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引用次数: 0
摘要
本文分析了19世纪20年代末至18世纪30年代浪漫主义创作思想的转变，19世纪后半期浪漫主义与报刊杂志的互动，以及作为通俗小说类型的福伊尔顿小说的出现。F. Soulier, E. Sue, a . Dumas和其他作家的作品在期刊上发表的成功，促成了关于小小说这一体裁的伦理和美学争论的出现。继圣伯夫公开反对“工业文学”之后，法国的知识精英们开始攻击弗伊尔顿小说，声称这些作者破坏了艺术品味，而且不道德。与此同时，“高雅”与“民间”浪漫主义领域不断交叉，精英散文诗学不仅影响着通俗小说，而且自觉或不自觉地运用着精英散文的经验。在这种排斥/吸引的过程中，诞生了流行文学的主要类型，即:侦探小说、爱情故事、奇幻散文等。
FRENCH ROMANTICISM AND THE GENESIS OF POPULAR LITERATURE
The article analyzes the transformation ofcreativity in romanticism of the late 1820 s - 1830 s ideas, the interaction of romantics with newspapers and magazines in the second half of the 1830 s - 1840 s. and the appearance of the feuilleton novel as a genre of popular fiction. The success of F. Soulier, E. Sue, A. Dumas, and other authors works, published in periodicals, contributed to the emergence of ethical and aesthetic disputes about the feuilleton novelas a genre. Following Ch. Sainte-Beuve, who spoke out against "industrial literature", French intellectual elite attacked feuilleton novels, claiming the authors for damaging artistic taste and immorality. Meanwhile, the fields of "high" and "folk" romanticism constantly intersected, and in the course of dispute about feuilleton novels, the poetics of elite prose not only influenced popular fiction, but also voluntarily or involuntarily used its experience. In the process of this repulsion / attraction, the main types of popular literature were born, namely: detective story, love story, fantastic prose, etc.
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