Acintya Jurnal Penelitian Seni Budaya最新文献

{"title":"MANAJEMEN PERTUNJUKAN DALAM UJIAN TUGAS AKHIR PEMENTASAN KARYA TARI","authors":"Suroro suroto, S. Supriadi, M. Nurhadi","doi":"10.33153/ACY.V12I2.3584","DOIUrl":"https://doi.org/10.33153/ACY.V12I2.3584","url":null,"abstract":"Abstrak Penelitian berjudul Manajemen Pertunjukan dalam Ujian Tugas Akhir Pementasan Karya Tari mengambil obyek pementasan karya-karya tari dari mahasiswa yang mengambil Tugas Akhir penciptaan tari. Tujuan penelitian ini untuk menjelaskan peran dan proses manajemen panggung dalam pelaksanaan pertunjukan tari pada Ujian Tugas Akhir prodi S-1 Tari. Untuk mencapai tujuan tersebut peneliti perlu menerapkan prinsip manajemen seni pertunjukan antara lain perancangan, pengorganisasian, kepemimpinan, dan pengawasan. Hasil yang dicapai dalam penelitian ini adalah deskripsi tata kelola pertunjukan berjalan lancar, efektif, dan tepat waktu. Pencipta tari, penari, pendukung artistic (tata rias dan busana, set/property, lighting), music (sound system) mampu bekerjasama sesuai dengan rancangan artistic masing-masing sehingga mampu diapresiasi dengan baik oleh tim penguji dan penonton.  Kata kunci: Tata kelola, laboratorium, pertunjukan, manajemen, tari. AbstractThe research entitled Performance Laboratory Management in the Final Project Performance of Dance Works takes the object of staging dance works from students who take dance creation final projects. The purpose of this research is to explain the role and process of stage management in the implementation of dance performances in the Final Project Examination for S-1 Dance. To achieve this goal, researchers need to apply the principles of performing arts management, including design, organization, leadership, and supervision. The results achieved in this study are a description of performance governance that runs smoothly, effectively, and on time. Dance creators, dancers, artistic supporters (make-up and clothing, set/property, lighting), music (sound system) are able to work together in accordance with their respective artistic designs so that they can be well appreciated by the test team and the audience. Keywords: governance, laboratory, performance, management, dance.","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116420564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"IMAJINER RUANG KEPALA DALAM REKAMAN GAMELAN AGÊNG DENGAN TEKNIK STEREOFONIK","authors":"Iwan Santosa","doi":"10.33153/ACY.V12I2.3579","DOIUrl":"https://doi.org/10.33153/ACY.V12I2.3579","url":null,"abstract":"ABSTRACT The presentation of Javanese gamelan cannot always be present in the midst of our busy lives. In order to present musical karawitan whenever needed by the audience, it requires the recording of Javanese gamelan that can represent the original sound. Javanese people generally realize that the presentation of Javanese gamelan will be better if it is presented in pendapa. To find musical recordings as a performance in pendapa, it needs to consider the recording equipment used as well as recording techniques so that the sound will be obtained in accordance to the original sound and can bring the soul or spirit of Javanese gamelan. In order to get the gamelan recording in accordance to the original sound and to present the soul or spirit of the gamelan, the recording equipment used must adjust to the sound characteristics of the gamelan instruments and the recording uses stereophonic techniques. Stereophonics is a recording technique that is done in order to produce sounds in according to the original sound where the listeners feel to see a live performance. Keywords: Javanese Gamelan, recording, stereophonic.  AbastrakPenyajian gamelan Jawa tidak selalu bisa hadir di tengah kesibukan kita. Untuk menyajikan musik karawitan setiap kali dibutuhkan oleh penikmatnya, diperlukan rekaman gamelan Jawa yang dapat merepresentasikan suara aslinya. Masyarakat Jawa umumnya menyadari bahwa penyajian gamelan jawa akan lebih baik jika disajikan dalam pendapa. Untuk mengetahui rekaman musik sebagai sebuah pertunjukan dalam pendapa perlu memperhatikan alat perekam yang digunakan serta teknik perekamannya agar didapat suara yang sesuai dengan suara aslinya dan dapat memunculkan jiwa atau ruh gamelan Jawa. Untuk mendapatkan rekaman gamelan yang sesuai dengan suara aslinya dan menghadirkan jiwa atau ruh dari gamelan tersebut, alat perekam yang digunakan harus menyesuaikan dengan karakteristik bunyi dari alat musik gamelan tersebut dan perekamannya menggunakan teknik stereofonik. Stereophonics adalah teknik perekaman yang dilakukan untuk menghasilkan suara yang sesuai dengan suara aslinya dimana pendengar merasakan secara langsung pertunjukannya. Kata kunci: Gamelan Jawa, rekaman, stereofonik.","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130975119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PEMANFAATAN