{"title":"SOVIET SOCIALISM: FAILED CULTURAL REVOLUTION","authors":"L. Fishman","doi":"10.31249/hoc/2021.03.02","DOIUrl":"https://doi.org/10.31249/hoc/2021.03.02","url":null,"abstract":"The article is devoted to answering the question: was the cultural revolution, which Lenin called for and the Soviet government made, really a socialist cultural revolution? The author substantiates that the task of accomplishing a proper socialist cultural revolution turned out to be so difficult that it was actually replaced by the task of civilizing and enlightenment in the modern and «bourgeois» sense. By and large, institutional and cultural prerequisites for the dialectical transformation of the «common human» culture into a socialist and communist culture did not arise. «Bourgeois», «noble», «foreign» and other moral and cultural models’ integration and transformation into socialist ones was unsuccessful. They retained a certain amount of their appeal and bided their time, which struck in the late 1980 s.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130319452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“A FANTASIA IN THE RUSSIAN MANNER ON ENGLISH THEMES” BY SERGEI EISENSTEIN","authors":"E. Kuznetsova","doi":"10.31249/hoc/2022.02.05","DOIUrl":"https://doi.org/10.31249/hoc/2022.02.05","url":null,"abstract":"The article invites its readers to travel back in time to open a century-old page in the world’s cultural history showing one of the first tries by Sergei Eisenstein as a theatre designer. Although Bernard Shaw’s play “Heartbreak House. A Fantasia in the Russian Manner on English Themes” was never staged at “The Actor’s Theatre”, the surviving sketches and notes do call our attention. A microanalysis of these sources demonstrates that the ideas put forward by Sergei Eisenstein are still used by Russian designers and directors.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"159 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132161303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“THERE IS NO SEX IN THE USSR”: ABOUT THE CONCEPT OF ‘SEX’ IN SOVIET CULTURE","authors":"K. Dushenko","doi":"10.31249/hoc/2022.03.09","DOIUrl":"https://doi.org/10.31249/hoc/2022.03.09","url":null,"abstract":"The article deals with the history of the word ‘sex’, as well as related words in the Soviet press. The term ‘sexual’ in the 1920 s was used primarily in medicine, forensic science, psychoanalytic psychology, and also in social pedagogy. The word ‘sex’ appeared in Russian no later than 1921, occasionally met in the 1930 s, and then for two decades (19371956) was practically absent in the Soviet press. The number of references to ‘sex’ has increased dramatically since the late 1950 s, and in most cases it refers to elements of eroticism in Western cinema. ‘Sex’ in the Soviet press is endowed with a number of negative characteristics: it is closely associated with crime and perversion; it is opposite to love, replacing it with physiology; it serves as a distraction from the real problems of bourgeois society; it is individualistic in nature (i.e. not subject to social control). In the latter case, there is a characteristic duality: in the West, ‘sex’ serves as a means of manipulating the consciousness and feelings of the masses; and in the USSR, on the contrary, it is dangerous as a socially uncontrolled phenomenon that opposes the social, collectivist principle.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133565107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MUSICAL DISCOURSE OF I.S. TURGENEV'S PROSE","authors":"O. Kryukova","doi":"10.31249/hoc/2020.03.09","DOIUrl":"https://doi.org/10.31249/hoc/2020.03.09","url":null,"abstract":"The article analyzes the musical motives, as well as the mentions of musical instruments in Turgenev's prose. The purpose of this work is a cultural analysis of the context of «musical fragments» of I.S. Tur-genev's prose. Musical preferences are the subject of lively disputes of Turgenev's characters. Musical instruments are used as metaphorical figures in Turgenev’s work which indicates the «musicality» of the writer's thinking.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123611860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"DETECTIVE IN THE SPACE OF CULTURE","authors":"T. Fetisova","doi":"10.31249/hoc/2020.03.11","DOIUrl":"https://doi.org/10.31249/hoc/2020.03.11","url":null,"abstract":"n the space of modern culture there can be seen an approchement of mass and elite literature, which is manifested in the formation of numerous hybrid forms using the iconic constructions of a classic detective. New novel modifications, on the one hand, are considered as the development and transformation of the detective genre, and on the other hand, as the disappearance and dissolution of the detective tradition, blurring of genre boundaries.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123579662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"PLASTIC AND POETIC IMAGE OF THE BRONZE HORSEMAN (TRANSLATED FROM POLISH BY K.V. DUSHENKO)","authors":"Vaclav Kubatskii","doi":"10.31249/hoc/2022.02.12","DOIUrl":"https://doi.org/10.31249/hoc/2022.02.12","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121533188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Music journalism of the first half of the 19 th century about the Russian violin school","authors":"S. Gudimova, I. Ran","doi":"10.31249/hoc/2021.02.06","DOIUrl":"https://doi.org/10.31249/hoc/2021.02.06","url":null,"abstract":"Since the beginning of the XIX century the Russian press informs its readers about all musical events. Although the authors of the publications were not professionals, the level of reviews and notes amazes with their knowledge of art, especially knowledge of the intricacies of violin playing. This phenomenon can only be explained by the rich auditory experience of journalists. In Russia there was an intense musical life, the most famous virtuosos of that time performed in salons and on stages not only in capitals, but also in provincial cities. By the beginning of the 19th century a strong Russian violin school was formed with an original («vo-cal») interpretation of sound. Its representatives pay much more attention to the quality of sound than foreign virtuosos, who prioritize technical perfec-tion, sometimes to the detriment of even the elementary requirements of musicality. Russian music criticism has never echoed the opinions of Western colleagues; it had its own criteria for evaluating it. She boldly criticized even the violinists-buffooners recognized in Europe and supported the Rus-sian virtuosos, who soon gained worldwide recognition.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124755153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE FIRST SYMBOLS OF RUSSIAN SPECIAL MILITARY OPERATION: RUSSIAN DOSTOEVSKIJ IN ITALY AND UKRAINIAN PEASANT WOMAN WITH A SOVIET FLAG","authors":"","doi":"10.31249/hoc/2023.02.16","DOIUrl":"https://doi.org/10.31249/hoc/2023.02.16","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128637036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Russia - the birthplace of elephants: metamorphoses of an international joke","authors":"K. Dushenko, I. Ran","doi":"10.31249/hoc/2019.04.08","DOIUrl":"https://doi.org/10.31249/hoc/2019.04.08","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124675015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Philology as an Experience of Reading","authors":"V. Makhlin","doi":"10.31249/hoc/2021.01.04","DOIUrl":"https://doi.org/10.31249/hoc/2021.01.04","url":null,"abstract":"The article is an attempt to understand and evaluate Sergey Bocharov’s critical activities and heritage from the point of view of some contemporary problems in human and philological studies. What was and comparatively is quite original in Bocharov’s articles and books, it is, I believe, his approach to a literary text, beginning with his early little book about Tolstoy’s «War and Peace», where this scholar tried to combine his research with his concrete experience of a «common reader». This approach, it seems, allowed him to avoid the two extremes in recent literary studies, namely, abstract theoretism, on one hand, and abstract positivism, on the other. In this sense, Bocharov’s heritage may help us today to return to some «pre-scientific», but scholarly forms of textual analysis in philology based on the reading experience itself.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126484558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}