{"title":"戴-卡梅隆涂鸦中的自然","authors":"Anna-Sophie Jürgens","doi":"10.55597/e9374","DOIUrl":null,"url":null,"abstract":"In this article, Canberra-based artist Dai Cameron – a traditional graffiti artist whose work includes large scale art installations, street art and graffiti – reflects on the role of graffiti and art in enabling deeper encounters with the environment, the ways in which the various artistic media he uses relate to nature and how this ties in with his background and interest in environmental issues, in particular environmental science and conservation ecology.","PeriodicalId":239291,"journal":{"name":"w/k - Between Science and Art","volume":"43 ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-02-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dai Cameron: Nature in Graffiti\",\"authors\":\"Anna-Sophie Jürgens\",\"doi\":\"10.55597/e9374\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article, Canberra-based artist Dai Cameron – a traditional graffiti artist whose work includes large scale art installations, street art and graffiti – reflects on the role of graffiti and art in enabling deeper encounters with the environment, the ways in which the various artistic media he uses relate to nature and how this ties in with his background and interest in environmental issues, in particular environmental science and conservation ecology.\",\"PeriodicalId\":239291,\"journal\":{\"name\":\"w/k - Between Science and Art\",\"volume\":\"43 \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-02-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"w/k - Between Science and Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.55597/e9374\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"w/k - Between Science and Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.55597/e9374","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In this article, Canberra-based artist Dai Cameron – a traditional graffiti artist whose work includes large scale art installations, street art and graffiti – reflects on the role of graffiti and art in enabling deeper encounters with the environment, the ways in which the various artistic media he uses relate to nature and how this ties in with his background and interest in environmental issues, in particular environmental science and conservation ecology.
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