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ANALYSIS OF VIOLIN PLAYING TECHNIQUES œCONCERTO IN G MINOR 3RD MOVEMENT BY ANTONIO VIVALDI 小提琴演奏技巧分析œconcerto安东尼奥·维瓦尔第g小调第三乐章
Repertoar Journal Pub Date : 2021-01-29 DOI: 10.26740/rj.v1n2.p292-301
Senthod Setia Budi
{"title":"ANALYSIS OF VIOLIN PLAYING TECHNIQUES œCONCERTO IN G MINOR 3RD MOVEMENT BY ANTONIO VIVALDI","authors":"Senthod Setia Budi","doi":"10.26740/rj.v1n2.p292-301","DOIUrl":"https://doi.org/10.26740/rj.v1n2.p292-301","url":null,"abstract":"This study aims to describe the playing techniques and violin runners in Antonio Vivaldi's Concerto in g Minor 3rd Movement. This study used qualitative research methods. Data obtained in research through observation, interviews and documentation. The data analysis technique used was data reduction, data presentation and data conclusion. And there is a data validity test using triangulation techniques. The results showed that the playing techniques of Antonio Vivaldi's Concerto in g Minor 3rd Movement consisted of legato, ligatura, staccato, detache and accent. The ornaments contained in it, namely appogiatura, trill and fermata. While the positions of the fingers used in this repertoire are positions 1, 2, 3 and 4.","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130225182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ANALISIS BENTUK DAN VARIASI MELODI SYMPHONY NO.9 IN E MINOR IV: ALLEGRO CON FUOCO KARYA ANTONIN DVORAK
Repertoar Journal Pub Date : 2021-01-29 DOI: 10.26740/rj.v1n2.p226-245
Ade Endy Arlansyah
{"title":"ANALISIS BENTUK DAN VARIASI MELODI SYMPHONY NO.9 IN E MINOR IV: ALLEGRO CON FUOCO KARYA ANTONIN DVORAK","authors":"Ade Endy Arlansyah","doi":"10.26740/rj.v1n2.p226-245","DOIUrl":"https://doi.org/10.26740/rj.v1n2.p226-245","url":null,"abstract":"Penelitian ini mendeskripsikan bagaimana bentuk yang mengarah ke bentuk musik dan variasi melodi yang ada pada karya ini. Proses analisa yang digunakan adalah metode deskriptif kualitatif dengan menggunakan data yang diperoleh melalui tahap observasi dan wawancara. Data yang digunakan telah direduksi, disajikan, dan ditarik kesimpulannya sebagai sebuah hasil penelitian. Hasil penelitian ini menunjukan bahwa karya Symphony No.9 in E Minor œFrom The New World, Op. 95, B. 178, IV: Allegro Con Fuoco merupakan karya simponi dengan menggunakan bentuk musik sonata yang terdiri dari introduction, eksposisi, development, dan rekapitulasi.  Variasi melodi terjadi pada melodi utama yang dikembangkan disetiap tema yang terdapat dalam bagian dari bentuk musik sonata yang diolah dengan berbagai macam teknik.","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"144 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127296884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
MANAJEMEN PROSES PEREKAMAN COVER LAGU SILENT NIGHT OLEH STUDIO MUSICOLOGY RECORD SURABAYA "沉默之夜唱片公司
Repertoar Journal Pub Date : 2021-01-29 DOI: 10.26740/rj.v1n2.p246-258
Holly Testamentyas
{"title":"MANAJEMEN PROSES PEREKAMAN COVER LAGU SILENT NIGHT OLEH STUDIO MUSICOLOGY RECORD SURABAYA","authors":"Holly Testamentyas","doi":"10.26740/rj.v1n2.p246-258","DOIUrl":"https://doi.org/10.26740/rj.v1n2.p246-258","url":null,"abstract":"Lagu Silent Night ialah lagu yang dipilih dalam proses cover lagu yang diproduksi oleh Studio Musicology Record. Melalui cover lagu Silent Night. Dengan pencampuran aliran musik Lo-Fi dan Chill, Musicology Record mencoba membuat sesuatu hal yang baru untuk aransemen lagu Silent Night. Penelitian ini menggunakan deskripstif kualitatif untuk membahas aspek-aspek yang terdapat didalam manajemen Studio Musicology Record Surabaya pada proses rekaman lagu Silent Night. Melalui hasil penelitian pada manajemen proses perekaman cover lagu Silent Night oleh Studio Musicology Record Surabaya dan analis SWOT yang dilakukan, maka dapat disimpulkan bahwa Studio Musicology Record Surabaya sebagai salah satu studio rekaman di Surabaya memiliki karakteristik tersendiri melalui proses kreatif yang dilakukan untuk mempertahankan eksistensinya melalui manajemen yang diterapkan.","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"145 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127309115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interpretasi Dan Teknik Permainan Saxophone Pada Lagu Aria Karya Eugene Bozza
