{"title":"THE GENESIS OF THE DOCUMENTA INTERNATIONAL EXHIBITION OF CONTEMPORARY ART AS A DIALOGUE PLATFORM FOR ELITE ART AND MASS CULTURE","authors":"E. Kenigsberg","doi":"10.31249/hoc/2022.03.10","DOIUrl":"https://doi.org/10.31249/hoc/2022.03.10","url":null,"abstract":"The article examines the genesis of the documenta exhibition as the largest forum in the world of contemporary art, based on the dialogical character of elite art and mass culture. On the example of 14 exhibitions held from 1955 to 2017 documenta traced the long path of development from a single art event as part of the Federal Exhibition of Gardens to a regular global event, studied the role of its artistic directors - curators.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"23 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131150320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TRENDS IN THE DEVELOPMENT OF MUSICAL CULTURE IN THE 20 TH CENTURY","authors":"V. A. Bukreev","doi":"10.31249/hoc/2020.03.03","DOIUrl":"https://doi.org/10.31249/hoc/2020.03.03","url":null,"abstract":"The problem is considered in the article is «musical integration», which has been one of the main and global problems since the second half of the twentieth century. Politics, science, culture, practically all areas of spiritual activity not only provide examples of new forms and institutions, but also present material for a kind of «metaphilosophy of unity». The aim of this article is to reveal the tendencies existing in musical culture, which are connected with the process of mixing, fusion, organic connection of different elements of various musical traditions, styles, directions and genres.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131715737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"RILKE’S “SONNETS TO ORFEUS” IN Z. MIRKINA’S TRANSLATION, OR ABOUT “POETRY OF THE SACRED DEEP”","authors":"","doi":"10.31249/hoc/2023.01.08","DOIUrl":"https://doi.org/10.31249/hoc/2023.01.08","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"226 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133464744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"WHO ARE YOU, MASK? (STUDY OF IMAGES LIMITED BY FUNCTION)","authors":"G. Andreeva, I. Ran","doi":"10.31249/hoc/2021.03.10","DOIUrl":"https://doi.org/10.31249/hoc/2021.03.10","url":null,"abstract":"In article features of images on face sanitary masks are analyzed during COVID-19 pandemic. The object of the study is masks put up for sale by selling companies in the OZON online store in mid-February 2021. Masked images were classified on different grounds. The theme of masks is traced. A variety of cultural codes of contents in the face masks used in COVID-19 pandemic is revealed. Various aspects and meanings attached to images within the same theme are shown.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124342144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"FRENCH ROMANTICISM AND THE GENESIS OF POPULAR LITERATURE","authors":"N. Pakhsaryan","doi":"10.31249/hoc/2022.03.08","DOIUrl":"https://doi.org/10.31249/hoc/2022.03.08","url":null,"abstract":"The article analyzes the transformation ofcreativity in romanticism of the late 1820 s - 1830 s ideas, the interaction of romantics with newspapers and magazines in the second half of the 1830 s - 1840 s. and the appearance of the feuilleton novel as a genre of popular fiction. The success of F. Soulier, E. Sue, A. Dumas, and other authors works, published in periodicals, contributed to the emergence of ethical and aesthetic disputes about the feuilleton novelas a genre. Following Ch. Sainte-Beuve, who spoke out against \"industrial literature\", French intellectual elite attacked feuilleton novels, claiming the authors for damaging artistic taste and immorality. Meanwhile, the fields of \"high\" and \"folk\" romanticism constantly intersected, and in the course of dispute about feuilleton novels, the poetics of elite prose not only influenced popular fiction, but also voluntarily or involuntarily used its experience. In the process of this repulsion / attraction, the main types of popular literature were born, namely: detective story, love story, fantastic prose, etc.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"115 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124019562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"INTERACTION OF RUSSIAN AND POLISH RADICAL SUBCULTURES IN THE RUSSIAN EMPIRE OF THE 19 TH - EARLY 20 TH CENTURIES: CONTENT, STAGES, RESULTS","authors":"","doi":"10.31249/hoc/2023.01.14","DOIUrl":"https://doi.org/10.31249/hoc/2023.01.14","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"116 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124227027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Was Dostoevsky the godfather of the word “stushevat'sya” (\"shy away\")?","authors":"K. Dushenko, I. Ran","doi":"10.31249/hoc/2019.04.04","DOIUrl":"https://doi.org/10.31249/hoc/2019.04.04","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128844244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"FANTôMAS AS A SYMBOLIC FIGURE OF LA BELLE ÉPOQUE: SIGNS OF THE GOTHIC","authors":"","doi":"10.31249/hoc/2023.02.10","DOIUrl":"https://doi.org/10.31249/hoc/2023.02.10","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116655831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ALEXANDER V. MIKHAILOV AS A PHILOLOGICAL-THINKER","authors":"","doi":"10.31249/hoc/2023.01.12","DOIUrl":"https://doi.org/10.31249/hoc/2023.01.12","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115322475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MASS AND ELITE CULTURE OF THE AGE OF GLOBALIZATION IN THE CONTEXT OF PHILOSOPHICAL DISCOURSE","authors":"M. Fomina","doi":"10.31249/hoc/2022.03.04","DOIUrl":"https://doi.org/10.31249/hoc/2022.03.04","url":null,"abstract":"The article is devoted to the analysis of the theoretical positions of Russian and Chinese authors on mass and elite culture. Russian and Chinese authors analyze mass culture as the culture of the information society. They characterize elite culture as a product of high creativity. Comparative analysis made it possible to compare scientific positions, to determine the general and particular in the interpretation of concepts. A risk zone was identified, which was due to the essence of mass culture. Appeal to philosophical discourse made it possible to compare the alternative positions of the authors with the opinion of the author of the article.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115751192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}