小提琴演奏技巧分析œconcerto安东尼奥·维瓦尔第g小调第三乐章

Senthod Setia Budi
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引用次数: 0

摘要

本研究旨在描述安东尼奥·维瓦尔第《g小调协奏曲》第三乐章的演奏技巧和小提琴跑线。本研究采用定性研究方法。通过观察、访谈和文献研究获得的数据。使用的数据分析技术是数据简化、数据呈现和数据结论。还有一个使用三角测量技术的数据有效性测试。结果表明:维瓦尔第g小调协奏曲第三乐章的演奏手法由连奏、连奏、断奏、分离和重音组成。其中所包含的装饰物,即附属物,颤音和fermata。而在这个曲目中使用的手指位置是位置1、2、3和4。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ANALYSIS OF VIOLIN PLAYING TECHNIQUES œCONCERTO IN G MINOR 3RD MOVEMENT BY ANTONIO VIVALDI
This study aims to describe the playing techniques and violin runners in Antonio Vivaldi's Concerto in g Minor 3rd Movement. This study used qualitative research methods. Data obtained in research through observation, interviews and documentation. The data analysis technique used was data reduction, data presentation and data conclusion. And there is a data validity test using triangulation techniques. The results showed that the playing techniques of Antonio Vivaldi's Concerto in g Minor 3rd Movement consisted of legato, ligatura, staccato, detache and accent. The ornaments contained in it, namely appogiatura, trill and fermata. While the positions of the fingers used in this repertoire are positions 1, 2, 3 and 4.
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