概念照片中的身体自我和自我的目标

Purwastya Pratmajaya Adi, S. A. Triadiputra
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引用次数: 0

摘要

物化是把不应该是客体的东西阻挡起来的一种方式,在实践中往往是那些成为客体或使其成为客体的人一般没有意识到这一点。现代生活中出现在摄影图像中的人体,成为物化实践的集体无意识如何持续进行和产生的恰当例子。这种无意识将对人类无法控制和掌握产生影响,从其他角度来看,它也将建立对身体和自身的负面表征。在这个作品中,集体无意识被自我容纳,然后成为个人意识,个人意识将在画框中概念化。这种艺术研究感兴趣的是对客观化的无意识行为,特别是与人体和自我有关的无意识行为进行深入的研究,然后探索并作为摄影作品创作的思想和基础。在实现这一理念的方法选择上,将使用强调摄影艺术家对一种现象的个人解读的表达或语境的概念摄影作为其摄影作品创作的思想基础和主要思想。关键词:自我物化,身体与自我,概念照片
本文章由计算机程序翻译,如有差异,请以英文原文为准。
OBJECTIFIKASI DIRI TUBUH DAN EGO DIRI DALAM FOTO KONSEPTUAL
Objectification is a way to block things that are not supposed to be objects, which often in practice is not generally realized by those who become objects or make them become objects. The human body that appears in photographic imagery in modern life, becomes an appropriate example of how the collective unconsciousness of objectification practices is carried out and produced continuously. This unconsciousness will have an impact on human inability to control and master, and in other perspectives it will also build negative representations of the body and itself. In this work the collective unconscious is accommodated by the ego which then becomes personal awareness, where personal awareness will be conceptualized in the picture frame. This artistic research is interested in conducting an in-depth investigation of the behaviors of unconsciousness of objectification, especially those relating to the human body and self, then explored and used as ideas and foundations for the creation of photographic works. The choice of approach to realize this idea, will use conceptual photography which emphasizes the expression or context of the personal interpretation of the photo artist on a phenomenon as the basis of ideas and main ideas in the creation of his photographic artwork.Keywords: Self Objectification, Body and Ego, Conceptual Photos
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