{"title":"屠格涅夫散文的音乐话语","authors":"O. Kryukova","doi":"10.31249/hoc/2020.03.09","DOIUrl":null,"url":null,"abstract":"The article analyzes the musical motives, as well as the mentions of musical instruments in Turgenev's prose. The purpose of this work is a cultural analysis of the context of «musical fragments» of I.S. Tur-genev's prose. Musical preferences are the subject of lively disputes of Turgenev's characters. Musical instruments are used as metaphorical figures in Turgenev’s work which indicates the «musicality» of the writer's thinking.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"23 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"MUSICAL DISCOURSE OF I.S. TURGENEV'S PROSE\",\"authors\":\"O. Kryukova\",\"doi\":\"10.31249/hoc/2020.03.09\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article analyzes the musical motives, as well as the mentions of musical instruments in Turgenev's prose. The purpose of this work is a cultural analysis of the context of «musical fragments» of I.S. Tur-genev's prose. Musical preferences are the subject of lively disputes of Turgenev's characters. Musical instruments are used as metaphorical figures in Turgenev’s work which indicates the «musicality» of the writer's thinking.\",\"PeriodicalId\":256945,\"journal\":{\"name\":\"Herald of Culturology\",\"volume\":\"23 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Herald of Culturology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31249/hoc/2020.03.09\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Herald of Culturology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31249/hoc/2020.03.09","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The article analyzes the musical motives, as well as the mentions of musical instruments in Turgenev's prose. The purpose of this work is a cultural analysis of the context of «musical fragments» of I.S. Tur-genev's prose. Musical preferences are the subject of lively disputes of Turgenev's characters. Musical instruments are used as metaphorical figures in Turgenev’s work which indicates the «musicality» of the writer's thinking.
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