TEKNOLOGI LASER ENGRAVING UNTUK MEMBUAT MATRIX RELIEF PRINT DENGAN MEDIA MDF","authors":"D. Rahman","doi":"10.33153/ACY.V12I2.3577","DOIUrl":"https://doi.org/10.33153/ACY.V12I2.3577","url":null,"abstract":"ABSTRACTThe invention of laser technology is an extraordinary breakthrough in human life. The needs of human life are mostly helped by laser technology, including medicine, and the creative industries. In the creative industry, laser technology is very significant in producing works and products that require complicated details, form precision, and speed of cultivation.The advantages of laser technology are utilized in the studies of graphic art creations in making matrix relief print with MDF (Medium Density Fibreboard) media. The use of laser engraving technology is to create a matrix of graphic print works with high print principles by combining the forms produced by manual images and the forms of digital processing, which is, then, assisted by laser technology. Keywords: MDF, cutting laser, high printing technique, matrix ­­ABSTRAKPenemuan teknologi laser merupakan terobosan yang luar biasa dalam kehidupan manusia. Banyak kebutuhan hidup manusia yang kemudian terbantu oleh teknologi laser ini, di antaranya bidang kedokteran, dan industri kreatif. Khusus di bidang industri kreatif, teknologi laser sangat signifikan dalam menghasilkan karya dan produk yang memerlukan detail yang rumit, kepresisian bentuk, dan kecepatan penggarapan.Kelebihan teknologi laser tersebut dimanfaatkan dalam studi penciptaan karya seni grafis untuk membuat matrix relief  print dengan media MDF (Medium Density Fibreboard). Pemanfaat teknologi laser engraving tersebut untuk menciptakan matrix karya cetak grafis dengan prinsip cetak tinggi dengan memadukan bentuk–bentuk yang dihasilkan antara gambar manual dan bentuk-bentuk hasil olah digital, yang kemudian pengerjaan dibantu oleh teknologi laser. Kata kunci: MDF, laser cutting, teknik cetak tinggi, matrix","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"132 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121402738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KEMASAN DALAM RANGKA PENUNJANG IDENTITAS KAWASAN (PERANCANGAN KEMASAN APEM SEWU SURAKARTA)","authors":"asmoro nur hadi Panindias","doi":"10.33153/ACY.V11I1.2611","DOIUrl":"https://doi.org/10.33153/ACY.V11I1.2611","url":null,"abstract":"ABSTRAKKelurahan Sewu atau disebut juga Kampung Sewu merupakan salah satu kelurahan di Kecamatan Jebres.Daya tarik sejarah di Kelurahan Sewu diwujudkan dalam bentuk festival, yaitu Festival Gethek dan Festival Apem Sewu.Festival Apem Sewu dan keberadaan produsen apem membuat Kelurahan Sewu mulai dikenal dengan kelurahan penghasil kuliner apem yang memiliki ciri khas sendiri.Berbagai upaya dilakukan untuk meningkatkan kualitas, diantaranya dilakukan pelatihan membuat dan mengkreasi apem, pengemasan serta pemasaran.Produsen apem belum mengetahui teknologi dan manfaat kemasan, termasuk diantaranya adalah branding dan pemasarannya.Kendala utama yang dikeluhkan oleh peserta adalah desain kemasan sebagai identitas usaha yang mereka miliki.Produk apem sewu telah memiliki kekhasan tersendiri, sekarang yang perlu dilakukan adalah menyampaikan kelebihan dan keunikan apem tersebut kepada calon konsumen.Kemasan sesuai fungsinya, dapat menjadi corong dalam mengkomunikasikan keinginan produsen.Bahkan kemasan tidak hanya memasarkan produk yang ada didalamnya, tapi juga dapat mengkomunikasikan potensi sebuah wilayah.Kata kunci: Kemasan, Kelurahan Sewu, apem sewu ABSTRACTKampung Sewu is one of the villages in Jebres District. The historical appeal in Kampung Sewu is manifested in the form of festivals, namely Gethek Festival and Apem Sewu Festival. The Apem Sewu Festival and the apem producers make Kampung Sewu known as the apem culinary producer that has its own characteristics. Various efforts were done to improve quality, including training in making and creating apples, packaging and marketing. Apple producers don't know the technology and benefits of packaging, including branding and marketing. The main obstacle complained by participants is the packaging design as their business identity. Apem Sewu has their own peculiarities, and one thing that needs to be done is to convey the advantages and uniqueness of the apem to the consumers. Packaging according to its function can be a means of communicating the hopes of producers. Even packaging not only markets the products inside, but also can communicate the potencies of a region.Keywords: Packaging, Sewu village, Apem Sewu","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128918997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CARA MELIHAT","authors":"Andry Prasetyo","doi":"10.33153/acy.v11i1.2610","DOIUrl":"https://doi.org/10.33153/acy.v11i1.2610","url":null,"abstract":"Abstract This study