{"title":"Zeichnerische Forschung","authors":"Oliver Thie","doi":"10.55597/d19239","DOIUrl":"https://doi.org/10.55597/d19239","url":null,"abstract":"Oliver Thie erläutert sein Verständnis der zeichnerischen Forschung in Abgrenzung zur wissenschaftlichen Forschung. Im Rahmen sinnlicher Erfahrung wird ein genaues Erkennen realisiert. Blickwinkel, die von der Wissenschaft nicht adressiert werden, werden aufgezeigt. Die zeichnerische wird als Variante der künstlerischen Forschung begriffen. Sie produziert ein Wissen, das durchlebt und erlebt werden muss. Thies Arbeitsweise wird anhand eines Fallbeispiels erläutert: Die Werkgruppe Umrinden verwandelt naturwissenschaftliche Methoden in künstlerische Weltzugriffe.","PeriodicalId":239291,"journal":{"name":"w/k - Between Science and Art","volume":"1 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141266037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Negar Yazdi: City Art and Urban Planning","authors":"Anna-Sophie Jürgens","doi":"10.55597/e9504","DOIUrl":"https://doi.org/10.55597/e9504","url":null,"abstract":"In this article, Negar Yazdi – an urban planner recently honoured as the 2022 Australian Capital Territory Young Planner of the Year with over nine years of experience in shaping cities across various countries – provides insights into the close relationship between city art and the research field and practice of Urban Planning and Design. Through the lens of urban planning and design, she explores the role of public art in making better cities, fostering community engagement and creating unique urban experiences. In her view, public art contributes to the identity, liveability and lovability of cities and serves as a landmark that enhances the city landscape and facilitates navigation. This article highlights the importance of integrating art into urban design to create not only functional but also enjoyable, vibrant, inclusive and culturally rich city spaces.","PeriodicalId":239291,"journal":{"name":"w/k - Between Science and Art","volume":" 36","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140390835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dai Cameron: Nature in Graffiti","authors":"Anna-Sophie Jürgens","doi":"10.55597/e9374","DOIUrl":"https://doi.org/10.55597/e9374","url":null,"abstract":"In this article, Canberra-based artist Dai Cameron – a traditional graffiti artist whose work includes large scale art installations, street art and graffiti – reflects on the role of graffiti and art in enabling deeper encounters with the environment, the ways in which the various artistic media he uses relate to nature and how this ties in with his background and interest in environmental issues, in particular environmental science and conservation ecology.","PeriodicalId":239291,"journal":{"name":"w/k - Between Science and Art","volume":"43 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140458097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"William Turners Sensibilität für ökologische Veränderungen","authors":"Lisa Scheffert, Anne Hemkendreis","doi":"10.55597/d18906","DOIUrl":"https://doi.org/10.55597/d18906","url":null,"abstract":"Der sogenannte environmental turn in der kunstgeschichtlichen Forschung (seit etwa 2010) ist eine Reaktion auf die Krisen der Gegenwart. Eine Aufgabe der Kunstgeschichte ist es seither zu fragen, ob Kunst die historische Verankerung aktueller Krisen verdeutlicht. Stellen historische Gemälde wissenschaftsinformiertes Naturwissen bereit und/oder legen sie eine Sensibilität der Kunstschaffenden für ökologische Veränderungen nahe? Insbesondere die romantische Landschaftsmalerei wird vermehrt als Reflexion über die sich verändernden Erscheinungsweisen der Natur in Zeiten der Industrialisierung interpretiert; sie eignet sich als zentraler Untersuchungsgegenstand innerhalb der sogenannten Environmental Art History. Diese Ansicht steht in einem Kontrast zur früheren Interpretation einiger romantischer Maler, wie Joseph M. W Turner, als abstrakt und damit weltabgewandt. Dieser Artikel fragt, ob Turners expressiver Umgang mit Farbe wissenschaftsbasiert und ökologisch motiviert ist, und ob dies gleichbedeutend ist mit einer Interpretation seiner Bilder als Speicher klimatischer Verhältnisse.","PeriodicalId":239291,"journal":{"name":"w/k - Between Science and Art","volume":"46 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140513948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"35 Jahre Verbindungen zwischen Wissenschaft und Kunst – Runde 2","authors":"Peter Tepe, Helge‐Otmar May","doi":"10.55597/d18704","DOIUrl":"https://doi.org/10.55597/d18704","url":null,"abstract":"In dieser Reihe unternimmt Peter Tepe den Versuch, die bei ihm vorliegenden Verbindungen zwischen Wissenschaft und Kunst sowie seine bisherige künstlerische Tätigkeit tiefgreifender als bisher zu analysieren und zu interpretieren. In Runde 2 wird der Haupttext in w/k veröffentlicht: Zunächst werden die W-K-Verbindungen in der dialogischen Vorlesung PsychoMythologie vom Wintersemester 1994/95 behandelt. Danach werden weitere attraktive Dokumente aus dem Kontext der theatralischen Vorlesung vorgestellt; darunter Transkriptionen von