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The Waste Land in Spanish Translation (1930-2022) 西班牙语版《荒原》(1930-2022)
Revista Canaria de Estudios Ingleses Pub Date : 1900-01-01 DOI: 10.25145/j.recaesin.2022.85.15
Teresa Gibert
{"title":"The Waste Land in Spanish Translation (1930-2022)","authors":"Teresa Gibert","doi":"10.25145/j.recaesin.2022.85.15","DOIUrl":"https://doi.org/10.25145/j.recaesin.2022.85.15","url":null,"abstract":"\"Between 1930 and 2022, no fewer than 35 people (including professional translators, scholars and amateurs) met the formidable challenge of translating into Spanish either The Waste Land in full or only some of its sections. With varying degrees of success, these translations found their way into the pages of single books, anthologies, literary magazines or journals both in Spain and in Hispanic-American countries such as Argentina, Chile, Colombia, Mexico, Peru and Santo Domingo. Undertaking a close analysis of all these versions not only provides an excellent opportunity to revisit T.S. Eliot’s best-known poem on the centenary of its publication, but may also contribute to the study of the complex process of its retranslation over more than nine decades.\"","PeriodicalId":273717,"journal":{"name":"Revista Canaria de Estudios Ingleses","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130251849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Those Who Have Loved Are Those that Have Found God: Queer Sikh Narratives in Sab Rab De Bande (We’re All God’s Creation) (2020) 爱过的人就是找到上帝的人:《我们都是上帝的创造》(2020)中古怪的锡克教徒叙事
Revista Canaria de Estudios Ingleses Pub Date : 1900-01-01 DOI: 10.25145/j.recaesin.2021.83.10
Regiane Corrêa de Oliveira Ramos, Jairo z Adrián-Hernánde
{"title":"Those Who Have Loved Are Those that Have Found God: Queer Sikh Narratives in Sab Rab De Bande (We’re All God’s Creation) (2020)","authors":"Regiane Corrêa de Oliveira Ramos, Jairo z Adrián-Hernánde","doi":"10.25145/j.recaesin.2021.83.10","DOIUrl":"https://doi.org/10.25145/j.recaesin.2021.83.10","url":null,"abstract":"Religion and non-heterosexual and gender identifications have a complex relationship in most societies. The religious discourse in most communities condemns the LGBTIQ+ community and even deny them to access and practice their religious experiences/practices. In India, where religion and rituals are embedded in daily practices, religious identity can rarely be disassociated from other identities and added factor like caste and social class. India is if anything saturated with hundreds of religions which translates into multiple identities, sometimes overlapped and in confliction with each other. In this context, the purpose of this paper is to analyze the documentary Sab Rab De Bande (We’re all God’s Creation) (2020) produced and directed by Sukhdeep Singh to highlight the challenges that the queer Sikhs in India face when reconciling their religious identity with gender identities and sexual orientations. The corpus of this analysis sheds light on intersectionality, which allows us to see the collision of structures and the simultaneous interaction of identity avenues.","PeriodicalId":273717,"journal":{"name":"Revista Canaria de Estudios Ingleses","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129378342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An Era of Darkness: Satyajit Ray’s Anticolonial Project 黑暗时代:萨蒂亚吉特·雷的反殖民计划
Revista Canaria de Estudios Ingleses Pub Date : 1900-01-01 DOI: 10.25145/j.recaesin.2021.83.04
Binayak Roy, O. Dwivedi
{"title":"An Era of Darkness: Satyajit Ray’s Anticolonial Project","authors":"Binayak Roy, O. Dwivedi","doi":"10.25145/j.recaesin.2021.83.04","DOIUrl":"https://doi.org/10.25145/j.recaesin.2021.83.04","url":null,"abstract":"Satyajit Ray’s films are enriched with ideological concerns and engage with the issues of colonialism and the crisis of nationhood. His post 1970 films present an artist’s anguished response to the betrayal of the Nehruvian dream and to the anachronism of his own cherished values. It was also in this period that Ray turned to India’s colonial past and critiqued the dynamics of power relations. This essay studies how Shatranj ke Khilari (The Chess Players, 1980) assesses the reasons for colonization of India and its culture by the Britishers and how, in Ashani Sanket (Distant Thunder, 1973), he criticized the Raj, the mercenaries and the complexities in Indian society where he denounces the Bengal Famine of former times.","PeriodicalId":273717,"journal":{"name":"Revista Canaria de Estudios Ingleses","volume":"206 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116191599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Revolving Around India(s): Alternative Images, Emerging Perspectives. Edited by Juan Ignacio Oliva-Cruz, Antonia Navarro-Tejero and Jorge Diego Sánchez. (Newcastle upon Tyne: Cambridge Scholars Publishing, 2020, 313 pp. ISBN: 978-1-5275-4524-3) 围绕印度:不同的图像，新兴的视角。编辑胡安·伊格纳西奥·奥利瓦-克鲁兹，安东尼娅·纳瓦罗-特赫罗和豪尔赫·迭戈Sánchez。(泰恩河畔纽卡斯尔:剑桥学者出版社，2020年，313页。ISBN: 978-1-5275-4524-3)