Repertoar Journal Pub Date : 2020-07-31 DOI: 10.26740/rj.v1n1.p126-138
F. Maulana
{"title":"Interpretasi Dan Teknik Permainan Saxophone Pada Lagu Aria Karya Eugene Bozza","authors":"F. Maulana","doi":"10.26740/rj.v1n1.p126-138","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p126-138","url":null,"abstract":"Penelitian ini bertujuan untuk (1) Mendeskripsikan interpretasi pada lagu Aria karya Eugene Bozza. (2) Mendeskripsikan teknik permainan saxophone pada lagu Aria karya Eugene Bozza. Jenis dalam penelitian ini merupakan penelitian kualitatif. Subjek dalam penelitian ini adalah partitur Aria karya Eugene Bozza, sedangkan objek penelitiannya yaitu lagu Aria karya Eugene Bozza. Teknik pengumpulan data dilakukan dengan cara observasi, wawancara dan dokumentasi. Teknik analisis data yang digunakan terdiri dari reduksi data, penyajian data, serta penarikan kesimpulan dan verifikasi. Validitas data dilakukan dengan triangulasi sumber data, triangulasi teknik dan triangulasi waktu. Hasil dalam penelitian ini menunjukkan bahwa; 1) Interpretasi yang terdapat pada lagu ini meliputi : sejarah lagu,  nada dasar, intonasi, motif, frasering,  tempo, dinamika. 2) teknik tiupan yang terdapat pada lagu Aria meliputi; gruppetto, appoggiatura, triol, slurs dan legatura. Cara mengatasi beberapa bagian tersulit pada lagu Aria dengan menggunakan Etude dari J.Dorsey (1979).","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"148 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116317956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ANALISIS TEKNIK PERMAINAN GITAR KLASIK PADA LAGU MAXIXE KARYA AGUSTIN BARRIOS MANGORE
Repertoar Journal Pub Date : 2020-07-31 DOI: 10.26740/rj.v1n1.p139-152
Abraham Bagus Yuniarko
{"title":"ANALISIS TEKNIK PERMAINAN GITAR KLASIK PADA LAGU MAXIXE KARYA AGUSTIN BARRIOS MANGORE","authors":"Abraham Bagus Yuniarko","doi":"10.26740/rj.v1n1.p139-152","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p139-152","url":null,"abstract":"Abstrak: Penelitian ini bertujuan untuk (1) Mengetahui teknik permainan yang digunakan pada lagu Maxixe karya Agustin Barrios Mangore serta mengatasi bagian-bagian yang sulit agar tempo tetap stabil. (2) Mengetahui bentuk lagu Maxixe karya Agustin Barrios Mangore. Metode yang digunakan dalam penelitian ini adalah jenis penelitian deskriptif kualitatif. Lokasi penelitian di kota Sidoarjo, Jawa Timur, dengan objek penelitian lagu Maxixe. Teknik pengumpulan data yang digunakan yaitu observasi partisipatif. Sementara itu, teknik analisis data yang digunakan antara lain reduksi data, penyajian data teks yang naratif, serta penarikan kesimpulan dan verifikasi. Berdasarkan hasil penelitian ini, dapat diketahui bahwa lagu Maxixe memliki bentuk tiga bagian yaitu A-A-B-C dengan 3 Tema, Tema I, Tema II, dan Tema III. Kemudian teknik yang digunakan pada lagu Maxixe yaitu Arpeggio, Slur/Legato, Slide/Glissando, Ceja/Barre, dan Tirando. Terdapat teknik lain yang sulit dalam lagu Maxixe, seperti: (1) Speed/kecepatan, merupakan bagian yang penting, karya tersebut dimainkan dengan tempo Allegro. (2) Power/kekuatan, beberapa bagian terdapat posisi akord yang tidak biasa yang merupakan ciri khas dari Agustin Barrios Mangore, maka perlu dilatih dengan power yang kuat agar terdengar lebih bersih dan jelas. (3) Tone colour/warna suara, juga perlu diperhatikan agar pembagian iringan dan melodi utama lebih menonjol.Kata Kunci : Analisis, Teknik Permainan, Gitar Klasik, Maxixe, Agustin Barrios Mangore","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127149745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Analisis Variasi Melodi Adagio et Rondo Karya J.B Singelee
Repertoar Journal Pub Date : 2020-07-31 DOI: 10.26740/rj.v1n1.p153-168
Dirgo Roslukita