zwei Fernsehauftritten. Das Mythos-Magazin präsentiert zeitgleich fünf Extras, die bezogen auf PsychoMythologie Erweiterungen des Blickfelds vornehmen und auch Aspekte thematisieren, die nicht direkt mit den W-K-Verbindungen zu tun haben.","PeriodicalId":239291,"journal":{"name":"w/k - Between Science and Art","volume":"16 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138601666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"KF als gemeinsame Wissensproduktion – Diskussion Runde 2","authors":"Till Bödeker, Peter Tepe, Jonas Kellermeyer","doi":"10.55597/d18264","DOIUrl":"https://doi.org/10.55597/d18264","url":null,"abstract":"Jonas Kellermeyer reagiert in Runde 2 auf die verschiedenen Kritiken der Arbeitsgruppe Künstlerische Forschung, siehe Runde 1. Anschließend antworten Till Bödeker/Peter Tepe auf Kellermeyers Replik.","PeriodicalId":239291,"journal":{"name":"w/k - Between Science and Art","volume":"24 21","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138624384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Peter Bengtsen: Researching Street Art","authors":"Anna-Sophie Jürgens","doi":"10.55597/e9296","DOIUrl":"https://doi.org/10.55597/e9296","url":null,"abstract":"In this article, Peter Bengtsen, who has written several books on street art, approaches the topic of Street Art, Science and Engagement as an academic. He discusses how he became interested in environmental street art, how his research developed and how and to what extent environmental street art can influence the viewer and bring about positive behavioural change. Unpacking selected international examples of public art, the article critically reflects on the power of street art to communicate environmental messages and raise public awareness of environmental issues.","PeriodicalId":239291,"journal":{"name":"w/k - Between Science and Art","volume":"54 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139252300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Botanische Fiktionen 2: Die politische Geschichte der Blumen","authors":"Lena Geuer","doi":"10.55597/d18764","DOIUrl":"https://doi.org/10.55597/d18764","url":null,"abstract":"Die hier thematisierten Arbeiten des kubanischen Künstlers Yornel Martínez wurden im Rahmen der Ausstellung Pflanzen und Meteoriten: kosmobotanische Fiktionen vom 9. März bis zum 30. April 2023 in der Fakultät für Biologie der TU Dresden gezeigt. Das Ausstellungsprojekt entstand in einer interdisziplinären Kooperation zwischen dem Institut für Kunst- und Musikwissenschaft, der Kustodie der TU Dresden und der Fakultät für Biologie. Der Beitrag untersucht darauf aufbauend die Bedeutung von Pflanzen in den Arbeiten von Martínez in zwei Teilen. Teil 2 widmet sich der politischen Bedeutung von Blumen im Kontext sozialer Protestbewegungen.","PeriodicalId":239291,"journal":{"name":"w/k - Between Science and Art","volume":"66 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139278276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Meine chemiebezogene Kunst","authors":"Joachim Pitz","doi":"10.55597/d18647","DOIUrl":"https://doi.org/10.55597/d18647","url":null,"abstract":"Kunst und Naturwissenschaften werden häufig inhaltlich und methodisch als Gegensätze wahrgenommen. Durch mein persönliches Interesse an beiden Bereichen, mein gleichzeitiges Studium von Kunst und Chemie bin ich zu der Überzeugung gelangt, dass beide durch die gegenseitige Kenntnis von Denk- und Arbeitsweisen bereichert werden. Die Chemie liefert Material, aus dem Kunst entstehen kann, und die Naturwissenschaften erschließen der Kunst neue Themenbereiche. Seit über 10 Jahren verfolge ich das Ziel, mit künstlerischen Mitteln bildhafte Vorstellungen zu erzeugen, die zur Lösung naturwissenschaftlicher Probleme beitragen können.","PeriodicalId":239291,"journal":{"name":"w/k - Between Science and Art","volume":"308 5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139317545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jean Painlevé: Thinking with Tentacles","authors":"Anne Hemkendreis, Jutta Wiens","doi":"10.55597/e9198","DOIUrl":"https://doi.org/10.55597/e9198","url":null,"abstract":"Art and science are in constant dialogue in the work of Jean Painlevé, a French scientist and film-maker whose films are devoted to depicting underwater creatures in their aquatic environments. His 1928 movie The Octopus portrays a tentacular creature as a seductive protagonist that becomes an effective tool for scientific research and the dissemination of its results to a broader public. By inviting the viewers to participate in wonderous journeys into the ocean, the octopus functions as an epistemic object and fictional character alike. As this article shows, it is through the intermingling of entertaining effects – with scenes that negotiate the role of the octopus as an object of environmental study – that the question of how human beings can relate to nature in a non-hierarchical way arises.","PeriodicalId":239291,"journal":{"name":"w/k - Between Science and Art","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139321746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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