{"title":"Dara McAnulty. Diary of a Young Naturalist","authors":"Hannah Fleming","doi":"10.21827/EJLW.9.37312","DOIUrl":"https://doi.org/10.21827/EJLW.9.37312","url":null,"abstract":"On the 20th August in 2018, 15-year-old Greta Thunberg sat for the first time outside the Swedish parliament demanding action be taken to tackle the climate crisis. The day before that, 14-year-old Dara McAnulty was walking through Tollymore forest when he came across ‘something discarded but utterly beautiful: a nest’ (118). He describes in his diary how he carried the nest with him, marvelling at the intricacy of the craftsmanship, before reluctantly setting it back down on the forest floor to provide shelter and the possibility of food for a nearby garden cross spider. This entry by McAnulty—a conservationist and environmental activist from Nothern Ireland—appears just over half-way through the book. The first and last diary entries are exactly one year apart, marking the end of Winter and the beginning of Spring, and in McAnulty’s mind, the midway point separating his late childhood from his adulthood.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124080288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Afterlives of Those Who Write Themselves. Rethinking Autobiographical Archives","authors":"Sidonie Smith, J. Watson","doi":"10.21827/EJLW.9.37323","DOIUrl":"https://doi.org/10.21827/EJLW.9.37323","url":null,"abstract":"As those who write themselves, life narrators are readers, interpreters, and curators of the archival material, both intimate and impersonal, accrued during their lifetimes. These materials form an archival pre-life that is extended and complemented by posthumous remediations of their narrated lives. Personal archives may include writing in journals and diaries, digital exchanges on social media and blogs, documents, and images in photographs and drawings, as well as the ephemera of recorded memories and impressions; as this archive is activated in life writing, its texts project an archival imaginary. Once a life narrative enters public circulation, the archive of self accrues future ‘afterlives’ as it is edited, reframed, and remediated in subsequent editions and by translation into other languages or media for different reading publics, both during and after a writer’s life.\u0000The interactive relationship of self-archives and afterlives makes clear that the texts of self-life-writing, whether published or unpublished, complete or fragmentary, are objects of inquiry in movement – not transparent, stable phenomena that generate ‘truth,’ but dynamic sites open to interpretation in their textual afterlives. An autobiographical narrative is, thus, never just ‘the life’: supplements, remediations, and new versions are created in interactions with the practices and positions of new generations of readers. This essay takes up the iterative, interactive, and intersubjective dynamics of autobiographical archives and the temporalities of autobiographical afterlives in eight exemplary cases of life writing. Observing autobiographical archives in their histories of circulation, republication, and repurposing situates the question of afterlives as a mode of ‘beyond endings’ in larger debates about ethical reading, methodological constraint, and theoretical adequacy.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116040561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Helen Southworth. Fresca. A Life in the Making. A Biographer’s Quest for a Forgotten Bloomsbury Polymath","authors":"Heleen van Duijn","doi":"10.21827/ejlw.9.36978","DOIUrl":"https://doi.org/10.21827/ejlw.9.36978","url":null,"abstract":"The subject of Southworth’s book is Francesca (Fresca) Allinson (1902–1945), a puppeteer, choral conductor, writer and creator of folksongs, whose life was cut short by drowning. She grew up in a gifted and thoroughly non-conformist family. Her brother Adrian, a painter, studied at the Slade school. Her father worked as a doctor at his practice in London, obtaining and practising his own unorthodox convictions about hygiene and diet. As a radical pacifist Fresca helped provide alternative communities for conscientious objectors (COs). Her fictional autobiography A Childhood was published in 1937, by the Hogarth Press, the publishing house of Leonard and Virginia Woolf.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116448633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Souhir Zekri Masson. Mapping Metabiographical Heartlands in Marina Warner's Fiction","authors":"Chantal Zabus","doi":"10.21827/ejlw.9.36258","DOIUrl":"https://doi.org/10.21827/ejlw.9.36258","url":null,"abstract":"Souhir Zekri’s book makes up for the relative neglect around British author and public intellectual Marina Warner’s oeuvre, which started receiving critical attention only a decade and a half ago. ","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"159 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116470668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Remaining an Outsider. An Eighteenth-Century Diary of a Hungarian Nobleman","authors":"G. Csikós","doi":"10.21827/ejlw.9.35739","DOIUrl":"https://doi.org/10.21827/ejlw.9.35739","url":null,"abstract":"György Nagy was an eighteenth-century merchant and nobleman in the Jászság region, and his diary for the period 1759 to 1769 gives insights into his selfidentity. Even though it is not explicitly stated, the document is infused with a sense of being an outsider. This study attempts to find the bases of this sentiment using the methods of cultural psychology, and seeks to explore his particular responses to conflicts that arose in his life. Four factors can be identified which made the diary’s author an outcast: (i) Nagy came from outside the Jászság region; (ii) his university-level education and profession distinguished his lifestyle from that of the landed peasant majority; (iii) his identity as a member of lower nobility; (iv) the conjunction and combination of these circumstances all at once. It was Nagy’s ancestry which was the