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Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi最新文献

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The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation 马耳他戏剧和戏剧中的奥斯曼土耳其人:一个小国戏剧中刻板印象的作用的讨论
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Pub Date : 2021-06-17 DOI: 10.26650/JTCD.909750
Marco Galea
{"title":"The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation","authors":"Marco Galea","doi":"10.26650/JTCD.909750","DOIUrl":"https://doi.org/10.26650/JTCD.909750","url":null,"abstract":"The aim of this article is to discuss how the theatre of a community aspiring to nationhood and autonomy from British colonial rule used stereotypes inherited from popular history and nationalist discourse to create drama that contributed to shaping a national identity. The article will also discuss how these stereotypes were retained within the Maltese performative culture beyond the political realities that ushered them in. To do this, the article analyses the references to Ottoman Turks in Maltese theatre from the 19 th century to the contemporary period. Most of these instances revolve around the Siege of Malta of 1565 by the Ottoman army, which is considered a moment of great importance in the history of the country. In these works, as in Maltese culture in general, the Turk is seen as the nemesis of the Maltese and represents everything they are not. The article contextualises the different recorded performances in the historical moment they speak of, but also in the historical moment they were enacted. The discussion is framed around colonialism as a historical period and as a theoretical concept which informed the Maltese national identity.","PeriodicalId":231637,"journal":{"name":"Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122456294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ethical and Political Implications of “Performance” in a Rural Cultural Practice: Afro-Colombian Women Singers from the Town of Pogue 乡村文化实践中“表演”的伦理与政治意蕴:来自波格镇的非裔哥伦比亚女歌手
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Pub Date : 2021-06-17 DOI: 10.26650/jtcd.890946
Paola Marín, Gastón Alzate
{"title":"Ethical and Political Implications of “Performance” in a Rural Cultural Practice: Afro-Colombian Women Singers from the Town of Pogue","authors":"Paola Marín, Gastón Alzate","doi":"10.26650/jtcd.890946","DOIUrl":"https://doi.org/10.26650/jtcd.890946","url":null,"abstract":"This article analyzes a group of Afro-Colombian female singers from Pogue, a rural area of the Colombian Pacific who have reinvented traditional mourning songs (alabaos). Their music and performance refer to the massacres and abuses committed by both the FARC leftist guerrilla group and the right-wing paramilitary in the nearby village of Bojaya. We will not study these traditional mourning songs from an ethnographic perspective, but from the interdisciplinary perspective of performance studies. As such, the aim here is to emphasize the wider political and artistic dimension of the songs vis-a-vis Colombian necropolitics. However, we will still rely on the work of social scientists as we recognize the importance of grounding our analysis on a specific reality. In addition, we find a foothold on Rustom Bharucha’s perspective on the performativity of “terror’ in the Global South, as we think this Indian cultural critic is spot-on when questioning the “war on terror” master narrative resulting from the attacks on September 11, 2001, and looking instead at other areas of the world where “terror” assumes a concrete and visceral dimension in everyday life.","PeriodicalId":231637,"journal":{"name":"Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127621137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Joan Littlewood’s Post-Theatrical Engagements Beyond Theatre Workshop: A Comparison of the Original Fun Palace Project With the 2014 – 2015 Revivals 琼·利特尔伍德的《超越戏剧工作坊的后戏剧参与:原始趣味宫项目与2014 - 2015年复兴的比较》
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Pub Date : 2021-06-17 DOI: 10.26650/jtcd.906365
F. Karlıdağ
