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Essays in Romanticism最新文献

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Unruly Children: Blake’s Book of Urizen and Embryology’s Break from Newtonian Law 不守规矩的孩子:布莱克的《尤利森之书》和胚胎学对牛顿定律的突破
Essays in Romanticism Pub Date : 2016-04-12 DOI: 10.3828/EIR.2016.23.1.14
J. Fletcher
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引用次数: 0
Challenging the Digital Humanities: A Response to Jon Saklofske 挑战数字人文:对Jon Saklofske的回应
Essays in Romanticism Pub Date : 2016-04-12 DOI: 10.3828/eir.2016.23.1.8
Ashley Reed
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引用次数: 0
Digital Doors of Perception: Illuminating Blake through New Knowledge Environments 感知的数字之门:通过新的知识环境照亮布莱克
Essays in Romanticism Pub Date : 2016-04-12 DOI: 10.3828/eir.2016.23.1.7
Jon Saklofske
{"title":"Digital Doors of Perception: Illuminating Blake through New Knowledge Environments","authors":"Jon Saklofske","doi":"10.3828/eir.2016.23.1.7","DOIUrl":"https://doi.org/10.3828/eir.2016.23.1.7","url":null,"abstract":"The unique work and non-traditional production methods of William Blake have inspired me to design digital platforms that ask new critical questions regarding Blake’s output. Custom-fade allows for overlapping comparisons between the variants of William Blake’s printed images, and is exposing correlations in ways that traditional materials and methods cannot. Similarly, NewRadial, designed to sort, browse through, manipulate and comment on Blake’s iconic pages in a visual environment, was initially intended to open new possibilities for traditional critical approaches relating to Blake’s work. Its usefulness beyond specific Romantic period material has since prompted its evolution into a much more robust new knowledge environment. The growth of NewRadial (from a Blake-inspired tool to an environment that is helping to redefine the ways we might engage in scholarly collaboration) is an example of the way that larger methodological initiatives and metacritical ideas can emerge from addressing particular Rom...","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125665859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blake and Digital Making: A Critical Cluster 布莱克和数字制造:一个关键集群
Essays in Romanticism Pub Date : 2016-04-12 DOI: 10.3828/EIR.2016.23.1.3
Ashley Reed, Jon Saklofske, R. Whitson
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引用次数: 0
Channeling William Blake: A Response to Roger Whitson 通灵威廉·布莱克:对罗杰·惠特森的回应
Essays in Romanticism Pub Date : 2016-04-12 DOI: 10.3828/EIR.2016.23.1.11
Ashley Reed
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引用次数: 0
Coming to Terms with Algorithmic Demystification: A Response to Roger Whitson 与算法去神秘化达成协议:对罗杰·惠特森的回应
Essays in Romanticism Pub Date : 2016-04-12 DOI: 10.3828/eir.2016.23.1.12
Jon Saklofske
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引用次数: 0
There Is No William Blake: @autoblake’s Algorithmic Condition 没有威廉·布莱克:@autoblake的算法条件
Essays in Romanticism Pub Date : 2016-04-12 DOI: 10.3828/EIR.2016.23.1.10
R. Whitson
{"title":"There Is No William Blake: @autoblake’s Algorithmic Condition","authors":"R. Whitson","doi":"10.3828/EIR.2016.23.1.10","DOIUrl":"https://doi.org/10.3828/EIR.2016.23.1.10","url":null,"abstract":"This article examines a Twitterbot I created in the summer of 2013 to automatically tweet lines of poetry that mimic the style of William Blake. What does it mean for a tweet to be Blakean? The question recalls Alan Turing’s famous test of artificial intelligence: how do we know when a machine exhibits intelligence? I explore Turing’s question with specific reference to the temporal structure of algorithmic loops and branches found in Blake’s poetry, the Markov-chain structure used to statistically generate natural language, and the auto-generated lines of poetry produced by my Twitter program. My article takes inspiration from Friedrich Kittler’s article “There is No Software,” in which he questions what writing means when automatic processes are increasingly mediating communication online. For me, Blake’s poetic syntax enables an analogous exploration in the field of Romantic literary studies: namely how we can understand the meaning of poetry and literature when it is computationally mediated and gener...","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121041259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Craft and Care: The Maker Movement, Catherine Blake, and the Digital Humanities 工艺和护理:创客运动，凯瑟琳·布莱克，和数字人文
Essays in Romanticism Pub Date : 2016-04-12 DOI: 10.3828/EIR.2016.23.1.4
Ashley Reed
{"title":"Craft and Care: The Maker Movement, Catherine Blake, and the Digital Humanities","authors":"Ashley Reed","doi":"10.3828/EIR.2016.23.1.4","DOIUrl":"https://doi.org/10.3828/EIR.2016.23.1.4","url":null,"abstract":"This article examines the popular Maker movement, the scholarly discourse of “critical making,” and the work of digital humanists through an analysis of the working relationship between William and Catherine Blake. It begins by examining the contemporary Maker movement, which claims to embrace William Blake as its “patron saint” even as it increasingly insists on the monetization of Makers’ creative labor. This pressure toward monetization—in which garage tinkerers become uncompensated R&D departments for large corporations—is accompanied by an emphatic gendering of Makers as male and productive rather than female and reproductive, erasing and effacing the care work that makes Making possible. Given the Maker movement’s appropriation of Blake as symbol, it is instructive to examine the collaborative creative processes of William and his wife Catherine, who facilitated Blake’s “making” at every stage, both as care worker and as laborer at the press. Recent scholarship on Catherine, however, falls into the ...","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114073556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
Catherine Blake was an Insect? A Response to Ashley Reed 凯瑟琳·布莱克是一只昆虫?对阿什利·里德的回应
Essays in Romanticism Pub Date : 2016-04-12 DOI: 10.3828/eir.2016.23.1.5
Jon Saklofske
{"title":"Catherine Blake was an Insect? A Response to Ashley Reed","authors":"Jon Saklofske","doi":"10.3828/eir.2016.23.1.5","DOIUrl":"https://doi.org/10.3828/eir.2016.23.1.5","url":null,"abstract":"","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131633215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Conjuring Catherine Blake’s Material Ghost: A Response to Ashley Reed 召唤凯瑟琳·布莱克的物质幽灵:对阿什利·里德的回应
Essays in Romanticism Pub Date : 2016-04-01 DOI: 10.3828/eir.2016.23.1.6
R. Whitson
{"title":"Conjuring Catherine Blake’s Material Ghost: A Response to Ashley Reed","authors":"R. Whitson","doi":"10.3828/eir.2016.23.1.6","DOIUrl":"https://doi.org/10.3828/eir.2016.23.1.6","url":null,"abstract":"","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115048753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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