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ABOUT THE ROLE OF THE BANNER CHANT IN THE CULTURE OF ANCIENT RUSSIA DURING THE MOSCOW TSARDOM 关于莫斯科沙皇统治时期古俄罗斯文化中旗帜的作用
Herald of Culturology Pub Date : 1900-01-01 DOI: 10.31249/hoc/2020.03.12
O.S. Kharitonov
{"title":"ABOUT THE ROLE OF THE BANNER CHANT IN THE CULTURE OF ANCIENT RUSSIA DURING THE MOSCOW TSARDOM","authors":"O.S. Kharitonov","doi":"10.31249/hoc/2020.03.12","DOIUrl":"https://doi.org/10.31249/hoc/2020.03.12","url":null,"abstract":"The article investigates the significance of echoes chant (the Znamenny chant) in the culture of Muscovy, the emphasis is maid on it’s style features and artistic device and the group of images and ideas, which are expressed by echoes chant. The influence of sacralization of system of sighs of the echoes chant on the culture and consciousness of old Russian is also considered in the article.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129900595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
SIGNS OF THE TIME: THE MYTH OF THE 90 S IN A MODERN PERSPECTIVE 时代的标志:现代视角下的90年代神话
Herald of Culturology Pub Date : 1900-01-01 DOI: 10.31249/hoc/2023.02.04
{"title":"SIGNS OF THE TIME: THE MYTH OF THE 90 S IN A MODERN PERSPECTIVE","authors":"","doi":"10.31249/hoc/2023.02.04","DOIUrl":"https://doi.org/10.31249/hoc/2023.02.04","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129993939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
JAPONISME IN RUSSIAN ART CULTURE OF SILVER AGE 俄罗斯白银时代艺术文化中的日本主义
Herald of Culturology Pub Date : 1900-01-01 DOI: 10.31249/hoc/2022.01.04
E. Scherbakova
{"title":"JAPONISME IN RUSSIAN ART CULTURE OF SILVER AGE","authors":"E. Scherbakova","doi":"10.31249/hoc/2022.01.04","DOIUrl":"https://doi.org/10.31249/hoc/2022.01.04","url":null,"abstract":"The article tries to trace the Japan influence on the Russian Art Culture in the end of XTX - beginning of XX centuries. Tt is found that the beginning of Japanese culture reception in Russia was connected with decorative and applicable art and painting and then with the theatre, literature and music. Tn some cases reception took place indirectly through oriental genres of European Art.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124698036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE JAPANESE PHILOSOPHY OF THE TWENTIETH CENTURY ABOUT CULTURAL MEANINGS IS NOTHING AS AN EXPRESSION OF TRUE REALITY 20世纪关于文化意义的日本哲学并不能作为真实现实的表达
Herald of Culturology Pub Date : 1900-01-01 DOI: 10.31249/hoc/2023.01.07
{"title":"THE JAPANESE PHILOSOPHY OF THE TWENTIETH CENTURY ABOUT CULTURAL MEANINGS IS NOTHING AS AN EXPRESSION OF TRUE REALITY","authors":"","doi":"10.31249/hoc/2023.01.07","DOIUrl":"https://doi.org/10.31249/hoc/2023.01.07","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124705834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"LEXICALIZATION" OF FORMAL STRUCTURES AND ITS INFLUENCE ON THE PROCESS OF TRANSLATION OF CULTURAL TEXTS 形式结构的“词汇化”及其对文化文本翻译过程的影响
Herald of Culturology Pub Date : 1900-01-01 DOI: 10.31249/hoc/2022.01.07
V. Glebkin
{"title":"\"LEXICALIZATION\" OF FORMAL STRUCTURES AND ITS INFLUENCE ON THE PROCESS OF TRANSLATION OF CULTURAL TEXTS","authors":"V. Glebkin","doi":"10.31249/hoc/2022.01.07","DOIUrl":"https://doi.org/10.31249/hoc/2022.01.07","url":null,"abstract":"Borrowing a certain structure and filling it with new content is a model widely used for creation of new texts and for the cultural evolution in general. The identification and description of such models is a significant feature of the structuralist view of culture. However, the strict separation of structure and content overlooks the process of «lexicalization» of the structure. This article distinguishes two types of such «lexicalization», illustrated by a few examples. Special attention is paid to the theory of social contract, the emergence and individual features of which can also be examined within this scope.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116149034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PHILOSOPHICAL AND THEOLOGICAL INTERPRETATIONS OF NIHILISM AND WAYS TO OVERCOME IT 虚无主义的哲学和神学解释以及克服它的方法
Herald of Culturology Pub Date : 1900-01-01 DOI: 10.31249/hoc/2023.01.01
