{"title":"喜剧抵抗运动的全球化?","authors":"J. Brassett","doi":"10.2307/j.ctv1c9hmqr.11","DOIUrl":null,"url":null,"abstract":"This chapter examines the globalization of British comedy as leading acts now flourish in the US, and their shows are syndicated and distributed globally. The chapter draws discussion to a close by opening up some of the important ethical and political challenges that persist, namely: the question of how to globalize British comedy in terms of race and gender.","PeriodicalId":261616,"journal":{"name":"The Ironic State","volume":"11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Globalization of Comic Resistance?\",\"authors\":\"J. Brassett\",\"doi\":\"10.2307/j.ctv1c9hmqr.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter examines the globalization of British comedy as leading acts now flourish in the US, and their shows are syndicated and distributed globally. The chapter draws discussion to a close by opening up some of the important ethical and political challenges that persist, namely: the question of how to globalize British comedy in terms of race and gender.\",\"PeriodicalId\":261616,\"journal\":{\"name\":\"The Ironic State\",\"volume\":\"11 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Ironic State\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1c9hmqr.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Ironic State","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1c9hmqr.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter examines the globalization of British comedy as leading acts now flourish in the US, and their shows are syndicated and distributed globally. The chapter draws discussion to a close by opening up some of the important ethical and political challenges that persist, namely: the question of how to globalize British comedy in terms of race and gender.
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