{"title":"War Triptych","authors":"Gabriele M. Linke","doi":"10.21827/ejlw.12.39921","DOIUrl":"https://doi.org/10.21827/ejlw.12.39921","url":null,"abstract":"This three-part collection of personal memories was inspired by Otto Dix's triptych ‘The War’ (1929-1932). The horrors of war and presence of death Dix exposed in his painting form the implicit point of reference for three short stories of reconciliation in and after the Second World War. The three auto/biographical memories by and ‘as told to’ the author celebrate forgiveness and humaneness among ordinary people in and after times of war as the one way to survive and continue life after the pain and losses caused by war, which are not part of the stories. The condensed form of the triptych recalls Dix's painting as well as the sacredness of suffering and reconciliation as symbolized by conventional Crucifixion triptychs.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135349977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mass Observation (1937-2017) and Life Writing: an Introduction","authors":"T. Ashplant","doi":"10.21827/EJLW.10.37403","DOIUrl":"https://doi.org/10.21827/EJLW.10.37403","url":null,"abstract":"Mass Observation (MO) was formed in Britain in 1937 as an innovative research project, to develop new methods for accurately gauging public opinion, thereby contributing to a more democratic form of politics and public policy formation. The archive of its first phase (1937-49) was transferred to the University of Sussex in 1970. In 1981 it was revived as the Mass Observation Project (MOP), which continues to the present. The documentation which MO and MOP together generated includes a significant body of life writings. The purpose of this cluster of articles is to introduce the ways in which the interaction between the aims and approaches of MO's founders and its later MOP refounders, and the responses of its contributors, produced specific forms of life writing; and to explore aspects of the 'afterlife' of these texts – their contextualisation, publication, and interpretation. This introduction situates the original, multifaceted and idiosyncratic, MO project within wider political and cultural trends of the 1930s, and then examines MO's methods, which aimed at 'the observation by everyone of everyone, including themselves'.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115499642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MO Diaries and Their Editors","authors":"R. Malcolmson, Patrick Malcolmson","doi":"10.21827/EJLW.10.37406","DOIUrl":"https://doi.org/10.21827/EJLW.10.37406","url":null,"abstract":"In August 1939, MO asked its volunteer Observers 'to begin keeping day-to-day personal diaries of everything that happened to them, the conversations they heard and took part in, their general routine of life, and the impact of the war on it’. More than 450 individual diarists wrote for MO during the war. Each diarist had to work out their own way of ‘observing’, and to create a comfortable authorial voice expressing their very varied personal concerns and experiences. Common themes included: outbreak of war; evacuation of children; the blackout; the call-up for compulsory service; and what was thought of as ‘morale’. The diaries show keen minds struggling hard to make sense of the unfolding war news, striving to understand the deeper currents of history and future possibilities in international affairs. Other themes concerned the home front: the wartime difficulties around food and transport; attitudes to class, and the arrival of American troops; and the hopes and fears for post-war reconstruction. This article reflects on its authors' considerable experience of selecting and preparing MO diaries for publication. Editors play a prominent role in the presentation of modern life history. This involves technical and/or literary judgments (about the length and quality of texts, the provision of supplementary material), in relation to the requirements of particular publishing formats (commercial or scholarly). It also involves ethical questions. MO diaries, once submitted, could not be revised; their authors were promised anonymity. Hence publication often requires the consent of the diarists (though few are still alive) or their heirs; and measures are sometimes required to protect the identities of people mentioned.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"100 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116776755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Seven Late Twentieth-Century Lives: the Mass Observation Project and Life Writing","authors":"J. Hinton","doi":"10.21827/EJLW.10.37407","DOIUrl":"https://doi.org/10.21827/EJLW.10.37407","url":null,"abstract":"From its revival in 1981, the Mass Observation Project has collected life writing. In response to open ended questionnaires (‘directives’), MO correspondents send in what often amount to fragments of autobiography. While this material has been explored by researchers ‘horizontally’, to discuss attitudes and behaviour in relation to the themes raised by particular directives, my book Seven Lives from Mass Observation is the first attempt to use the material ‘vertically’, assembling the fragments of autobiography contributed by some individual writers who continued to respond over two or three decades. In an earlier book, Nine Wartime Lives, I used MO's original wartime diaries (and directive responses) to write biographical essays exploring a set of common themes, derived from the mature historiography of the period, from the contrasting perspectives of nine very different observers who had all participated as active citizens in public life. This article describes the very different challenges and insights posed by the use of the more recent MOP material. The longer time frame, and less developed historiography, demanded toleration of initial confusion in the research process before the key theme of a contrast between the 1960s and 1980s emerged. The reflective narrative of MOP's autobiographical fragments (different from the immediacy of the MO wartime diaries) shaped the sample chosen: a single older generational cohort, born between the two world wars, responding to the 1960s and the 1980s as adults formed by earlier experiences. Writing intimate biographies of living people, guaranteed anonymity when they first volunteered for MOP, required developing a set of ethical protocols in conjunction with the MO Trustees.