Repertoar Journal最新文献

{"title":"Tian Mimi Song Analysis Arrangement Dyfan Alvin","authors":"Yonatan Kristian Rishak","doi":"10.26740/rj.v1n1.p23-35","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p23-35","url":null,"abstract":"It was one of the branches of musical science for exploration for its creators. However, many people do not understand how the arrangement must be worked out often by forgetting and paying no attention to the structure and aspects of the arrangements to be fulfilled. Therefore, researchers picked up one type of Chinese pop song, tian Mimi. The result of the arrangements from a surabaya musician Dyfan Alvin. Researchers use several theories - the proposed theory of analysis, structure, and elements. Researchers are also providing a qualitative, descriptive approach with interviews, observation, and data gathering.It was discovered that the tian Mimi's song arranger leads to \"modern tunes\" and brings the theme \"pedals point\". Then a change of auxiliary members (intro, interlude, koda), filled with melodic variations to changes in motive.","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130079159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE EXISTENCE OF INDIE BAND GROUP FRIEND OVER YOU IN KEDIRI","authors":"D. Putra","doi":"10.26740/rj.v1n1.p81-93","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p81-93","url":null,"abstract":"The indie band Kediri varies, which is developing at this time one of them that has a pop genre is Friend Over You. The research problem formulation is (1) How is the background of the formation of Friend Over You? (2) How is Friend Over You developing? (3) What is the effort of Friend Over You in maintaining its presence in the community?. This research use desciptive qualitative approach. Data collection techniques used observation, interviews, and document studies. The results of this study: (1) Friend Over You was formed on December 13, 2013 in the form of rock formed by Achild and Riko. (2) Friend Over You works according to the times, thus changing the genre to pop. (3) Friend Over You maintains its existence by having a music label and participating in the Yowis Ben 2 Movie Promo Tour in several Cities throughout East Java.","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"228 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129669057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CONCERT ETUDE TRUMPET KARYA ALEXANDER GEODICKE (ANALISIS TEKNIK PERMAINAN TRUMPET)","authors":"Ibnu Syahruroji Fiqriannur","doi":"10.26740/rj.v1n1.p36-48","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p36-48","url":null,"abstract":"Concert Etude Trumpet bertempo 152bpm. Nuansa lagu ini bersifat Lincah dan Tegang. Kemudian untuk dapat memainkan lagu ini terdapat teknik yang harus dikuasai oleh pemain Trumpet anatara lain Double Tounging, Slur, Legatto, Stacatto. Lagu ini mendominasikan pada teknik Double Tounging. Karya ini telah dimainkan oleh pemain Trumpet ternama, yakni Alison Balsom. Tujuan penelitian ini (1) Untuk mengetahui teknik permainan Trumpet lagu Concert Etude Trumpet. (2) Untuk mengetahui bagian-bagian didalam lagu Concert Etude Trumpet. Teknik pengumpulan data menggunakan reduksi data, penyajian data teks naratif dan penarikan kesimpulan. Hasil penelitian ini, Tema melodi yang diulangi dan dibikin beberapa variasi dan muncul di beberapa bagian selanjutnya. Teknik yang digunakan, Double Tounging, Ambasir, Tone Colour","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126470305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Penggunaan Alat Musik Multi Pad Percussion bagi Seorang Pemain Drum","authors":"M. Arifin","doi":"10.26740/rj.v1n1.p70-80","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p70-80","url":null,"abstract":"Abstrak: Yamaha DTX Multi 12 merupakan alat musik drum elektrik yang banyak digunakan pemain drum surabaya yang sangat memudahan untuk seorang pemain drum baik dari segi fungsi yaitu dalam satu alat mampu meng-cover alat musik perkusi dan drum sett serta musik- musik  EDM, segi ekonomis yaitu harga terjangkau dibandingkan dengan drum akustik dan miliki bentuk yang simpel sehingga mudah untuk dibawa kemana saja. Teori yang dipergunakan untuk penelitian ini yaitu teori tentang efisiensi dan teknik menggunakan pendekatan penelitian kualitatif, teknik