NaUKMA Research Papers. History and Theory of Culture最新文献

{"title":"Ephemeral Sentimentality in Gaspar Noé’s Creative World","authors":"Mykhailo Sobutsky, Oksana Ozarchuk","doi":"10.18523/2617-8907.2023.6.51-56","DOIUrl":"https://doi.org/10.18523/2617-8907.2023.6.51-56","url":null,"abstract":"The article focuses on the imaginary, yet somewhat real world created by one of the most contradictory filmmakers of our time, Gaspar Noé. Noé is a French director of Argentinean origin, born in 1963. His works received both admiration and criticism over the past decades. He is criticized for the brutality of any episodes and motifs, yet adored by those who can appreciate the hidden sentimental overtone of his films. The emotional impact of his works is ephemeral and difficult to grasp at once, yet it lingers on. The initial episodes of the “Irreversible” can cause nausea, but the latter ones (edited in an inverted chronological sequence) possess an inevitable hint of vain hopes of happiness. Gaspar Noé labeled his next film, “Enter the Void,” a “psychedelic melodrama.”We traced this ephemeral sentimental mood from the earliest short “Carne” (1991) to the director’s releases of 2018–2019. All the forbidden topics (not so much forbidden in the contemporary cinema) appear in Gaspar Noé’s films: excessive violence depicted too realistically, drugs of various kinds, soft porn, even hardcore (in “Love”). One can see the incest taboo, regarded by anthropologists to be the core of culture, suspended here (not for the first time in the contemporary cinema as well). Nevertheless, the sentimental aura dissolves it all.The world of Gaspar Noé’s creative work is dangerous and unpredictable. You can take a wrong turn in the city, be raped and cruelly murdered. You can enter “The Void” (a bar named so) and be accidentally shot. And then you wonder if the Tibetan Book of Dead gives you a chance of return, in the womb of your own sister, as a child of your friend.A fantastic world, but much too keen to the real one. In a true fantasy, “Game of Thrones” for example, we find as much violence, rape, incest, burning a witch alive (compare the latest Noé’s production, Lux Aeterna). But you do not feel it. Fantasy is a safe medium of releasing our primitive fears and drives in a suspended mode: it never was so, the fake medieval world of George Martin does not exist. The world of Gaspar Noé exists, it is crammed into modern cities and waits around the corner.Here we need the aid of Lacanian psychoanalysis. To interpret the difference, one must take into account Jacques Lacan’s concept of “the Real”. If the Real (not the outer reality, but Real inside the human being) comes too close to us, we feel fear and anxiety. If the Real crosses the Imaginary (vain hopes for happiness, for example), such an intersection provokes hatred. If the Real crosses the Symbolic, it provokes a vigorous desire not to know. Those who blame Gaspar Noé feel this desire. Those who appreciate him try to encompass the polarity of abomination and sentimentalism in the real world.","PeriodicalId":273276,"journal":{"name":"NaUKMA Research Papers. History and Theory of Culture","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124078856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Truth of History in the Graffiti on the Fresco of St. Sophia of Kyiv: a New Reading of the Most Ancient Inscriptions","authors":"N. Nikitenko","doi":"10.18523/2617-8907.2023.6.79-88","DOIUrl":"https://doi.org/10.18523/2617-8907.2023.6.79-88","url":null,"abstract":"The article, in the context of the author’s proposal of new dating of St. Sophia of Kyiv to the years of 1011–1018, focuses on the conceptual problem of the apogee of the development of ancient Rus-Ukraine. It is argued that this historical phenomenon is characteristic of the era of Volodymyr the Great, rather than Yaroslav the Wise, which was only a “weakened copy” of his father’s reign. To support this argument, the article analyzes the oldest Sophia graffiti from 1015 and 1019. A new reading of these graffiti using the method of a complex causal approach has made it possible to more clearly understand and objectively perceive the specific historical situation, which was falsified in the annals, and to bring it to life. In the altar part of the cathedral, the graffiti, previously considered to be the inscriptions of Volodymyr (Vasyliy) Monomakh and his contemporary Metropolitan Nikephoros and dated to the beginning of the 12th century, have been re-attributed. The author argues that these graffiti are 100 years older and are the autographs of Volodymyr (Vasyliy) the Great and his contemporary, the Byzantine general Archon Nikephoros Xiphias, created in 1014–1015 to commemorate the Belasytsia victory of Basil II with the help of Volodymyr’s troops in Bulgaria. This is the oldest authentic evidence of the existence of Sophia of