{"title":"Analisis Variasi Melodi Adagio et Rondo Karya J.B Singelee","authors":"Dirgo Roslukita","doi":"10.26740/rj.v1n1.p153-168","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p153-168","url":null,"abstract":"Hasil penelitian ini menunjukan bahwa lagu Adagio et Rondo Op.63 Karya J.B Singelee memiliki 3 bagian dengan total 107 birama. Bagian 1 diawali dengan tempo adagio dengan sukat 4/4 di dalam bagian 1 terdapat 1 tema dan 2 kalimat pengembangan tema yang digunakan sebagai pengembangan variasi melodi bagian 1 terdiri dari 41 birama terdapat cadenza di akhir bagian serta terdapat dengan beberapa eksperi didalamnya. Bagian ke 2 dimulai dengan tempo Allegro tetap dengan sukat 4/4 terdiri dari 10 birama dengan 1 tema dan 1 kalimat didalamnya. bagian 3 diawali dengan tempo Allegretto dengan sukat 2/4 dengan irama Rondo yang mempunya 2 tema sebagai pengembangan frase yang ada sehingga bentuk dari lagu ini ialah A-B-C. variasi melodi  yang digunakan pada lagu ini yaitu  composite melodic variation and fake, melodic variation and fake, melodic variation and fake non chordal, rhytmic variation and fake serta variasi motif melodi  yang dipakai.The results of this study indicate that the song Adagio et Rondo Op.63 by J.B Singelee has 3 parts with a total of 107 bars. Part 1 begins with the adagio tempo with a 4/4 success in part 1 there are 1 theme and 2 sentence development themes that are used as the development of variations in the melody section 1 consists of 41 bars there is cadenza at the end of the section and there are some experiments in it. Part 2 starts with the tempo of Allegro still with a 4/4 success consisting of 10 bars with 1 theme and 1 sentence in it. Part 3 begins with the Allegretto tempo with a 2/4 success with the rondo rhythm which has 2 themes as the development of the existing phrases so that the form of this song is A-B-C. melody variations used in this song are composite melodic variation and fake, melodic variation and fake, non chordal melodic variation and fake, rhythmic variation and fake and variations of the melody motif used.","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124649742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tinjauan harmoni dalam lagu "Home" karya Andrew York 安德鲁·约克《家》诗歌和谐演绎
Repertoar Journal Pub Date : 2020-07-30 DOI: 10.26740/rj.v1n1.p114-125
Indra Prahasta
{"title":"Tinjauan harmoni dalam lagu \"Home\" karya Andrew York","authors":"Indra Prahasta","doi":"10.26740/rj.v1n1.p114-125","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p114-125","url":null,"abstract":"Home is a song full of harmonious tones with melancholy nuances. To be able to play a song that is full of harmonization, there are several harmony sciences that need to be mastered including understanding the structure and form of the song, understanding the harmony found in the song such as chord progressions and the types of harmony used. The purpose of this study is (1) to find out the chord progression in the Home song, (2) to find out the types of harmony in the Home song. Research location in the city of Surabaya, East Java, with the research object Home song. The data collection technique used is active participation observation. Data analysis techniques used are editing, coding, and tabulation. Based on the results of this study it can be seen that the song Home has three parts namely A1-A2-B-C, with sentences that are repeated in certain parts. There are mixed chord progressions such as regular chord progressions and unusual chord progressions, and there are 5 types of harmony in this song and several inversions in several sentences in the Home song.Keywords : Harmony, Chord progression ","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127203429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Analisis Struktur Lagu "Bohemian Rhapsody" Karya Freddie Mercury (Aransemen Oni Krisnerwinto) 弗雷迪·墨丘利的《波西米亚狂想曲》结构分析
Repertoar Journal Pub Date : 2020-07-30 DOI: 10.26740/rj.v1n1.p169-179
Arista Wahyu Wardani
{"title":"Analisis Struktur Lagu \"Bohemian Rhapsody\" Karya Freddie Mercury (Aransemen Oni Krisnerwinto)","authors":"Arista Wahyu Wardani","doi":"10.26740/rj.v1n1.p169-179","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p169-179","url":null,"abstract":"Peneliti menganalisis struktur lagu Bohemian Rhapsody karya Freddie Mercury aransemen Oni Krisnerwinto dilatarbelakangi oleh karena lagu ini sangat menarik untuk diteliti secara lebih dalam mulai dari struktur lagu hingga tinjauan aransemen oleh Oni Krisnerwinto. Metode yang digunakan dalam penelitian ini adalah metode penelitian kualitatif karena tidak menggunakan angka-angka sebagai sumber datanya. Objek penelitian difokuskan pada struktur lagu dan tinjauan aransemen dengan menerapkan beberapa