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“Nil Reconsidered” Reconsidered: Disclosing the Teacher in the Critic “无反思”“反思”:在批评中揭示教师
Essays in Romanticism Pub Date : 2023-04-01 DOI: 10.3828/eir.2023.30.1.10
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引用次数: 0
Constable Responds to Wordsworth’s “gleam that never was, on sea or land”: Peele Castle, Hadleigh Castle 对华兹华斯“在海上或陆地上从未有过的光芒”的回应:皮尔城堡，哈德利城堡
Essays in Romanticism Pub Date : 2023-04-01 DOI: 10.3828/eir.2023.30.1.11
P. H. Fry
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引用次数: 0
“A slumber did my spirit seal”: Wrestling with Paul Fry on His Own Wordsworthian Terrain “沉睡封存了我的灵魂”:在保罗·弗莱的华兹华斯领地上与他摔跤
Essays in Romanticism Pub Date : 2023-04-01 DOI: 10.3828/eir.2023.30.1.3
H. Weinfield
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引用次数: 0
Ostensive Moments and the Romantic Arts: Essays in Honor of Paul H. Fry: Introduction 炫耀时刻与浪漫主义艺术:纪念保罗·h·弗莱的散文:引言
Essays in Romanticism Pub Date : 2023-04-01 DOI: 10.3828/eir.2023.30.1.2
E. Lindstrom
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引用次数: 0
Absence and Intrusion: On Paul Fry’s Prelude 缺席与闯入:论保罗·弗莱的前奏
Essays in Romanticism Pub Date : 2023-04-01 DOI: 10.3828/eir.2023.30.1.5
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引用次数: 0
Elation in Wordsworth and Fry 华兹华斯和弗莱的得意
Essays in Romanticism Pub Date : 2023-04-01 DOI: 10.3828/eir.2023.30.1.4
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引用次数: 0
The Voice of the Sod: Keats’s Nightingale from Below 草地的声音:济慈的《下层夜莺》
Essays in Romanticism Pub Date : 2023-04-01 DOI: 10.3828/eir.2023.30.1.6
Marshall Brown
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引用次数: 0
Minerality and Minoritization in Vijay Seshadri Vijay Seshadri的矿物性和少数民族化
Essays in Romanticism Pub Date : 2023-04-01 DOI: 10.3828/eir.2023.30.1.7
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引用次数: 0
Intimations amid Intimidations: Singleness and Transcendence in Wordsworth’s “Ode” 恐吓中的暗示:华兹华斯《颂歌》中的单一性与超越性
Essays in Romanticism Pub Date : 2022-10-01 DOI: 10.3828/eir.2022.29.2.4
P. Larkin
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引用次数: 0
Of “Combustion, blast, vapour, and cloud”: William Blake’s Urizen as Steam Engine, Albion Mill, & Notes Towards a Materialist Method for the Anthropocene “燃烧，爆炸，蒸汽和云”:威廉·布莱克的乌里岑作为蒸汽机，阿尔比恩·米尔，以及对人类世的唯物主义方法的注释
Essays in Romanticism Pub Date : 2022-10-01 DOI: 10.3828/eir.2022.29.2.3
J. Leveton
{"title":"Of “Combustion, blast, vapour, and cloud”: William Blake’s Urizen as Steam Engine, Albion Mill, & Notes Towards a Materialist Method for the Anthropocene","authors":"J. Leveton","doi":"10.3828/eir.2022.29.2.3","DOIUrl":"https://doi.org/10.3828/eir.2022.29.2.3","url":null,"abstract":"\u0000William Blake’s THE [FIRST] BOOK of URIZEN (1794) provides an important point of departure to consider technological changes related to the proliferation of steam engines. Blake’s engagement with visual metaphors of pollution, across the images of the illuminated book, and the language of combustion, with regard to the work’s poetics, invites readers to make connections with Albion Mill as a resonant site of industrial production where steam engines were first deployed in a process of mass manufacture in Romantic-period London. Thinking with Blake’s art, and connecting myth and the material history of Albion Mill, provides a critical means of understanding how the affective atmosphere of industry conditioned and acted as a factor of Romantic artistic production. In the end, reading Blake’s URIZEN dialectically in relation to the mobilization of steam engines at Albion Mill enables readers to see that, in the character’s being “Combustion, blast, vapour and cloud,” Urizen is a steam engine.","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126115229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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