discusses John Berger's book entitled: The Way of Seeing which was first printed in 1972. The purpose of this study is to urge photographers to study harder and implement critical theories about concepts and philosophies that support photography. This language urgency helps foster the critical spirit and instinct of students who are studying photography.This research departs from a literature review. Because of its basic research, with qualitative descriptive forms, it is in the search for data sources on primary and secondary data. Primary data is Berger's original work entitled How to Look, while the secondary one is a review and commentary on Berger's main work by other authors.The results of this study show the concept of thought of John Berger: Seeing the building of our existence in the world that surrounds us, therefore we can explain in words, whatever is around us. Seeing not only the affairs of the mechanical reaction of the eye organs (lens, retina, etc.) but there is the activity of choosing from so many things outside us that are visible to the eye. Keywords: John Berger, How to Look, Critical Theory, Photographer","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116303558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"REDESAIN STAN PEDAGANG SUVENIR DILINGKUNGAN MUSEUM SANGIRAN SRAGEN DENGAN PENDEKATAN ERGOKULTURAL","authors":"E. Haryanto, T. Utomo","doi":"10.33153/ACY.V11I1.2612","DOIUrl":"https://doi.org/10.33153/ACY.V11I1.2612","url":null,"abstract":"The souvenir product booth is an important tool that is used to support the smooth running of business activities in public space for traders. The souvenir product booth is used by sellers to display their merchandise to attract visitors to come and do buying and selling activities. This applied research aims to determine the condition of the souvenir merchant product booth at the Sangiran Museum, then analyze and synthesize, then do a new booth redesign that is in accordance to the demands of function, ergonomics, culture and image of Sangiran Museum tourism object. The design of the new booth was made so that it could function properly to support the display of the typical Sangiran products sold. In the end, it was hoped that there would be additional transactions so as to increase the sales turnover of souvenir merchants in Sangiran Museum area. The design is made based on the rules of function, safe and comfortable ergonomically, and has a distinctive character according to the tourist destinations in Sangiran Museum.The object of applied design research is the product stand for souvenir merchants in SangiranMuseu. The method used is descriptive with a qualitative approach supported by quantitative dataor can be called a multiple research strategy. Quantitative data here means using numerical data which is the result of measurement in the field, then compared to the references, resource persons and analyzed based on the researcher interpretation. The design activities begin with product discovery stage to obtain innovative creations in the product design process.The results of applied art / design research are in the form of designs and booths that are in accordance to the rules; functions, ergonomics, beauty and image of Sangiran Museum. The results of the creation of art / design are also expected to provide material for the Interior Design and Furniture Design Courses in Interior Design Study Program, ISI Surakarta.  Keywords  : booth redesign, ergonomics, culture, Sangiran Museum","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127238653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Aplikasi Motif Panji-Sekartaji pada Pendok Keris Gaya Surakarta","authors":"Kuntadi Wasi Darmojo","doi":"10.33153/ACY.V11I1.2615","DOIUrl":"https://doi.org/10.33153/ACY.V11I1.2615","url":null,"abstract":"Pendok is one part of kris furniture elements that are always attached to warangka or sarong kris. The main function of pendok is to wrap the gandar in order to protect the kris blade. Pendok keris also has other functions, namely symbolic and social functions. Pendok of Surakarta style kris mostly have a form with a variety of ornamental applications. Along with the dynamics of development, there has been an innovation in the application of Panji-Sekartaji motif which represents the development of wayang beber motif. This is in accordance to the basic concept of ornamental variety, with the function of adding beauty so that the pendok, when it is applied to the warangka, will make the kris interesting and beautiful. This writing uses interactive analysis method where data analysis that is used to analize problems related to the application of Panji-sekartaji motif on the pendok of Surakarta-style kris. Keywords: pendok, kris, ornament, motives and Surakarta. ","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131603923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DIMENSI