teori diantaranya bentuk musik, struktur musik dan pola aransemen. Hasil penelitiannya diperoleh dengan cara observasi, wawancara, dan dokumentasi. Bohemian Rhapsody merupakan lagu bergenre progressive rock, progressive pop, symphoninc rock dan hard rock. Lagu ini juga dianggap sebagai lagu yang janggal karena tidak adanya refrain, dan merupakan gabungan dari gaya musik yang berbeda. Lagu ini terdiri atas intro, balada piano dan gitar solo yang diikuti dengan sebuah opera yang terdengar seperti sahut-sahutan dari paduan suara dan solois, hard rock dan outro. Lagu ini mengalami perubahan nada dasar dari Bb mayor, Eb mayor, A mayor ke F mayor dan mengalami perubahan tempo sejak tempo lambat dari balada menuju tempo yang lebih cepat pada bagian opera dan hard rock, serta diakhiri kembali pada bagian outro dengan tempo yang lambat. Transisi ke beberapa genre serta modulasi yang terjadi berulang kali dalam lagu tersebut sangat berkaitan dengan bagaimana struktur lagu yang terdapat di dalamnya. Melalui beberapa aspek tersebut akhirnya dihasilkan bagaimana struktur lagu Bohemian Rhapsody dan bagaimana tinjauan aransemen Oni Krisnerwinto dalam lagu tersebut.Kata Kunci: Struktur, Aransemen, Bohemian Rhapsody.","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127873901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
ANALYSIS OF MUSIC FORM AND CELLO PLAYING TECHNIQUES SONATINE FOR CELLO & PIANO BY BUDHI NGURAH 乌古拉大提琴与钢琴奏鸣曲的音乐形式与演奏技巧分析
Repertoar Journal Pub Date : 2020-07-30 DOI: 10.26740/rj.v1n1.p94-113
Adi William Raharja
{"title":"ANALYSIS OF MUSIC FORM AND CELLO PLAYING TECHNIQUES SONATINE FOR CELLO & PIANO BY BUDHI NGURAH","authors":"Adi William Raharja","doi":"10.26740/rj.v1n1.p94-113","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p94-113","url":null,"abstract":"This resesarch aims to describe the musical form, and cello techniques that include fingering and bowing techniques in the work of Budhi Ngurah. The research process is using descriptive analytic methods. Data in this research were obtained by observation, interviews, and documentation. And analyzed by reduction, presentation and inference. The results indicate that the Sonatine For Cello and Piano by Budhi Ngurah consists of 3 movements. Movement I has a sonata forms with moderate tempo consisting of exposition, development, and recapitulation. Movement II has a three parts music form, ABA. Movement III has a rondo music form. The cello playing technique in this repertoar is important for performance which includes tone color, phrase of the music, and interpretation.","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"194 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124315945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TINJAUAN HARMONI KOMPOSISI HISTOIRE DU TANGO MOVEMENT KEDUA œCAFÉ 1930 KARYA ASTOR PIAZZOLLA
Repertoar Journal Pub Date : 2020-07-30 DOI: 10.26740/rj.v1n1.p180-191
Lintang Purwo Supriyadji
{"title":"TINJAUAN HARMONI KOMPOSISI HISTOIRE DU TANGO MOVEMENT KEDUA œCAFÉ 1930 KARYA ASTOR PIAZZOLLA","authors":"Lintang Purwo Supriyadji","doi":"10.26740/rj.v1n1.p180-191","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p180-191","url":null,"abstract":"Penelitian ini bertujuan untuk (1) Mendeskripsikan bentuk musik komposisi Histoire du Tango movement kedua yaitu Café 1930 (2) Mendeskripsikan jenis dan susunan  harmoni yang digunakan dalam komposisi Histoire du Tango movement kedua yaitu Café 1930. Teknik pengumpulan data dilakukan dengan observasi (pengamatan), interview (wawancara), dan dokumentasi. Teknik analisis data yang digunakan adalah teknik analisis triangulasi. Hasil penelitian menunjukkan bahwa (1) Café 1930 merupakan komposisi yang memiliki 2 bagian yaitu bagian A (E minor) & bagian B (E mayor). (2) Jenis harmoni yang digunakan pada Café 1930 yaitu harmoni 2 suara, 3 suara, 4 suara, 5 suara, harmoni terbuka, dan harmoni tertutup. Diantara semua harmoni yang disebutkan tadi, harmoni 2 suara dan harmoni terbuka adalah yang paling banyak digunakan di dalam komposisi tersebut. ","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"151 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129153622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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