Storyca. Edad Media Contemporánea最新文献

{"title":"El macrocosmos de la microhistoria literaria","authors":"J. Guadalajara","doi":"10.51863/storyca.2021.guadalajara","DOIUrl":"https://doi.org/10.51863/storyca.2021.guadalajara","url":null,"abstract":"RESUMEN:\u0000\u0000La microhistoria, en su vertiente literaria, es una modalidad de microrrelato que amalgama un tema extraído de la Historia y un enfoque estético y creativo del mismo. José Guadalajara se adentra en el análisis de este término y en sus relaciones con el microrrelato y la propia microhistoria social. Asimismo, el autor desgrana la vinculación que mantiene con la novela histórica y desarrolla los rasgos característicos de la microhistoria literaria, a raíz de la publicación de su libro Cien microhistorias de la Historia.\u0000\u0000ABSTRACT:\u0000\u0000Microhistory, in its literary aspect, is a form of micro-story that merges a theme drawn from History with an aesthetic and creative approach to it. José Guadalajara delves into the analysis of this term and its relationships with the micro-story and social micro-history itself. Moreover, and with regards to the publication of his book One Hundred Microhistories of History, Guadalajara reveals the link that literary microhistory maintains with the historical novel and develops its characteristic features.","PeriodicalId":248816,"journal":{"name":"Storyca. Edad Media Contemporánea","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127169308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Amakusa Shirō, la Rebelión de Shimabara y el cristianismo en el manga Makai tenshō (1987)","authors":"Antonio Doñas","doi":"10.51863/storyca.2021.donas","DOIUrl":"https://doi.org/10.51863/storyca.2021.donas","url":null,"abstract":"RESUMEN:\u0000El objetivo del presente trabajo es analizar la imagen del cristianismo en el manga de Ishikawa Ken Makai tenshō (1987), adaptación libre de la novela de ficción histórica de mismo nombre compuesta en 1967 por Yamada Fūtarō. Ambientado a finales del Japón medieval, tiene como punto de partida un famoso acontecimiento en la historia del archipiélago, la Rebelión de Shimabara, que puso punto final al llamado \"siglo cristiano\" de Japón. Uno de los protagonistas de la obra es el líder de esa rebelión, el joven cristiano Amakusa Shirō, convertido en los últimos decenios en un personaje frecuente en la cultura de consumo popular japonesa. La representación del cristianismo en Makai Tenshō, publicado en un periodo de fuerte presencia de nacionalismo japonés en el manga seinen, recoge algunos elementos de la imagen de los misioneros cristianos desarrollada en el Periodo Edo como legitimación del shogunato Tokugawa; entre otros, la naturaleza demoniaca de los misioneros, similares a los tengu, demonios del folclore japonés, su asociación con la magia y la medicina y su objetivo, frustrado por Tokugawa Ieyasu, de invadir y someter Japón. \u0000 \u0000ABSTRACT:\u0000The aim of this paper is to analyze the image of Christianity in Ishikawa Ken's manga Makai Tenshō (1987), adapted freely from Yamada Fūtarō's historic fiction novel of the same name published in 1967. The manga is set at the end of Japan's medieval period, beginning with a famous event in Japanese history, the Shimabara Rebellion, which is considered the end of the \"Christian century\" of Japan. One of the main characters of the work is the leader of that rebellion, Amakusa Shirō, a very frequent character in recent Japanese pop culture. The representation of Christianity in Makai Tenshō, published in a period of strong presence of Japanese nationalism in seinen manga, derives partly from some characteristics of the image of the Christian missionaries developed in Edo Period as legitimation of Tokugawa shogunate; among others, their demonic nature, close to the tengu, demons in Japanese folklore, their association with magic and medicine and their intention, frustrated by Tokugawa Ieyasu, of invading and subduing Japan.","PeriodicalId":248816,"journal":{"name":"Storyca. Edad Media Contemporánea","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132112258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La embajada de Rui: la visión del viaje medieval hacia Tamorlán en la novela gráfica contemporánea","authors":"Karolina Zygmunt","doi":"10.51863/storyca.2021.zygmunt","DOIUrl":"https://doi.org/10.51863/storyca.2021.zygmunt","url":null,"abstract":"RESUMEN:\u0000Este estudio se centra en el análisis de la novela gráfica de Nieves Rosendo Embajada de Rui, texto inspirado en el viaje de los embajadores castellanos a la corte del gran caudillo mongol, un suceso histórico importante de principios del XV cuyo testimonio quedó plasmado en el relato de viajes medieval Embajada a Tamorlán. El objetivo de este trabajo es examinar en qué medida y por qué esta obra contemporánea se aleja de la fuente medieval, así como analizar cuáles son los rasgos que comparte con el testimonio original y qué visión del viaje medieval pretende mostrar a sus lectores. El análisis llevado a cabo nos permitirá ver cómo el Medievo sigue siendo una época idealizada por la mirada nostálgica de los contemporáneos, quienes lo ven como un periodo lejano y fascinante que hacía posibles verdaderos viajes y descubrimientos. \u0000ABSTRACT:\u0000This study is focused on the analysis of the graphic novel Embajada de Rui by Nieves Rosendo, a text inspired by the travel of the Castilian ambassadors to the court of the great Mongolian leader, an important historical event in the early 15th century whose testimony was reflected in the medieval travelogue Embajada a Tamorlán. The goal of this work is to