Those Who Have Loved Are Those that Have Found God: Queer Sikh Narratives in Sab Rab De Bande (We’re All God’s Creation) (2020)

Regiane Corrêa de Oliveira Ramos, Jairo z Adrián-Hernánde
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Abstract

Religion and non-heterosexual and gender identifications have a complex relationship in most societies. The religious discourse in most communities condemns the LGBTIQ+ community and even deny them to access and practice their religious experiences/practices. In India, where religion and rituals are embedded in daily practices, religious identity can rarely be disassociated from other identities and added factor like caste and social class. India is if anything saturated with hundreds of religions which translates into multiple identities, sometimes overlapped and in confliction with each other. In this context, the purpose of this paper is to analyze the documentary Sab Rab De Bande (We’re all God’s Creation) (2020) produced and directed by Sukhdeep Singh to highlight the challenges that the queer Sikhs in India face when reconciling their religious identity with gender identities and sexual orientations. The corpus of this analysis sheds light on intersectionality, which allows us to see the collision of structures and the simultaneous interaction of identity avenues.
爱过的人就是找到上帝的人:《我们都是上帝的创造》(2020)中古怪的锡克教徒叙事
在大多数社会中,宗教与非异性恋和性别认同有着复杂的关系。大多数社区的宗教话语谴责LGBTIQ+社区,甚至拒绝他们接触和实践他们的宗教体验/实践。在印度,宗教和仪式植根于日常生活中,宗教身份很难与其他身份以及种姓和社会阶层等附加因素分离开来。印度充斥着数百种宗教,这些宗教转化为多种身份,有时相互重叠和冲突。在此背景下,本文的目的是分析由Sukhdeep Singh制作和导演的纪录片《我们都是上帝的创造》(2020),以突出印度的酷儿锡克教徒在调和他们的宗教认同与性别认同和性取向时所面临的挑战。这种分析的语料库揭示了交叉性,这使我们能够看到结构的碰撞和身份途径的同时互动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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