The Ironic State最新文献

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The Ironic State Pub Date : 2021-01-13 DOI: 10.2307/j.ctv1c9hmqr.13
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引用次数: 0
Brexit, or How I Learned to Stop Worrying and Love the Single Market 《英国脱欧》或《我如何学会停止担忧并热爱单一市场》
The Ironic State Pub Date : 2021-01-13 DOI: 10.2307/j.ctv1c9hmqr.10
J. Brassett
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引用次数: 0
The Satire Boom: 讽刺热潮:
The Ironic State Pub Date : 2021-01-13 DOI: 10.2307/j.ctv1c9hmqr.6
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引用次数: 0
Introduction: 作品简介:
The Ironic State Pub Date : 2021-01-13 DOI: 10.2307/j.ctv1c9hmqr.4
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引用次数: 0
The Satire Boom: Imperial Decline and the Rise of the Everyday Elite 讽刺热潮:帝国的衰落和日常精英的崛起
The Ironic State Pub Date : 2021-01-13 DOI: 10.1332/policypress/9781529208450.003.0003
J. Brassett
{"title":"The Satire Boom: Imperial Decline and the Rise of the Everyday Elite","authors":"J. Brassett","doi":"10.1332/policypress/9781529208450.003.0003","DOIUrl":"https://doi.org/10.1332/policypress/9781529208450.003.0003","url":null,"abstract":"This chapter examines the ‘satire boom’ in the 50s and 60s which saw popular Oxbridge review style acts like Beyond the Fringe achieve national and international fame with an elevated style of humour. Subjects included the nature of War, the relevance of language philosophy, the class system and the rise of radical political agendas like socialism and anti-colonial struggles. The style of comedy also allowed for a re-orientation of satire to focus on politics and politician; lampooning them for their stupidity, or their corrupt nature in manner that gained massive public interest. A new kind of upper class, educated satire, with incisive political critique and bon mots, was erected. Despite the tendency of satire to challenge and critique accepted political hierarchies, i.e. empire, the class structure, and government, many argue that we must recognise how closely the satirists themselves resembled their target. These were satires of the British elite that came from within: a select group of white males, often private school and Oxbridge educated, with a certain post-imperial world view.","PeriodicalId":261616,"journal":{"name":"The Ironic State","volume":"236 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133786853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Back Matter 回到问题
The Ironic State Pub Date : 2021-01-13 DOI: 10.2307/j.ctv1c9hmqr.14
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引用次数: 0
Comedy and the Politics of (Global) Resistance 喜剧与(全球)抵抗政治
The Ironic State Pub Date : 2021-01-13 DOI: 10.1332/policypress/9781529208450.003.0001
J. Brassett
{"title":"Comedy and the Politics of (Global) Resistance","authors":"J. Brassett","doi":"10.1332/policypress/9781529208450.003.0001","DOIUrl":"https://doi.org/10.1332/policypress/9781529208450.003.0001","url":null,"abstract":"This Introduction situates the approach of the book within existing debates on comedy and politics. Section 1 addresses two broad and popular frameworks, which are labeled ‘Instrumental’ and ‘Critical’. They each provide good reasons to be sceptical of the role of comedy in politics by questioning the actual impact it can have. Section 2 outlines the approach of this book, to think about comedy as an everyday practice of global resistance.","PeriodicalId":261616,"journal":{"name":"The Ironic State","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115762474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Globalization of Comic Resistance? 喜剧抵抗运动的全球化?
The Ironic State Pub Date : 2021-01-13 DOI: 10.2307/j.ctv1c9hmqr.11
J. Brassett
{"title":"The Globalization of Comic Resistance?","authors":"J. Brassett","doi":"10.2307/j.ctv1c9hmqr.11","DOIUrl":"https://doi.org/10.2307/j.ctv1c9hmqr.11","url":null,"abstract":"This chapter examines the globalization of British comedy as leading acts now flourish in the US, and their shows are syndicated and distributed globally. The chapter draws discussion to a close by opening up some of the important ethical and political challenges that persist, namely: the question of how to globalize British comedy in terms of race and gender.","PeriodicalId":261616,"journal":{"name":"The Ironic State","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128465212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Everyday Comic Resistance in Global Context 全球背景下的日常喜剧抵抗
The Ironic State Pub Date : 2021-01-13 DOI: 10.2307/j.ctv1c9hmqr.5
J. Brassett
{"title":"Everyday Comic Resistance in Global Context","authors":"J. Brassett","doi":"10.2307/j.ctv1c9hmqr.5","DOIUrl":"https://doi.org/10.2307/j.ctv1c9hmqr.5","url":null,"abstract":"This chapter situates the framework of ‘everyday global resistance’ within the disciplinary contours of IR/IPE and the recent turn to focus on ‘everyday politics’. By moving beyond ‘systemic’ accounts of global resistance in terms of ‘protests against government’, ‘anti-globalisation; etc., everyday approaches can foreground the important role of (apparently) small or marginal actors, and mundane practices of resistance.","PeriodicalId":261616,"journal":{"name":"The Ironic State","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124696757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Austerity and the Rise of Radical Comedy 紧缩与激进喜剧的兴起
The Ironic State Pub Date : 2021-01-13 DOI: 10.2307/j.ctv1c9hmqr.9
J. Brassett
{"title":"Austerity and the Rise of Radical Comedy","authors":"J. Brassett","doi":"10.2307/j.ctv1c9hmqr.9","DOIUrl":"https://doi.org/10.2307/j.ctv1c9hmqr.9","url":null,"abstract":"This chapter picks up previous strands from the ‘new satire’ to argue that the global financial crisis and the rise of austerity politics provided fertile ground for the return of ‘radical comedy’. Here the work of Russell Brand and Stewart Lee is discussed in terms of its ability to question and subvert the dominant mode of market agency: the neoliberal subject. For Brand, this is an opportunity to engage in wider themes of radical democracy, whereas Lee provides a more nuanced deconstruction of our place in global capital/ media flows.","PeriodicalId":261616,"journal":{"name":"The Ironic State","volume":"76 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120931956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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