尤萨法特·兰努·勒邦在指挥技术回顾中对josu elberdin œsegalariak歌曲的解读

Hafi Hilmiah Almanda
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引用次数: 0

摘要

指挥家在演奏音乐时需要一种概念或技巧,即如何使音乐表现得更加美丽和生动。本文研究尤萨法特的歌曲《塞加拉里亚克》的指挥方法和技巧的运用。本研究采用定性方法。技术收集数据是通过观察、访谈和记录来完成的。Yosafat在解释歌曲“Segalariak”时使用的解释方法是第一个理解歌曲的形式,和声,节奏和时间,节奏,歌词和动态。Yosafat对"Segalariak"这首歌的指挥技巧的诠释第一阶段进攻技巧在歌曲开始时进行节奏,时间和动态变化。歌唱的两个阶段是在遇到动力时完成的。结束歌曲的最后一个阶段(realese)是在歌曲结束时完成的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
INTERPRETATION OF THE œSEGALARIAK SONG BY JOSU ELBERDIN BY YOSAFAT RANNU LEPONG IN THE REVIEW OF CONDUCTING TECHNIQUE
A conductor in presenting music requires a concept or technique of how the music to be displayed becomes more beauthiful and lively. This research to describe the method and application of the technique of conducting the song "Segalariak" by Yosafat. This research uses a qualitative method. Techniques collection data are done by observation, interview and documentation. The method of interpretation used by Yosafat when interpreting the song "Segalariak" was the first to understand the form of songs, harmony, rhythm and time, tempo, song lyrics and dynamics. The interpretation in the conducting technique which is done by Yosafat on the song "Segalariak" the first stage the technique of attack carried out when the song will begin and the tempo, time and dynamics change. The two stages when singing is done when meeting dynamics. The last stage of ending the song (realese) is done when ending the song.
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