SPIRITUAL DALAM SENI LUKIS ABSTRAK KONTEMPORER INDONESIA: SEJARAH DAN WACANA","authors":"Amir Gozali","doi":"10.33153/ACY.V11I1.2609","DOIUrl":"https://doi.org/10.33153/ACY.V11I1.2609","url":null,"abstract":"AbstractAbstract art through its abstraction mode is an attempt to explore the essence and existence of humanityin the dimension of spirituality. Abstraction is able to present a deeper meaningful space because of theopen dialogue between artists - works - spiritual observers. This research was conducted to explore andexplore the transcendental and spirituality dimensions especially in contemporary Indonesian abstractpainting as part of the expression and reflection of the search for the essence of the artist. In addition,historical aspects and discourse dynamics will also be analyzed in order to obtain a comprehensiveunderstanding in understanding the development of abstract art in Indonesia. This study uses qualitativemethods by optimizing studies on written sources and literature relating to the study of contemporaryIndonesian abstract painting by further analyzing the historical aspects and dynamics of discourse. Datawere analyzed using content analysis method. This study is expected to be a reference material for learningabstract art, artists, and art lovers.Keywords: spiritual, abstract painting, contemporary art, Indonesia","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121622357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SANGGIT TOKOH DALAM BANJARAN SENGKUNI","authors":"Yb. Rahno Triyogo","doi":"10.33153/acy.v10i2.2276","DOIUrl":"https://doi.org/10.33153/acy.v10i2.2276","url":null,"abstract":"Banjaran Sengkuni is a play that tells the story of the life of a wayang character named Sengkuni, from his birth to tragic death. Through the play the puppeteer believes that the real character of a figure is formed not only from birth but also since the process of fetal occurrence through sexual intercourseof the parents. Besides the process in the womb, the character is also formed by the environment that surrounds its life: the environment of the family, the surrounding community, and the universe.The character of Sengkuni in Banjaran Sengkuni was largely determined by the process of development of the baby or fetus in the womb, namely through the results of adultery or adultery which is culturally considered negative, even sin. He inherited his father’s character, Gandarwa named Setibar. The characters which could be observed include: baby Sengkuni was born with a handsome face but fanged, just like his father having fangs. In wayang tradition, a fang reflects a negative value.Keywords:character, fetal formationprocess, environment, universe","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125104160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"STUDI PENCIPTAAN SENI KINETIK “RAMPOGAN”","authors":"Satriana Didiek Isnanta, Deni Rahman","doi":"10.33153/acy.v10i2.2277","DOIUrl":"https://doi.org/10.33153/acy.v10i2.2277","url":null,"abstract":"The study of the creation of kinetic artwork with the title “Rampogan” focuses on the study of the creation of installation works that can move (kinetic). The purpose of this experiment-based art creation is to explore the possibilities of novelty on three aspects, namely: (1) visual rampogan aspects of the wayang kulit purwa as a representation of ideas, (2) aspects of the medium / material used and (3) mechanics aspects that can move the aesthetic elements of the work.The theme of the work in this creation study originated in Javanese cultural art, namely “Rampogan” (the puppet child who describes the dynamics of warriors leaving for war). This represents the idea of creating works about social phenomena that occur in Indonesia now, where the common life of the nation and state has been torn apart by a group of people who force the will of their groups by going down the streets.The method of creating this work uses a method of “artistic creation” which consists of three stages of creation, namely: (1) the experimental stages related to the exploration of materials, tools and techniques. (2) the contemplation stage relating to the exploration process of several alternative metaphors that will be used in the work, and (3) the formation stage which is the process of materializing the work by considering the principle of composition and structure.The output of this creation study is the creation of a kinetic work with the title “Rampogan”, scientific articles in national journals and intellectual property rights.Keywords: kinetic art, rampogan, Javanese culture","PeriodicalId":284380,"journal":{"name":"Acintya Jurnal Penelitian Seni Budaya","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132929851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}