examine why this contemporary novel differs from the medieval source, as well as to analyze what are the features that it shares with the original testimony and what is the vision of medieval travel that intends to convey to the readers. The analysis carried out allows us to see how the Middle Ages continues to be an idealized period to the nostalgic gaze of contemporaries who see in it a distant and fascinating era that enabled true travels and discoveries.","PeriodicalId":248816,"journal":{"name":"Storyca. Edad Media Contemporánea","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127671582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Un deber de vindicta que atraviesa los siglos: La crónica de Leodegundo","authors":"Gaspar Meana","doi":"10.51863/storyca.2021.meana","DOIUrl":"https://doi.org/10.51863/storyca.2021.meana","url":null,"abstract":"","PeriodicalId":248816,"journal":{"name":"Storyca. Edad Media Contemporánea","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114529291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El caballero del pueblo, los trabajadores y los oprimidos: una lectura de Almer, cómic neomedieval argentino","authors":"Gabriela Cipponeri, J. Lacalle, Kaila Yankelevich","doi":"10.51863/storyca.2021.cipponerilacalleyyankelevich","DOIUrl":"https://doi.org/10.51863/storyca.2021.cipponerilacalleyyankelevich","url":null,"abstract":"RESUMEN:\u0000La historieta contemporánea latinoamericana que toma el imaginario medieval como base de su construcción ficcional no ha sido suficientemente estudiada por la crítica. En este artículo nos proponemos llevar a cabo un análisis de la serie Almer, del argentino Manuel Loza, publicada durante la segunda década del siglo XXI. Nos centramos, por un lado, en las continuidades que esta ficción presenta con la materia medieval y, por otro lado, en las particularidades que adquieren los personajes y las aventuras acaecidas en un contexto diverso. Entre estos aspectos se destaca la reelaboración de un elemento particular del mito artúrico, la igualdad entre pares, para la creación de un caballero novedoso cuya tarea es, fundamentalmente, la de proteger a los trabajadores y los oprimidos de la sociedad. Al final se incluye como apéndice una entrevista realizada al autor en 2021 con motivo del presente número de Storyca.\u0000ABSTRACT:\u0000Contemporary Latin-American comics that adopt the medieval world as the basis of their fictional creation have not been sufficiently studied by scholars. In this article we propose to carry out an analysis of the series Almer, by the Argentinian author Manuel Loza, published during the second decade of the 21st century. We focus, on the one hand, on the extensions of the medieval matter found in this fiction and, on the other hand, on the peculiarities that the characters have and the adventures that take place in a diverse context. Among these aspects we highlight the redefinition of one of the elements of the Arthurian myth, that of equality among peers, in order to create a novel knight whose task is, above all, to protect laborers and the oppressed in society. At the end we include, as an appendix, an interview conducted to the author in 2021 on the occasion of the current volume of Storyca.","PeriodicalId":248816,"journal":{"name":"Storyca. Edad Media Contemporánea","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133412774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"30 años de La Crónica de Leodegundo: aproximación a la gran saga de la historieta histórica española","authors":"Jacobo Hernando","doi":"10.51863/storyca.2021.hernando","DOIUrl":"https://doi.org/10.51863/storyca.2021.hernando","url":null,"abstract":"RESUMEN:\u0000En 1991 vio la fecha de venta al público el inicio de una de las más importantes sagas de la historieta histórica española. Marcada por una palpable consulta de estudios y fuentes históricas, convirtió en su autor, Gaspar Meana, en uno de los mejores y más prolíficos autores de tebeos del género en España. Originalmente, una serie de desatinos a la hora de su comercialización le hizo difícil su difusión en la mayoría del público lector de historieta español que ahora ve una segunda oportunidad gracias a la reedición por una universidad española, garante de la soberbia calidad del título. Pese a que los amantes del género conocen o saben de su existencia, los estudios sobre cómic no han podido sino hacer aproximaciones ligeras a la obra precisamente por su gran extensión. Nuestro estudio pretende recopilar comentarios de la crítica de cómic acerca La Crónica de Leodegundo en el 30.º aniversario de su publicación y profundizar en ella mediante una aproximación al estudio de sus páginas como un documento desde la óptica de la corriente de la Historia de la Cultura Escrita.\u0000ABSTRACT:\u0000In 1991 the release date to the public saw the beginning of one of the most important sagas of the Spanish historical comic strip. Distinguished by an obvious consultation of studies and historical sources, its author, Gaspar Meana, became one of the best and the most prolific author of comics of the genre in Spain. Originally, a series of mistakes at the time of its commercialization made it difficult for it to be known among the majority of the Spanish comic reading public. Nowadays it sees a second chance thanks to the reprinting by a Spanish university, guarantor of the superb quality of the title. Despite the fact that lovers of the genre know or they are aware of its existence, studies on comics have only been able to make light approaches to the work precisely because of its great extension. Our study aims to compile commentary