Revista Canaria de Estudios Ingleses Pub Date : 1900-01-01 DOI: 10.25145/j.recaesin.2021.83.23
Andrea Llano Busta
{"title":"Revolving Around India(s): Alternative Images, Emerging Perspectives. Edited by Juan Ignacio Oliva-Cruz, Antonia Navarro-Tejero and Jorge Diego Sánchez. (Newcastle upon Tyne: Cambridge Scholars Publishing, 2020, 313 pp. ISBN: 978-1-5275-4524-3)","authors":"Andrea Llano Busta","doi":"10.25145/j.recaesin.2021.83.23","DOIUrl":"https://doi.org/10.25145/j.recaesin.2021.83.23","url":null,"abstract":"","PeriodicalId":273717,"journal":{"name":"Revista Canaria de Estudios Ingleses","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116845806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Canadian Fictions of Globality: Introduction 加拿大全球化小说:导论
Revista Canaria de Estudios Ingleses Pub Date : 1900-01-01 DOI: 10.25145/J.RECAESIN.2019.78.01
P. M. Carmona-Rodríguez
{"title":"Canadian Fictions of Globality: Introduction","authors":"P. M. Carmona-Rodríguez","doi":"10.25145/J.RECAESIN.2019.78.01","DOIUrl":"https://doi.org/10.25145/J.RECAESIN.2019.78.01","url":null,"abstract":"[...] what unsettles the world must also unsettle Canada –a post-colonial country whose cities are among the most ethnically diverse on the planet, and where the rate of environmental change has pitched us all into unknown territory. We are a people who remember and forget simultaneously, slowly learning to share a land that persistently eludes a single language. Madeleine Thien, Introduction to Granta 14","PeriodicalId":273717,"journal":{"name":"Revista Canaria de Estudios Ingleses","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133095122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gurinder Chadha’s Viceroy House (2017) and Other Evictions: Transnational Connections of Past and Present Crises in Cinema 古林德·查达的《总督府》(2017)和其他驱逐:电影中过去和现在危机的跨国联系
Revista Canaria de Estudios Ingleses Pub Date : 1900-01-01 DOI: 10.25145/j.recaesin.2021.83.13
E. Oliete-Aldea
{"title":"Gurinder Chadha’s Viceroy House (2017) and Other Evictions: Transnational Connections of Past and Present Crises in Cinema","authors":"E. Oliete-Aldea","doi":"10.25145/j.recaesin.2021.83.13","DOIUrl":"https://doi.org/10.25145/j.recaesin.2021.83.13","url":null,"abstract":"Crisis is the word that seems to best characterize the twenty-first century conjuncture. The bleakness and instability of an uncertain and troubled present often encourages the proliferation of nostalgic images of past times, which become sweetened scenarios for escapist memories. On the other hand, the local and global current economic, social and political divisions have also brought to light the need to revisit certain aspects of the past from other perspectives. This is the case of Gurinder Chadha’s films, which frequently advocate for the crossing of cultural borders by showing the hybrid nature of communities and their heritage. Following Robert Stam’s cultural and filmic methodology which includes a transdisciplinary, transmediatic, transtextual, transregional, and transartistic approach (2019), I aim to analyze Chadha’s Viceroy’s House as a film that proposes a revision of India’s Partition while offering a critical transnational and intersectional connection of contemporary global and local scenarios.","PeriodicalId":273717,"journal":{"name":"Revista Canaria de Estudios Ingleses","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127814186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hybrid Mythologies: Identity and Heritage in the Poetry of Louise Erdrich 混合神话:路易丝·厄德里奇诗歌中的身份和遗产
Revista Canaria de Estudios Ingleses Pub Date : 1900-01-01 DOI: 10.25145/j.recaesin.2019.78.011
María Porras Sánchez
{"title":"Hybrid Mythologies: Identity and Heritage in the Poetry of Louise Erdrich","authors":"María Porras Sánchez","doi":"10.25145/j.recaesin.2019.78.011","DOIUrl":"https://doi.org/10.25145/j.recaesin.2019.78.011","url":null,"abstract":"","PeriodicalId":273717,"journal":{"name":"Revista Canaria de Estudios Ingleses","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127979250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Violence and Silence: Ken McMullen’s Partition and Gurinder Chadha’s Viceroy’s House 暴力与沉默:肯·麦克马伦的《分治》和古林德·查达的《总督之家》