Kyiv at that time as an already-built and frescoed temple that Volodymyr aimed to complete before his death. The existence of Sophia in the second decade of the 11th century is also confirmed by the author’s previously attributed graffiti of the “Olisava group” of 1019. These were preserved in the princely choirs of the cathedral, which belonged to Princess Olisava, the mother of Sviatopolk I, and his entourage, as well as the Metropolitan of Kyiv Ioann I. The graffiti left by the soldiers of the Novgorod official Kosniatyn Dobrynych on the walls of the cathedral’s open galleries also date back to the same year. The graffiti of 1019 record the end of the princely feud of 1015–1019 and the arrival of Yaroslav from Novgorod to power in Kyiv. Therefore, all the avalyzed graffiti are reliable epigraphic documents that testify to the emergence of Sophia of Kyiv in 1011–1015 and shed light on the course of historical events and the formation of national culture.","PeriodicalId":273276,"journal":{"name":"NaUKMA Research Papers. History and Theory of Culture","volume":"377 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115905401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Body: The Possibility of Another View","authors":"Vadym Miroshnychenko","doi":"10.18523/2617-8907.2023.6.24-30","DOIUrl":"https://doi.org/10.18523/2617-8907.2023.6.24-30","url":null,"abstract":"In a commonly held view, which is supported by the majority of multi-directional scientific research, the body is understood in purely descriptive terms or is considered in relation to corporeality, culture, cultural practices. Humanities provide a broad understanding of the history of the body, its representation in different cultural periods, focusing on parts of the body and describing it in terms of art, literature, cinema, biopolitics, fashion, etc. This perspective is not necessarily incorrect, however, it is incomplete. It is quite enough to mention Jacques Derrida, Gayatri Chakravorty Spivak, Roland Barthes, Ludwig Wittgenstein, Judith Butler, Giorgio Agamben, or Catherine Malabou to demonstrate the complexity of the issue of a body. The body is presented through different perspectives and according to different researchers’ methodological preferences, but all of these need to be integrated into a system. The system has its own inviolable borders and is habituated to them. The body, as a system, iterates itself and reacts to threats and stimuli in a painful and aggressive way, seeking to protect itself and to secure its survival. This is fully consistent with the normative behaviour, yet it does not reflect genuineness (whatever that may imply), and the inflexibility of this viewpoint is somewhat repressive.More extensive research of the body that incorporates deconstruction (which is not a method, a critic, or an analysis) opens new research horizons and allows for the idea that the body does not necessarily correspond to corporeality, nature, and cultural practices. Rather, there are sufficient grounds to think of the body (at least at the theoretical level) as something individual. In other words, the body emerges in view of the corporeality, as well as omits it, thereby bypassing discourse and the language. The separation of the body reveals itself as accessible due to reviews of certain positions in terms of deconstruction that open paths for the body “as such” in isolation from correlations. The body “as such” resides in the language game and, in doing so, separates itself from corporeality and becomes deconceptualized.","PeriodicalId":273276,"journal":{"name":"NaUKMA Research Papers. History and Theory of Culture","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127494317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Late Wittgenstein by C. Geertz: ‘Thick Description’ as Anthropological Concept and Anthropologist’s Home Dwelling","authors":"Yurij Dzhulay","doi":"10.18523/2617-8907.2023.6.7-14","DOIUrl":"https://doi.org/10.18523/2617-8907.2023.6.7-14","url":null,"abstract":"С. Geertz’s paying attention to the fact that late Wittgenstein’s network of concepts and images was always a guide for perfecting expression of his ideas. This allowed for exploring, in a new way, the sign of understanding an alien culture through returning to a man a feeling of friction under their feet. This mage of connecting to the everyday life of an alien culture has led C. Geertz to creating images of ethnographer’s everyday life in a “thick description” against a background of vivid images of “living a literary criticism” described by R. Wellek and A. Warren.With the very background of contemporary criticism’s expressive motives of excluding the studies in history of literature, which risked turning critics into antiquarians, and an imagined student’s cunning suggestion on accepting cryptographer’s operations as an equivalent of recognizing alien