乌古拉大提琴与钢琴奏鸣曲的音乐形式与演奏技巧分析

Adi William Raharja
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引用次数: 0

摘要

本研究旨在描述Budhi Ngurah作品中的音乐形式和大提琴技巧,包括指法和弓弦技巧。研究过程采用描述性分析方法。本研究的数据是通过观察、访谈和文献资料获得的。并通过还原、表示和推理进行分析。结果表明,布迪·恩古拉的大提琴钢琴奏鸣曲由三个乐章组成。第一乐章为奏鸣曲式,节奏适中,由呈示、展开和再现组成。第二乐章有三声部曲式ABA。第三乐章采用回旋曲曲式。在这个曲目中,大提琴的演奏技巧对演奏很重要,包括音色、乐句和诠释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ANALYSIS OF MUSIC FORM AND CELLO PLAYING TECHNIQUES SONATINE FOR CELLO & PIANO BY BUDHI NGURAH
This resesarch aims to describe the musical form, and cello techniques that include fingering and bowing techniques in the work of Budhi Ngurah. The research process is using descriptive analytic methods. Data in this research were obtained by observation, interviews, and documentation. And analyzed by reduction, presentation and inference. The results indicate that the Sonatine For Cello and Piano by Budhi Ngurah consists of 3 movements. Movement I has a sonata forms with moderate tempo consisting of exposition, development, and recapitulation. Movement II has a three parts music form, ABA. Movement III has a rondo music form. The cello playing technique in this repertoar is important for performance which includes tone color, phrase of the music, and interpretation.
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