Revista Canaria de Estudios Ingleses Pub Date : 1900-01-01 DOI: 10.25145/j.recaesin.2021.83.14
Sandip Ain
{"title":"Violence and Silence: Ken McMullen’s Partition and Gurinder Chadha’s Viceroy’s House","authors":"Sandip Ain","doi":"10.25145/j.recaesin.2021.83.14","DOIUrl":"https://doi.org/10.25145/j.recaesin.2021.83.14","url":null,"abstract":"The literary and cinematic representation of violence has always been problematic and has involved ethical imperatives and rational understanding of an event that often defies logical understanding. In this paper, I propose to deal with two films that directly engage with the political negotiations that took place concerning the Partition of India and the cartographic violence that ensued: Ken McMullen’s Partition (2007) and Gurinder Chadha’s Viceroy’s House (2017). The work compares the representations of the Partition in these two films to investigate whether the reparative or sentential aspect of cinema heal our memories or compromise with the truth to connect with the audience.","PeriodicalId":273717,"journal":{"name":"Revista Canaria de Estudios Ingleses","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117283721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anti-caste Aesthet(h)ics in Contemporary Dalit Cinema: The Case of Asuran (2019) 当代达利特电影中的反种姓美学(h):《阿舒兰》(2019)
Revista Canaria de Estudios Ingleses Pub Date : 1900-01-01 DOI: 10.25145/j.recaesin.2021.83.03
Dolores Herrero
{"title":"Anti-caste Aesthet(h)ics in Contemporary Dalit Cinema: The Case of Asuran (2019)","authors":"Dolores Herrero","doi":"10.25145/j.recaesin.2021.83.03","DOIUrl":"https://doi.org/10.25145/j.recaesin.2021.83.03","url":null,"abstract":"Mainstream Indian cinema has failed to denounce the social realities of casteism, depict diversity and vindicate inclusion. However, the advent of globalisation and new modern media and social platforms have contributed, not only to reinventing the very dynamics of cinema production and consumption, but also to developing new film genres that dare to question and counter hegemonic ideologies and aesthetics. This is the case of Dalit cinema, a movement of visual creative art made by Dalit film-makers with a view to embodying and dignifying Dalit subjectivities and inspiring socio-cultural criticism and resistance. The main aim of this paper will be to show how Dalit films like Vetrimaaran’s Asuran strive to oppose the dominant aesthetics of stereotypical representation, thus denouncing casteist images and even developing innovative or subversive anti-caste aesthetics which prompt spectators to get involved in the ethical issues put forward and can in turn be labelled as anti-caste aesthet(h)ics.","PeriodicalId":273717,"journal":{"name":"Revista Canaria de Estudios Ingleses","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114441050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Here’s to The Fools Who Dream:” Hollywood’s Illusion of The American Dream In La La Land 在《爱乐之城》中，好莱坞对美国梦的幻想“致有梦想的傻瓜”
Revista Canaria de Estudios Ingleses Pub Date : 1900-01-01 DOI: 10.25145/j.recaesin.2022.84.14
Laura Rodríguez Arnáiz
{"title":"“Here’s to The Fools Who Dream:” Hollywood’s Illusion of The American Dream In La La Land","authors":"Laura Rodríguez Arnáiz","doi":"10.25145/j.recaesin.2022.84.14","DOIUrl":"https://doi.org/10.25145/j.recaesin.2022.84.14","url":null,"abstract":"The ideal of the American Dream has defined the lives of many people not only within the U.S., but also from all around the world, making it an international phenomenon. However, its significance has varied throughout time, adapting to the new circumstances of the people pursuing it and the opportunities coming their way. In such context, La La Land, the outstanding audiovisual 2016 production, deals with the newest conception of the Dream –the “Dream of the Coast”– by offering a glimpse at the true Hollywood lights and shadows through a nostalgic and flawed portrayal of the Dream and the real consequences of pursuing it.","PeriodicalId":273717,"journal":{"name":"Revista Canaria de Estudios Ingleses","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122017171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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