types of symbolic writing in a poet’s imagination, C. Geertz created an image of an ethnographer’s daily life in a form of “thick description.” This implies a non-mirrored similarity to reading a manuscript and criticizes the attempts to replace the interpretation of cultures to deсoding.C. Geertz’s appeal to K. Burke’s summing up of an ideal model of the strategy of transforming a literary description of an imaginary event into a description of the imaginary actions of the participants of this event under the name ‘Bovary’ emphasized the presence of only really existing events and actions in the descriptions of the old time cultures.However, C. Geertz’s appeal to S. Langer’s description of the influence of the “grande idée” on the development of sciences provoked the appearance of the most extensive description of the features of the presence of “rich description” in theoretical generalizations, which also contained instructions for protection against the seduction of “rich description” by ideas of this kind.","PeriodicalId":273276,"journal":{"name":"NaUKMA Research Papers. History and Theory of Culture","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129145016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Diaphorology: from the Inventory of Shimmering(s) to New Didactics","authors":"Anfisa Doroshenko","doi":"10.18523/2617-8907.2023.6.31-38","DOIUrl":"https://doi.org/10.18523/2617-8907.2023.6.31-38","url":null,"abstract":"Diaphorology, coined by Roland Barthes in relation to his concept of Neutral, remains uncommented upon and insufficiently explained. It is worth noting that this word not only describes but problematizes his pedagogical project. This article defends the thesis that there are multiple points of exchange between the notion of “diaphora” and diaphorology. The didactic role of both is, on the one hand, to de-hierarchize, declassify, and deindividualize differences, showing that dividing an object’s features or the recipient’s abilities is an unproductive theoretical and pedagogical approach. On the other hand, diaphorology has an explicit self-critical impulse, i.e., it brings both itself and the object of research.What Barthes presented is interwoven with other theoretical constructs: the notion of “diaphora,” appropriated from literary and linguistic studies (with the theory of metaphor being the most obvious field of origin), the diaphorological method (as well as a certain motivation or a kind of research intention incorporated in such an approach), and diaphorology itself, but in more extended context. It is important to note that these constructs do not undermine each other but rather form an almost coherent field of knowledge. The didactic power of diaphorology as a science of “small differences” and nuances also becomes a kind of invitation to resist discourses of intimidation, subordination, domination, self-assertion, and arrogance.Other issues considered include whether it is worthwhile to search for one “pure” diaphora and whether the artistic research practice can serve as a non-theoretical alternative to Barthes’ approach. In this particular study, the work by Marcel Duchamp is provided as an example.At last, by drawing on Barthes’s theory, the study aims to re-examine the significance of a light effect, such as shimmering, in conveying a certain didactic and ethical attitude of the researcher.","PeriodicalId":273276,"journal":{"name":"NaUKMA Research Papers. History and Theory of Culture","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128412303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Historical Detective Story and History as a Detective Story: to the Question of Cross-genre Synthesis","authors":"O. Kolesnyk","doi":"10.18523/2617-8907.2023.6.39-44","DOIUrl":"https://doi.org/10.18523/2617-8907.2023.6.39-44","url":null,"abstract":"The article presents an analysis of the popular historical / retro detective genre, considered in terms of semantic fields shared with other literary genres, which for their synthesis. In particular, the motive of the activity of the past in the present and the future, present in almost all literary forms, is of a formative significance in the detective story. The plot is built on a retrospective reconstruction of events leading to a particular situation, typically a crime. This motive is crucial for historical and quasi-historical genres such as alternative history and cryptohistory, in which similar “detective” work on the reproduction of real or hypothetical events, their origins and results is carried out by the author himself and to some extent by the recipient. Such artistic research holds a significant place in the “investigation novel” genre, allowing the author to present his/her own scientifically based version of ambiguous historical material.The motive of understanding the true causes and nature of events is also