Sugeng Nugroho, S. Sunardi, I. N. Murtana
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引用次数: 1

摘要

本研究旨在证明美学方面的结果在爪哇帖木儿风格的wayang kulit表演中被归类为“kerakyatan (folk) - pakeliran”。问题的分析基于Sugeng Nugroho(2012)提出的“garap pakeliran”概念,该理论属于Umar Kayam(1981)关于艺术分类的理论。研究方法采用定性分析和描述性分析相结合的方法。通过图书馆研究、文献研究、访谈和实地观察收集数据。研究结果表明,目前爪哇帖木儿风格的wayang kulit表演不能归类为民间艺术,而是媚俗。它代表了一种表演艺术,它总是随着时间的推移而变化和发展。它试图变得更有趣,应该是生存和赚钱。关键词:wayang kulit, java Timuran,性能处理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
GARAP PERTUNJUKAN WAYANG KULIT JAWA TIMURAN
This research is meant to prove the result of aesthetic aspect in wayang kulit performance of Jawa Timur style categorized as ‘kerakyatan (folk)’ pakeliran. The problem is analyzed based on the concept of ‘garap pakeliran’ offered by Sugeng Nugroho (2012) and the theory belongs to Umar Kayam (1981) concerning arts categorization. The method used is qualitative method with descriptive analysis. The data is collected through library study, documentation studies, interview, and field observation. The research finding shows that the current wayang kulit performance of Jawa Timur style cannot be categorized as folk art but rather to be kitsch. It represents a performing art that always change and move on along the time. It is attempted to be more interesting supposed to be survived and to earn money.Keywords: wayang kulit, Jawa Timuran, performance treatment.
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