pengumpulan data berupa studi pustaka dan studi lapangan: observasi, wawancara dan dokumentasi. Validasi data berupa triangulasi sumber, metode teknik, analisis data : reduksi data, penyajian data dan pengambilan kesimpulan. Hasil penelitihan dan pembahasan ini menunjukan bawa Pengguanan Alat Musik Multi Pad Percussion Bagi Seorang Pemain Drum berdasarkan rumusan masalah yang telah ditentukan dengan menggunakan metode, media serta materi yang bersifat pasti sehingga proses pelaksanaan penelitian ini dapat berjalan dengan lancar.","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131122728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INTERPRETATION APPROACHES THROUGH CELLO GAME TECHNIQUES IN THE \"ARIOSO\" SONG J.S. BACH","authors":"Viky Candra Efendy","doi":"10.26740/rj.v1n1.p60-69","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p60-69","url":null,"abstract":"Arioso song by J.S Bach is one repertoire that is usually played in the advanced stages of cello learning. Besides that, Arioso song contains techniques that presenter may often not pay attention to in playing this work. This study aims to describe the interpretation approach through cello instrument playing techniques on the song Arioso J.S Bach. In this study, researchers used qualitative research methods. The research location was in the researcher's house, rented by the researcher, and in the library majoring in the Faculty of Languages and Arts. Data collection techniques used were observation and interviews. Data analysis techniques used include data reduction, data presentation and verification. Based on the results of this study, it can be concluded that in this song there are various techniques that must be played to be able to produce the desired interpretation including time signature, tempo, game techniques, and ornaments","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114973812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INTERPRETATION OF THE œSEGALARIAK SONG BY JOSU ELBERDIN BY YOSAFAT RANNU LEPONG IN THE REVIEW OF CONDUCTING TECHNIQUE","authors":"Hafi Hilmiah Almanda","doi":"10.26740/rj.v1n1.p1-11","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p1-11","url":null,"abstract":"A conductor in presenting music requires a concept or technique of how the music to be displayed becomes more beauthiful and lively. This research to describe the method and application of the technique of conducting the song \"Segalariak\" by Yosafat. This research uses a qualitative method. Techniques collection data are done by observation, interview and documentation. The method of interpretation used by Yosafat when interpreting the song \"Segalariak\" was the first to understand the form of songs, harmony, rhythm and time, tempo, song lyrics and dynamics. The interpretation in the conducting technique which is done by Yosafat on the song \"Segalariak\" the first stage the technique of attack carried out when the song will begin and the tempo, time and dynamics change. The two stages when singing is done when meeting dynamics. The last stage of ending the song (realese) is done when ending the song.","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"344 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123186289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANALISIS BENTUK DAN KOMPOSISI MUSIK SPEECH COMPOSING HOTTO DOGU KARYA HEIAKIM MUSIK DENGAN MEDIA GOOGLE TRANSLATE","authors":"Rico Kristian Saputra","doi":"10.26740/rj.v1n1.p49-59","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p49-59","url":null,"abstract":"The development of music technology came within time to time with a variety of innovations and new discoveries in music. Development grow faster in the music industry, more and more appear in musical works. Followed by the development of music, the technology is also being used, so that digital music trends are emerging. One result of development of digital music technology is speech composing. In a simple speech that compiles interpreted as a process of creativity that turns words into songs. Heiakim Music, who made the Speech Composings  song \"Hotto Dogu\" whose lyrics were taken from pieces of words made from sound samples using Google Translate feature (Text to Speech).","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128404185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bentuk