is entitled Analisis Struktur Naskah Ludruk Lakon Mliwis Hitam. This research focused on documenting folk theater in form ofwriting manuscript and the structural analysis. The script will no longer be developed into a wos, but into a modern structure one. The existence of Mliwis Hitam script is become an affirmation of folk art embodying solicitation of theater spirit in Nusantara. It is worthwhile that it can emerge new idiom to enrich kinds of theater in Indonesia. Structural analysis of Mliwis Hitam script is also done to ease director and actors to understand the story. This analysis can also be a reference in transformation process from textual script into a dramatic scene on stage.Keywords: script, structure, ludruk, and folk theater.","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133360863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DESAIN RUMAH BUDAYA PASAR GEDHE HARDJONAGORO SEBAGAI DESTINASI PARIWISATA KOTA SOLO","authors":"Ahmad Fajar Ariyanto","doi":"10.33153/acy.v10i1.2284","DOIUrl":"https://doi.org/10.33153/acy.v10i1.2284","url":null,"abstract":"This article is the research result of Interior Design Pasar Gedhe Hardjonagoro: Tourism Destination that Represents Cultural House in Solo City. This research is about an effort in rehabilitation program to maintain cultural heritage building that function as Traditional Market with the best featured products. The zoning and grouping are not well planned that it causes problems to the hierarchy of space. The  circulation provides less accessibility for visitors, traders, distribution of goods, and waste. The research uses descriptive analytic method and design approach as design solution. The results achieved are: The concept of interior design revitalization of Pasar Gede Hardjonagoro aims to re-mapping the needs of interior design patterns for traders and visitors and provide an alternative offer of a functional, attractive design that resulting in increase of sales ratio. To achieve this goal, the design idea refers to functional, effective and efficient aspects that aesthetically adopt some architectural elements of Pasar Gede Hardjonagoro as a thematic approach. Keywords: Pasar Gedhe Hardjonagoro Revitalization, Tourism Destination, functional design, Cultural House.","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133655226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"GARAP PERTUNJUKAN WAYANG KULIT JAWA TIMURAN","authors":"Sugeng Nugroho, S. Sunardi, I. N. Murtana","doi":"10.33153/ACY.V10I2.2278","DOIUrl":"https://doi.org/10.33153/ACY.V10I2.2278","url":null,"abstract":"This research is meant to prove the result of aesthetic aspect in wayang kulit performance of Jawa Timur style categorized as ‘kerakyatan (folk)’ pakeliran. The problem is analyzed based on the concept of ‘garap pakeliran’ offered by Sugeng Nugroho (2012) and the theory belongs to Umar Kayam (1981) concerning arts categorization. The method used is qualitative method with descriptive analysis. The data is collected through library study, documentation studies, interview, and field observation. The research finding shows that the current wayang kulit performance of Jawa Timur style cannot be categorized as folk art but rather to be kitsch. It represents a performing art that always change and move on along the time. It is attempted to be more interesting supposed to be survived and to earn money.Keywords: wayang kulit, Jawa Timuran, performance treatment.","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123078803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MODEL SOUVENIR SEBAGAI PENINGKATAN KUALITAS ESTETIS DAN VARIAN PRODUK PADA SENTRA KERAJINAN GEMBRENG PASAR KABANGAN LAWEYAN SURAKARTA","authors":"Henri Cholis, Satriana Didik Isnanta","doi":"10.33153/ACY.V10I1.2288","DOIUrl":"https://doi.org/10.33153/ACY.V10I1.2288","url":null,"abstract":"This research entitled “Souvenir Models as an Improvement of Aesthetic Quality and Product Variety in Gembreng Crafts Center, PasarKabanganLaweyan Surakarta” in general aimed to improve the quality and product variants in Gembreng Crafts Center, PasarKabanganLaweyan Surakarta, followed by aesthetic product variants that are able to represent the city of Surakarta as an increasing competitiveness in the global market.  The specific purpose of this research is to develop the competitiveness of gembreng handicraft products with other souvenirs such as batik, wood or metal so as to attract the attention and interest of domestic and foreign tourists and indirectly also increase the income of the craftsmen.This research applied explorative exploratory research method. Therefore, it tends to be experimental; looking for novelty possibilities in the techniques and design of souvenir aesthetic products.  Data collection techniques undertaken by researchers were observations and in-depth interviews at the gembreng industry center in Pasar Kabangan Laweyan, Surakarta. The subject of this research was the gembreng craftsmen, with the aim of knowing the techniques they use and the techniques that can be explored for new products planned.  In addition, this study also interviewed some artists and culture bearers in Surakarta to find a visual image that can represent the city of Surakarta as a cultural city. Objects observed in this study were the results of the products that have been produced and the manufacturing techniques of handicraft products.  It is important to look for various possibilities for the development of the planned product designs. The existing data were validated by data reduction techniques and then they were analyzed. The results of this analysis were the basis for the development of souvenir product designs in the gembreng crafts center, Pasar Laweyan, Surakarta.The results of this development research were in the form of prototype gembreng-based souvenir products with a variety of possible variants, both the form and creativity. It is expected that the visual image of this product can represent the city of Surakarta as a cultural city. Keywords: souvenir, gembreng crafts,,Surakarta ","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123605238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}