{"title":"The Globalization of Comic Resistance?","authors":"J. Brassett","doi":"10.2307/j.ctv1c9hmqr.11","DOIUrl":null,"url":null,"abstract":"This chapter examines the globalization of British comedy as leading acts now flourish in the US, and their shows are syndicated and distributed globally. The chapter draws discussion to a close by opening up some of the important ethical and political challenges that persist, namely: the question of how to globalize British comedy in terms of race and gender.","PeriodicalId":261616,"journal":{"name":"The Ironic State","volume":"11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Ironic State","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1c9hmqr.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter examines the globalization of British comedy as leading acts now flourish in the US, and their shows are syndicated and distributed globally. The chapter draws discussion to a close by opening up some of the important ethical and political challenges that persist, namely: the question of how to globalize British comedy in terms of race and gender.