{"title":"PHILOSOPHICAL AND THEOLOGICAL INTERPRETATIONS OF NIHILISM AND WAYS TO OVERCOME IT","authors":"","doi":"10.31249/hoc/2023.01.01","DOIUrl":"https://doi.org/10.31249/hoc/2023.01.01","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"12 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116412612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
About the stylistic features of the Fujian musical genre Nanyin 论福建音乐流派南音的风格特征
Herald of Culturology Pub Date : 1900-01-01 DOI: 10.31249/hoc/2021.02.07
N. Starostina
{"title":"About the stylistic features of the Fujian musical genre Nanyin","authors":"N. Starostina","doi":"10.31249/hoc/2021.02.07","DOIUrl":"https://doi.org/10.31249/hoc/2021.02.07","url":null,"abstract":"The article deals with the stylistic features of the Fujian musical genre Nanyin. The history of the genre, Nanyin and Liyuan as a pair of genres, instrumental composition, plots, notation, and modal fea-tures of Nanyin are considered. A special place is given to the similarity of the Nanyin genre and music for guqin zither.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126613674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TEXT INCOMPLETENESS AS A PART OF THE AUTHOR’S IDEA: DOSTOEVSKY AND FANTASY LITERATURE 文本不完整性是作者思想的一部分:陀思妥耶夫斯基与幻想文学
Herald of Culturology Pub Date : 1900-01-01 DOI: 10.31249/hoc/2021.04.01
A. Gumerova
{"title":"TEXT INCOMPLETENESS AS A PART OF THE AUTHOR’S IDEA: DOSTOEVSKY AND FANTASY LITERATURE","authors":"A. Gumerova","doi":"10.31249/hoc/2021.04.01","DOIUrl":"https://doi.org/10.31249/hoc/2021.04.01","url":null,"abstract":"The article concerns the problem of the unfinished text in F.M. Dostoevsky’s novel The Brothers Karamazov and in the fantasy literature of the 20 th century as a form of dialogue with readers. A comparison of works and remarks made by the authors whose works remained unfinished for one reason or another demonstrates that we can speak of a certain creative idea when an intentionally unfinished work is concerned, not just an incomplete one. An unfinished piece draws the reader into the creative process.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127396585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE SYMBOLISM OF WATER IN CREATIVITY OF M.Y. LERMONTOV 水在莱蒙托夫先生创作中的象征意义
Herald of Culturology Pub Date : 1900-01-01 DOI: 10.31249/hoc/2023.02.07
{"title":"THE SYMBOLISM OF WATER IN CREATIVITY OF M.Y. LERMONTOV","authors":"","doi":"10.31249/hoc/2023.02.07","DOIUrl":"https://doi.org/10.31249/hoc/2023.02.07","url":null,"abstract":"","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122364241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musical culture of China in the first half of the XX century a dialogue with European and national 中国音乐文化在二十世纪上半叶与欧洲和国家的对话
Herald of Culturology Pub Date : 1900-01-01 DOI: 10.31249/hoc/2021.02.04
N. Bragina, Wang Jie
{"title":"Musical culture of China in the first half of the XX century a dialogue with European and national","authors":"N. Bragina, Wang Jie","doi":"10.31249/hoc/2021.02.04","DOIUrl":"https://doi.org/10.31249/hoc/2021.02.04","url":null,"abstract":"The article attempts to systematize the processes taking place in Chinese musical culture in the first half of the XX century. The main direction of European art, manifested in this period in China – Romanticism. Using the example of the development of chamber vocal gen-res, it is shown how the aesthetic attitudes of Romanticism-the reliance on national traditions and the desire to synthesize the arts – were manifested in the works of Chinese composers. The methods of musical and poetic analysis, as well as the method of comparative analysis, are used to identify common trends between the formation of new music in China and the pro-cesses of formation of «young» European music schools in the first half of the XIX century. The reasons for the lag in the development of some na-tional cultures and the regularities of their accelerated development and overcoming the time distance are revealed. The most typical works of chamber-vocal genres of Chinese music of the specified period are used as the material for analysis.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130349839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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