principal determinant his self-image and exercised the greatest influence over his decisions (loans, etc.). Other factors (his decision to move to the region, his intellectual tendencies) speak of his individuality. This dichotomy is present in the very act of keeping a diary as well: even though he was working for the good of a broader group (his family), the urge to preserve a piece of his self is apparent from his writing. As for Nagy’s descendants, the importance of these qualities declined; they integrated into local society as the sources of otherness disappeared. The only exception was his youngest son, a Law graduate (the grandfather of Iván Nagy, a genealogist), who continued to keep the diary, as did his offspring. Thus, atypical tendencies were preserved by the atypical.1","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124894281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Buttons: Life Writing from a Small Collection","authors":"Rachel Robertson","doi":"10.21827/ejlw.9.35820","DOIUrl":"https://doi.org/10.21827/ejlw.9.35820","url":null,"abstract":"This essay explores the role of everyday objects in life writing, using the example of a collection of buttons. Writing as bricoleur, and influenced by thing theory, I follow a digressive path and wonder how key aspects of life writing, such as memory, the body, and identity, are influenced when one writes from and with objects.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115385131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Oracle of Ashes: The Burial of James Purdy","authors":"Mara Holt","doi":"10.21827/ejlw.9.36905","DOIUrl":"https://doi.org/10.21827/ejlw.9.36905","url":null,"abstract":"James Purdy (b. 1914), an American writer known for his grim humour and embrace of the outlandish and estranged, died in 2009, shortly after uttering his final wish: that after cremation his ashes should be buried near to Dame Edith Sitwell, one of the earliest and staunchest supporters of his works. This essay chronicles the journey of Purdy’s ashes from New York, USA, to Northamptonshire, UK, where they were laid to rest ten years after his death, and it explains how the present writer came to know Purdy not only through his novels, plays and poems, but also through working with Purdy’s literary executor, John Uecker, who also served as an assistant to Tennessee Williams. Necessarily autobiographical in certain passages, this essay tells of the discovery of grief in the process of planning the burial, of the power that can inhere in the materiality of cremated remains, and of the legal and logistical complexities of plotting interment across international borders.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122492129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Life Writing and Death: Dialogues of the Dead","authors":"C. Brant, James Metcalf, J. Wildgoose","doi":"10.21827/ejlw.9.36938","DOIUrl":"https://doi.org/10.21827/ejlw.9.36938","url":null,"abstract":"One thing in life we can be certain of: death. But how we talk about death—its inevitability, its causes and its course, its effects, or its places—is susceptible to changing cultural conditions. Reviewing a history of death that begins in prehistory, the distinguished historian of death Thomas Laqueur doubts it is possible to comprehend (in both senses) the topic: ‘Our awareness of death and the dead stands at the edge of culture. As such they may not have a history in the usual sense but only more and more iterations, endless and infinitely varied, that we shape into n engagement with the past and the present’.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129202005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘And writing […] will preserve his memory’: Laman Blanchard’s Afterlife in Letters and Ledgers","authors":"H. Scott","doi":"10.21827/ejlw.9.36918","DOIUrl":"https://doi.org/10.21827/ejlw.9.36918","url":null,"abstract":"This article examines the historical fragments of cemetery records and monumental masonry for the poet and journalist Laman Blanchard, who was interred in West Norwood Cemetery, London, in 1845, and whose monument was cleared a century later by Lambeth Council. It focuses on Blanchard’s role in the Dickens literary circle and his relation to mid-Victorian writers, situating his untimely death in light of changing legislation on suicide. His lost grave marker is recovered by scrutinising his burial record, obituary, epitaph, and periodicals to ferret out connections amongst the archival sources of his death. The nebulous association, between what is written-by a person in life and what is written-about that person after death, is contemplated throughout.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128674321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Funerary Artefacts, Cemetery Souvenirs and Final Resting Places","authors":"C. Bell","doi":"10.21827/ejlw.9.36915","DOIUrl":"https://doi.org/10.21827/ejlw.9.36915","url":null,"abstract":"This photo essay discusses artworks that explore the commemorative dimensions of death through socially-engaged artistic processes, and the use of Oasis® floral foam—an ephemeral material that is integral to making flower arrangements that venerate the cycles of life and the celebratory milestones between birth and death. It examines the material’s uncanny corporeal associations when it is formed into vessels, and the ways in which the foam may be seen to transform meaning into materiality. It reflects on how the exhibition of cremated remains of Roman Londoners with associated funerary vessels, titled Roman Dead, at the Museum of London Docklands, informed a series of miniature foam gravestones adorned with custom-designed vessels created on site at East London’s Tower Hamlets Cemetery Park, and a series of art workshops in hospice settings with palliative care staff, which were designed to promote meaningful reflection and healthy discussion about death and dying.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121322971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}