present in the psychological novel, where the focus is shifted from the “external” mystery of the situation to the secrets of the depths of the human psyche. The fundamental principles of the detective genre reach considerable archetypal depth, based on such mythological and philosophical themes as the essence of time and the cause-and-effect relationships of events, the meaning of being and the essence of repentance. All this creates significant opportunities for philosophy, including historiosophical artistic research, allowing a complex synthesis of genres (most often: detective story – history – science fiction and fantasy), with extensive use of the achievements of psychological and social literature. All these forms of the artistic interpretation of the “past-in-the-future” are very relevant to the culture that is seeking new understanding of its own past and the history of international relations. It explains the relative popularity of the historical and retro-detective in contemporary Ukrainian literature.For Ukrainian authors, the second half of the 19th and the first half of the 20th centuries remains the most attractive period. The strongest points of their novels are a significant amount of historical and local history information, as well as efforts to understand (and rethink) the imperial heritage in its various forms; after all, it is not only about the Russian but also about the Austro-Hungarian empire.","PeriodicalId":273276,"journal":{"name":"NaUKMA Research Papers. History and Theory of Culture","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132764719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Trojan Motives in the Myth Geography of Kyiv","authors":"R. Demchuk","doi":"10.18523/2617-8907.2023.6.72-78","DOIUrl":"https://doi.org/10.18523/2617-8907.2023.6.72-78","url":null,"abstract":"Spatial mythopoetry coexists with the new humanitarian field of mythogeography, which is a particular view of space as text. Mythogeography of cities has developed mental spaces and beliefs that originate from certain “sacral temenoi” as prototypes of future cities.The objective of this paper is to study the mythogeography of Kyiv, specifically the reception of the universal “Trojan myth” in the socio-cultural space of the city.The methodological approach includes the general scientific typological (stability of cultural attributes), integrative (community of cultural features), and specialized method of mythological rehabilitation that allows for discovering the mythological signs, allusions, images, plots that gain considerable and multilayered meaning.The scientific novelty of the study is to reveal the connections between various modifications of the “Trojan myth” and the cultural landscape of Kyiv, based on mythopoetics and toponymic analysis.The mythogeography of Kyiv corresponds to the model of palimpsest, where spatial images are temporally layered on a matrix of the cultural landscape.During the late Middle Ages and the Ukrainian Baroque, the “Trojan myth” was activated according to the Renaissance European tendencies of searching for the ancient pedigree of cities, states, and peoples. The archetypical “Trojan myth” became increasingly influential in Ukrainian lands. For instance, during the Enlightenment age, the Trojan theme received a political and patriotic extrapolation as “Ukraine being the new Troy” in the poems “Eneida” (1798) by Ivan Kotliarevsky and “Cassandra” (1908) by Lesia Ukrainka.The mythological pattern of Kyiv, which goes back to Antiquity, thus proves cultural significance of the city in pan-European dimension.","PeriodicalId":273276,"journal":{"name":"NaUKMA Research Papers. History and Theory of Culture","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124113103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Influence of Virtual Communication on the Lingual Picture of the World (on the Example of WebEnglish)","authors":"L. Osadcha","doi":"10.18523/2617-8907.2023.6.45-50","DOIUrl":"https://doi.org/10.18523/2617-8907.2023.6.45-50","url":null,"abstract":"The article analyzes language as a phenomenon of culture and emphasizes the ontological nature of language should be considered where the appearance of nouns in the language signifies the recognition of the existence of a thing or phenomenon. People pay attention and name the events that are most important in their lives. Therefore, dictionaries differ not only in the number of words but also in untranslatable concepts. Thus language determines what concepts can be thought in it. Due to historical conditions, the English language has become a means of international communication. The status has only strengthened in the era of virtual communication in networks. That is why the study seeks to answer two questions: how on-screen communication affects language changes and what are the consequences for the English