from comic book critics about La Crónica de Leodegundo on the 30th anniversary of its publication and to deepen it through an approach to the study of its pages as a document from the perspective of the current of the History of Written Culture","PeriodicalId":248816,"journal":{"name":"Storyca. Edad Media Contemporánea","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125083170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LA CELESTINA: NOVELA GRÁFICA EN PROCESO","authors":"Enriqueta Zafra","doi":"10.51863/storyca.2021.zafra","DOIUrl":"https://doi.org/10.51863/storyca.2021.zafra","url":null,"abstract":"RESUMEN: \u0000La adaptación a novela gráfica de La Celestina tiene como objetivo presentar al lector del siglo XXI una edición que le ofrezca no solo el texto en cuestión, sino también el contexto en el que se creó y consumió la obra desde que salió a la imprenta. Los libros, como las personas, están sujetos a los caprichos de la historia y las circunstancias. Con este proyecto de adaptación, todavía en sus comienzos, te contamos cómo imaginamos el viaje. Todo basado en datos históricos y estudios literarios de los más de quinientos años que esta novela lleva seduciendo al público.\u0000\u0000ABSTRACT:\u0000The objective of the adaptation to a graphic novel by La Celestina is to present the 21st century reader an edition that offers not only the text in question, but also the context in which the work was created and consumed since it went to press. Books, like people, are subject to the vagaries of history and circumstances. With this adaptation project, still in its infancy, we will tell you how we imagine the trip. All based on historical data and literary studies of the more than five hundred years that this novel has been seducing the public.","PeriodicalId":248816,"journal":{"name":"Storyca. Edad Media Contemporánea","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121340969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Del párrafo a la viñeta: El Cid (2020), de José Luis Corral y Alberto Valero","authors":"Raquel Crespo-Vila","doi":"10.51863/storyca.2021.crespo","DOIUrl":"https://doi.org/10.51863/storyca.2021.crespo","url":null,"abstract":"RESUMEN: \u0000En línea con aquellos trabajos que ya dieron cuenta de la proyección de la materia cidiana sobre formatos o expresiones culturales ajenos al de la literatura —véase, por ejemplo: Rodiek ([1990] 1995), Aguilar (2014), Boix Jovaní (2015), Saguar García (2017), Escandell Montiel (2017)—, el propósito de este trabajo radica en el examen y comentario de la novela gráfica El Cid, aparecida en el año 2020, guionizada e ilustrada por Alberto Valero y basada en la novela histórica homónima de José Luis Corral, del año 2000. El objetivo es, pues, analizar esta nueva recreación de la historia de Rodrigo Díaz en relación con el texto originario del que parte —y aún con una larga tradición debida al héroe— y en función de las particularidades icono-textuales que atañen a la novela gráfica. \u0000ABSTRACT:\u0000Close to those works that already analyzed the projection of the Cidian matter on formats or cultural expressions other than literature —Rodiek ([1990] 1995), Aguilar (2014), Boix Jovaní (2015), Saguar García (2017), Escandell Montiel (2017)—, the aim of this article is to examine the graphic novel El Cid (2020), scripted and illustrated by Alberto Valero and based on the homonymous historical novel by José Luis Corral (2000). The objective is to analyze this new cidian recreation in relation to the original novel from which it starts, a long cidian tradition and the discursive particularities of the graphic novel.","PeriodicalId":248816,"journal":{"name":"Storyca. Edad Media Contemporánea","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133833187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Una Edad Media eterna: percepciones y representaciones del tiempo histórico en el videojuego ambientado en el periodo medieval","authors":"Alberto Venegas","doi":"10.51863/storyca.2021.venegas","DOIUrl":"https://doi.org/10.51863/storyca.2021.venegas","url":null,"abstract":"","PeriodicalId":248816,"journal":{"name":"Storyca. Edad Media Contemporánea","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129068809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Re-framing the Crusades: The Representation of Space, Landscape and Architecture in the Comics Series Croisade","authors":"S. Gorgievski","doi":"10.51863/storyca.2021.gorgievski","DOIUrl":"https://doi.org/10.51863/storyca.2021.gorgievski","url":null,"abstract":"In both medieval and contemporary culture, defamiliarization in space frames the imagined relationship with the other in fantasized views of the East. This paper addresses ways the creative imagination functions in the contemporary four-volume Belgian comics series Croisade by Dufaux and Xavier (vol I-IV). They foster a self-reflexive vision of competing universes, from the Celtic to the ancient Roman, from the Moorish to the Gothic. The cultural relativism of our contemporary era seems more relevant than any attempt to historicize faithfully the fictional plot. These comic books exploit the visual evidence of space as emblematic natural sites of heterotopias like the desert, and architectural space like Jerusalem, some burial sites, the sultan’s oriental palace and the Crusaders’ fortress, while assessing the changing representation of space from the medieval era to the present.","PeriodicalId":248816,"journal":{"name":"Storyca. Edad Media Contemporánea","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123703841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}