{"title":"White Revolutionary Subjecthood in Percy B. Shelley’s “Laon and Cythna”","authors":"Arif Camoglu","doi":"10.3828/eir.2023.30.2.5","DOIUrl":"https://doi.org/10.3828/eir.2023.30.2.5","url":null,"abstract":"","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135094396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Index","authors":"","doi":"10.3828/eir.2023.30.2.6","DOIUrl":"https://doi.org/10.3828/eir.2023.30.2.6","url":null,"abstract":"","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"148 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139321468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"William Wordsworth and the “Miraculous Gift” of Habit","authors":"Shuta Kiba","doi":"10.3828/eir.2023.30.2.2","DOIUrl":"https://doi.org/10.3828/eir.2023.30.2.2","url":null,"abstract":"Habit is often considered boring, mundane, uncreative, and conservative, that is, something antithetical to the spontaneous working of creative imagination. By exploring in the texts of William Wordsworth the resonant influence of the Scholastic and Reformed theory of the “infused habit,” or habit of “grace,” and Alexander Gerard’s habit of “genius,” this essay will illuminate the surprising cooperation of habit within Wordsworth’s creative imagination. In arguing against the conventional idea of habit while describing it as a new and surprising gift (i.e., grace and genius) of others, this essay will present a more nuanced understanding of the creative sovereignty and imagination of the Romantic poet, which our limited imagination toward habit has precluded.","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135141377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contributors","authors":"","doi":"10.3828/eir.2023.30.2.1","DOIUrl":"https://doi.org/10.3828/eir.2023.30.2.1","url":null,"abstract":"","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135141714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sympathy and the Self in William Godwin’s <i>Mandeville</i> (1817)","authors":"Colin Azariah-Kribbs","doi":"10.3828/eir.2023.30.2.4","DOIUrl":"https://doi.org/10.3828/eir.2023.30.2.4","url":null,"abstract":"In his Gothic novel Mandeville (1817), the radical political philosopher and author William Godwin presents a complex and compassionate depiction of the imaginative formation of individual selfhood and the way in which the limits of sympathy and the nature of selfhood operate to violently separate the individual from social sympathy. Godwin employs the coercive language of property and wounds to describe his eponymous protagonist’s experience and imaginative conceptualization of sympathy as a violent loss of selfhood; Charles Mandeville thus desires and fears social sympathy, imagining it as a threat against the privacy and integrity of his selfhood. The extreme nature of Mandeville’s desire for and aversion to sympathy demonstrates Godwin’s increasing reluctance to reconcile his interest in a radically private and imaginative selfhood with his theory that the imagination can and should in some way be controlled, expansive, empathetic, and social—in other words, transformed into a sympathetic and socially useful imagination, as described by theorists like Adam Smith and Joanna Baillie. Mandeville further reveals Godwin’s frustration with more optimistic theories of sympathy, depicting a character touched by political, physical, and psychological traumas, unable to solicit sympathy and never freely given sympathy except by manipulators. In Mandeville, Godwin offers a portrait of the conflicting and fundamentally irreconcilable relationship between the imaginative individual and social sympathy, one that both develops his own view of the complex relationship between the individual and community while deconstructing more utopian Romantic visions of the self and sympathy.","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135141720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Astley before Astley’s","authors":"Cassie Mayer, Lise Mayer, David Mayer","doi":"10.3828/eir.2023.30.2.3","DOIUrl":"https://doi.org/10.3828/eir.2023.30.2.3","url":null,"abstract":"Our prevailing image of Astley’s is the 1808 Thomas Rowlandson-Auguste Pugin engraving in Rudolph Ackerman’s The Microcosm of London in which a rider, standing upright on the back of a capering horse (as a clown-to-the-horse stands by) performs before a packed auditorium of fashionable ladies and gentlemen. Our account precedes that moment by more than four decades when, in 1759, the teenage Philip Astley, escaping family poverty, enlists in the Earl of Pembroke’s 15th Light Dragoon regiment. Sent for cavalry training to Wilton House (near Salisbury in Wiltshire) and in the Earl’s indoor manège, young Astley was trained in military equitation and use of cavalry weapons by Pembroke, Col. George Eliot, and Pembroke’s riding master Domenico Angelo, the trio advocating and enforcing a style of riding which sharply differed from conventional cavalry horsemanship. This style and the very choice of horses on which he was trained would thereafter be the basis for Astley’s great skill, his feats in battle, the horses employed in his arenas, and the approach to riding which he would demand of his actors and performers.Astley returned a war hero from the Seven Years’ War, rising to the rank of sergeant major and displaying exceptional equestrian skills. His feats in battle earned the patronage of George III which Astley was to repeatedly exploit. Discharged c.1768, Astley, now married, busked in the public parks, showing some of his trick-riding feats before opening a riding school in Lambeth. In this essay, we discuss how the vogue for riding amongst the emerging middle classes made the teaching of equitation a profitable enterprise, and we look closely at Astley’s riding school, his pupils, and the displays of horsemanship and other acts demanding physical skills at that school. These performances, initially in an outdoor venue subject to the vagaries of weather and to the hostilities of the Royal Patent holders, led to Astley’s enclosed Royal Grove Theatre and, after a 1794 fire, an even grander structure on the same site, just south of Westminster Bridge. We identify how Astley acquired his patent.","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135094734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Important Notice: Distribution of <i>Essays in Romanticism</i>","authors":"","doi":"10.3828/eir.2023.30.2.7","DOIUrl":"https://doi.org/10.3828/eir.2023.30.2.7","url":null,"abstract":"","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135149551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contributors","authors":"","doi":"10.3828/eir.2023.30.1.1","DOIUrl":"https://doi.org/10.3828/eir.2023.30.1.1","url":null,"abstract":"","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134945908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Indication, Ekphrasis, and Things as They Are: Paul Fry with James Schuyler","authors":"","doi":"10.3828/eir.2023.30.1.8","DOIUrl":"https://doi.org/10.3828/eir.2023.30.1.8","url":null,"abstract":"","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121779786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Recovery of Still Life: On a Gesture in Paul Fry’s Poetic Criticism","authors":"","doi":"10.3828/eir.2023.30.1.9","DOIUrl":"https://doi.org/10.3828/eir.2023.30.1.9","url":null,"abstract":"","PeriodicalId":281500,"journal":{"name":"Essays in Romanticism","volume":"10 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120910065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}