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130385464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Woven Tapestries: Dialogues and Dilemmas in Editing a Diary","authors":"Dorothy Sheridan","doi":"10.21827/EJLW.10.37405","DOIUrl":"https://doi.org/10.21827/EJLW.10.37405","url":null,"abstract":"Naomi Mitchison (1897-1999) was an established novelist and political campaigner throughout her life. During the Second World War, she kept an extensive daily diary from her home on the Mull of Kintyre in Scotland which she sent in instalments to the London offices of the social research organisation, Mass Observation. Until the 1980s, this diary, together with 500 other diaries for the same period, remained largely unread. It was stored as part of the valuable Mass Observation Archive which was deposited at the University of Sussex in 1970. Between 1982 and 1984 it was edited for publication by Dorothy Sheridan, the Mass Observation archivist, in collaboration with Naomi Mitchison herself. It was first published as a book in 1985 by Gollancz as Among you taking notes: the wartime diary of Naomi Mitchison 1939-1945. This article is an account of the collaborative process of editing the original diary for publication and addresses questions of ownership, ethics and methodology raised by the process of editing life documents.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114850733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"'Subjecive Cameras': Authorship, Form, and Interpretation of Mass Observation Life Writings","authors":"T. Ashplant","doi":"10.21827/EJLW.10.37404","DOIUrl":"https://doi.org/10.21827/EJLW.10.37404","url":null,"abstract":"The Mass Observation Archive contains a wealth of different forms of life writing created between 1937 and the mid-1950s, and again from 1981 to the present. This life writing, by contributors with differing intentions and levels of commitment, is fragmentary, dispersed across the archive, and takes varied forms. To make full use of the richness of this writing, it is necessary to know who the authors were, how their texts were generated, what forms of life writing resulted, and how they may be interpreted. This contextualising overview first outlines the specific and distinctive forms of life writing which MO initiated and encouraged; the social profile of their authors, and their self-perceptions of their identities; the writers' motivations; and their relationship to the Archive. It then explores some of the ways in which scholars have used and interpreted this rich material, both as a resource for investigating specific topics, and as a collection of life writings open to comparative analysis as narratives of self-construction and records of biographical trajectories.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129729756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Winter in Bath, 1796-97: Life Writing and the Irish Adolescent Self","authors":"A. Prendergast","doi":"10.21827/EJLW.10.37160","DOIUrl":"https://doi.org/10.21827/EJLW.10.37160","url":null,"abstract":"The diary form affords multiple generations of women with a vehicle for expressing themselves, and is particularly germane to younger writers, developing a voice, and shaping a sense of self as they emerge from childhood. Charting her travels from Ireland to Bath, the manuscript diary (1796–97) of Charity Lecky is exceptionally useful in exploring intersections with other genres, particularly the novel, while also affording us with an adolescent’s observations on life, and on Bath as international marriage market. The categories of youth, gender, and nation all play strong roles in Charity’s evolving sense of self, and enable us to explore these intersections and how they can inform a young person’s sense of worth. Frequently dismissed by male contemporaries as preoccupied only with balls and marriage prospects, the voices of such figures were repeatedly marginalised. This article prioritises both these voices and the diary form itself, and fuses their legitimate interest in courtship with a concern and fascination with national identity, recognising the value of young women’s opinions, and demonstrating how we might better understand the evolution of personal identities through inclusion of such source material.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127961524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Pain and Irony of Death in Julian Barnes's Memoirs Nothing to Be Frightened Of and Levels of Life","authors":"Maricel Oró-Piqueras","doi":"10.21827/EJLW.10.36183","DOIUrl":"https://doi.org/10.21827/EJLW.10.36183","url":null,"abstract":"Julian Barnes is one of the best-known contemporary British authors, not only for his taste for formal experimentation well-documented in the novels and short stories he has published since the 1980s, but also for his obsession with death. Despite the fact that death – as a prime concern expressed through his characters’ discussions, particularly when they are in their old age – has been present in most of Barnes fictional works, the topic becomes centre-stage in the two memoirs that he has published, namely, Nothing to Be Frightened Of (2008) and Levels of Life (2013). In his memoirs, Barnes connects his personal experience with the works of philosophers and writers and with the experiences of those around him with the aim of trying to discern how he himself and, by extension, his own contemporaries and Western society have dealt with death. For Barnes, writing becomes a therapy to confront his own existential fears as well as traumatic experiences – such as the sudden death of his wife as described in Levels of Life – at the same time that he reflects on the place death occupies in contemporary times.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128166150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘The Cruelty Towards Others Like Ourselves… is Difficult to Imagine Here as You Turn to Swim Your Twentieth Length.’ Swimming and Dreaming of Elsewhere with John Berger","authors":"J. Croft","doi":"10.21827/EJLW.9.37304","DOIUrl":"https://doi.org/10.21827/EJLW.9.37304","url":null,"abstract":"Swimming, like reading, is an immersive activity: words wash away, and words arise. Engaging with writings by critics who are also swimmers, principally John Berger and Maurice Merleau-Ponty, this article explores their writings about swimming in relation to how being in water can ‘conjure stories from the water’, and open up particular kinds of reflection and reverie. The fluidity of water spaces creates an imaginary that enables intellectually sensuous dreaming, while the ebb and flow of movements and identifications establish a poetics of swimming as a form of life writing.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"237 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125922146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hanna Meretoja. The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible","authors":"S. Moenandar","doi":"10.21827/EJLW.9.37292","DOIUrl":"https://doi.org/10.21827/EJLW.9.37292","url":null,"abstract":"","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"127 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124614527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}