language due to its lingual dominance. On-screen communication favors the dominance of written speech for chatting, but even messages expected to function as oral speech are being printed, leading to the simplification of grammar, spelling, and syntax. This has led to the creation of some abbreviations that have become multimeaning expressions widely used in everyday oral and official communication. Secondly, global English, or so-called WebEnglish (Weblish), is learned by communicators superficially, without diving into meaningful phraseological, idiomatic depths. This contributes to its creolization and simplification. Therefore, a worthy response to the challenges that Weblish poses to the English language is the protection of linguistic and cultural diversity and the implementation of a policy of multilingualism in the world.","PeriodicalId":273276,"journal":{"name":"NaUKMA Research Papers. History and Theory of Culture","volume":"376 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123388180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Introductory speech. Per aspera ad veritatem","authors":"Yurij Dzhulay, D. Korol","doi":"10.18523/2617-8907.2023.6.3-6","DOIUrl":"https://doi.org/10.18523/2617-8907.2023.6.3-6","url":null,"abstract":"","PeriodicalId":273276,"journal":{"name":"NaUKMA Research Papers. History and Theory of Culture","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121991832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mankind’s Socio-Cultural Development: Thanatological Perspective","authors":"D. Korol","doi":"10.18523/2617-8907.2023.6.15-23","DOIUrl":"https://doi.org/10.18523/2617-8907.2023.6.15-23","url":null,"abstract":"The article substantiates some methods and perspectives of cultural thanatology as an integrative part of cultural history within the anthropological field. While general history is usually concerned with individual events, cultural (pre-)history uncovers common beliefs and everyday culture. Culture here is both a materialized form of the mass consciousness embodiment and a dynamic complex of creative information exchange between individuals and with the surrounding landscape. A common field for cultural (pre-)history is the worldview (mentality) of a particular society, its outlook, and common knowledge. The spectrum of the death and afterlife ideas is usually a significant amount of it.The paper presents some thanatological observations of social-cultural context.● Afterlife mapping can be traced chronologically: the idea of the Land of the Dead obviously started due to the first Epi-Paleolithic long-distance migrations and the primitive sedentism. This was also the time when permanent structured burial ritualism arose. One can clearly trace the concept of “inextricable realm of tangled paths,” later associated with spiral-like labyrinth and mirror symbolism, contributing to the imagery of the Otherworld. The sky also became the stage for ancestors’ mythological deeds and location for their households.● Almost all traditional societies shared beliefs in an active concentrated incorporeal (spiritual) essence, commonly referred to as “soul”. A polarity in the perception of afterlife is revealed, displayed in ornitomorphic as typical soul receptacles.● Tomb symbolism was closely connected with rebirth and metamorphosis. Funerary structures were usually strongly connected with the ancestor cult, so they could include a feasting hall, representing a kind of “inn”. More importantly, tumuli and grave-chambers were often the liminal places of initiation. Therefore, the authors also draw attention to the concept of liminality.● Societies with an epic type of worldview such as the Vikings, Celts, Scythians and other nomads, had unique mental models that fell somewhere between the “mythological” and “rational” mind. Their epic heroes’ adventures were also the ancestors’ ascent. Therefore, when using a comparative-iconological method to analyze their funerary art objects, we should keep this in mind and consider its profound ideological influence.● A comparative analysis of mature posthumous fate concepts, such as those of ancient Geeks, Indo-Iranians, Chinese, or Maya, generally reveals afterlife trial motifs as a sign that the corresponding society has reached the level of “Axiality,” as seen by Karl Jaspers. We claim that Jaspers’ “axial” cultural features do not indicate a universal “phase” but rather a certain state of civilization development. The socio-cultural vector in this context aims to stimulate and transform human personality. At the core of “axiality”, there lie the specific changes within the cultural space of certain societies, which mainl","PeriodicalId":273276,"journal":{"name":"NaUKMA Research Papers. History and Theory of Culture","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123380430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}