Musik Dan Interpretasi Sonata Piano No. 20, Op. 49 No. 2 Karya Ludwig Van Beethoven","authors":"Ariesta Dewi Rahayu","doi":"10.26740/rj.v1n1.p12-22","DOIUrl":"https://doi.org/10.26740/rj.v1n1.p12-22","url":null,"abstract":"Jurnal ini berjudul œBentuk Musik dan Intepretasi Sonata Piano No. 20, Op. 49 no. 2 Karya Ludwig Van Beethoven. Penelitian ini bertujuan untuk mendeskripsikan bentuk dan struktur, serta Intepretasi musik karya Ludwig Van Beethoven. Proses penelitian dilakukan dengan menggunakan metode deskriptif analitik. Data dalam penelitian ini diperoleh melalui observasi, wawancara, dan dokumentasi. Teknik analisis data yang digunakan yaitu reduksi  data, penyajian data, dan penyimpulan. Adapun uji keabsahan data menggunakan triangulasi. Hasil penelitian ini menunjukan bawha Sonata Piano No. 20, Op. 49 no. 2 karya Ludwig Van Beethoven menggunakan bentuk musik berupa Sonata Form yang terdiri dari Exposition, Development, dan Recapitulation. Dalam pembahasan mengenai intepretasi Sonata Piano No. 20, Op. 49 no. 2 karya Ludwig Van Beethoven terdapat 3 hal penting, yaitu tempo, format lagu dan harmoni.","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129732166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LAGU œFIRE DANCE KARYA JESON PUB ARANSEMEN MOMON MARYONO (TINJAUAN ARANSEMEN MARCHING BAND)","authors":"Billawa Gatra Jannah","doi":"10.26740/rj.v1n2.p202-211","DOIUrl":"https://doi.org/10.26740/rj.v1n2.p202-211","url":null,"abstract":"Billawa Gatra JannahFakultas Bahasa Dan Seni, Universitas Negeri SurabayaEmail: billawajannah16021254017@mhs.unesa.ac.id  AbstrakLagu fire dance Karya Jeson Pub Aransemen Momon Maryono  yang dimainkan dengan format marching band  saat ini masih sering di mainkan sebagai pembuka dari sebuah pertunjukan, perlombaan pemainnya dari petrokimia yang beberapa kali mendapatkan 10 besar di perlombaan GPMB dari tahun 1994 1998 dengan semua player kebanyakan pegawai perusahaan itu sendiri. Kajian pustaka dilandasi dengan bantuan buku Kawakami dan juga ilmu analisa bentuk musik(IABM) sebagai landasan utama dalam pembuatan judul ini dengan ditambahi buku kajian yang berhubungan dengan musik Marching Band dan ilmunya. Proses aransemen menggunakan 4 bagian utama dan fungsinya. Yaitu Melodic Material, Counter Melodic Material, Rhythmic Harmonic Material dan Sustained Harmonic Material. Bentuk aransemen lagu œFire Dance terdiri dari bagian A (intro,verse 1 & 2 ) bagian B (bridge, verse 1) bagian C (Chorus) bagian D (Chorus 2, Bridge) bagian E (verse 1, solo, verse 2, bridge, coda) dengan selera komposer yang cenderung menggunakan unisono. Pembahasan metode yang digunakan dalam penelitihan ini menggunakan deskriptif analisis dengan pendekatan musikologis yang memanfaatkan data kualitatif.Kata kunci: Aransemen, Marching BandSONG FIRE DANCE BY JESON PUB MOMON MARYONO ARRANGEMENTœ A REVIEW OF THE MARCHING BAND ARRANGEMENTAbstract            Song fire dance by Jeson Pub the Momon Maryono arranger played with the Marching band format today is still a frequent play as the opening act of the show, the players race from the petrochemical that several times gained the Big 10 in the GPMB race from 1994 1998 with all the players most of the company's officers themselves. The Literature study is based on the help of Kawakami as well as musical form analysis (IABM) as the main foundation in the making of this title with a study book related to the music of Marching Band and his knowledge. Arrangements Process using 4 main parts and functions. It is Melodic material, melodic Counter material, Rhythmic harmonic material and Sustained harmonic material. The arrangement of the song \"Fire Dance\" consists of the form of the song arrangement \"Fire Dance\" consisting of part A (intro, verse 1 & 2) part B (bridge, verse 1) part C (Chorus) part D (Chorus 2, Bridge) part E (verse 1, solo, verse 2, bridge, coda) regularly with composers' tastes tended to use unisono. The discussion of the methods used in this research uses descriptive analysis with a musicological approach that utilizes qualitative data.Keywords: Arrangement, Marching Band","PeriodicalId":262752,"journal":{"name":"Repertoar Journal","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115565417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}