{"title":"Joan Littlewood’s Post-Theatrical Engagements Beyond Theatre Workshop: A Comparison of the Original Fun Palace Project With the 2014 – 2015 Revivals","authors":"F. Karlıdağ","doi":"10.26650/jtcd.906365","DOIUrl":"https://doi.org/10.26650/jtcd.906365","url":null,"abstract":"This paper suggests recognizing Joan Littlewood and Cedric Price’s Fun Palace project as a blend of the Old Left and the New Left as it fulfills 1960s’ faith in social progress through change in people’s work/leisure balance on account of era’s technological advances and also prioritizes Joan Littlewood’s working\u0002class politics as it seeks to make urban centers accessible to all people’s pastime activities. Fun Palace project was also introduced by Richard Schechner in The Drama Review issue of 1968 and therefore can be regarded in the whereabouts of early performance art definitions delineated by Schechner. Although Fun Palace resides in the dynamic New Left moment on the timeline, recognizing Littlewood’s communistic commitments in Fun Palace idea is a necessary tribute to Joan Littlewood’s life in working-class theatre, and a relevant perspective in probing the social and political potentials of the annual Fun Palace revivals initiated by Stella Duffy in 2014, the Joan Littlewood Centenary.","PeriodicalId":231637,"journal":{"name":"Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129835837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Specter of Michael Kohlhaas: The Nebula of Legality, Legitimacy and the Sense of Justice in Heinrich von Kleist’s Novella and Antú Romero Nunes' Theater Play 迈克尔·科尔哈斯的幽灵:海因里希·冯·克莱斯特的中篇小说和Antú罗梅罗·努内斯的戏剧剧本中的合法性、合法性和正义感的星云
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Pub Date : 2020-09-24 DOI: 10.26650/jtcd.804822
Bilal Akar
{"title":"The Specter of Michael Kohlhaas: The Nebula of Legality, Legitimacy and the Sense of Justice in Heinrich von Kleist’s Novella and Antú Romero Nunes' Theater Play","authors":"Bilal Akar","doi":"10.26650/jtcd.804822","DOIUrl":"https://doi.org/10.26650/jtcd.804822","url":null,"abstract":"Bu makale, Heinrich von Kleist’in novellasi ve Thalia Theater’in Genel Sanat Yonetmeni Antu Romero Nunes tarafindan sahnelenen Michael Kohlhaas isimli oyunun sanatsal uretimlerinin ve dramaturjik yaklasimlarini modern hukuk, adalet, egemenlik, mesruiyet, zor kullanimi ve hukuki hak kavramlari uzerinden incelemektedir. Hem novella hem de oyun yasallik, mesruiyet ve adalet hissi kavramlarini sorgulamaktadirlar. Kohlhaas hikayesi, sanatsal ve hukuk sosyolojisi alanlarinda bircok calismaya ilham olmustur. Bu makale de Kleist’in novellasi, Nunes’in oyunu ve modern hukukun sosyolojik analizi uzerine bir tartisma baslatmayi amaclamaktadir. Makalede, disiplinler arasi bir bakisla Michael Kohlhass hikayesinin kurulmasi ve yorumlanmasi incelenmektedir.","PeriodicalId":231637,"journal":{"name":"Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi","volume":"218 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123297922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Görünür Olma Arzumuzu Görünür Kılan Ayşe Bayramoğlu Oyunları: Hakiki Gala ve Beyaz Yalanlar
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Pub Date : 2020-09-24 DOI: 10.26650/jtcd.801052
Elif Aydın
{"title":"Görünür Olma Arzumuzu Görünür Kılan Ayşe Bayramoğlu Oyunları: Hakiki Gala ve Beyaz Yalanlar","authors":"Elif Aydın","doi":"10.26650/jtcd.801052","DOIUrl":"https://doi.org/10.26650/jtcd.801052","url":null,"abstract":"Bu calisma, 2000 sonrasi tiyatro yazinimiza katki sunan Ayse Bayramoglu’nun Hakiki Gala ve Beyaz Yalanlar oyunlarini, gec kuresellesme ve medyanin urunu olan yeni bir kitlesel seyir deneyimi ve gorunur olma arzusu ekseninde incelemeyi amaclamaktadir. Her iki oyunda da “reality show” dunyasinin bir parcasi olma arzusu tasiyan ve bunu gerceklestirmeye calisan karakterlerin bulundugu ve ayni zamanda bu gorunur olma cabasinin oyun icerisinde bir noktada ifsa edildigi gorulmektedir. Gercek hayatlarindan daha “sahici” ve goz onunde olan hayatlara imrenen bu karakterlerin cabalarinin tiyatro sahnesinde bosa dusmesinin, tipki bu karakterler gibi kendilerini hicbir durumda yeterince ozgun hissedemeyen cagimiz insani ve tiyatro seyircisinin seyir deneyimine nasil bir etkisi olabilecegi de calismanin tartisma zeminini olusturmaktadir.","PeriodicalId":231637,"journal":{"name":"Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi","volume":"53 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120920142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Eugenio Barba and Extra-Daily Scenic Behaviour: Influences of Stanislavski, Meyerhold and Grotowski Eugenio Barba与日常外风景行为:Stanislavski, Meyerhold和Grotowski的影响
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Pub Date : 2020-09-24 DOI: 10.26650/jtcd.809806
Dila Okuş
{"title":"Eugenio Barba and Extra-Daily Scenic Behaviour: Influences of Stanislavski, Meyerhold and Grotowski","authors":"Dila Okuş","doi":"10.26650/jtcd.809806","DOIUrl":"https://doi.org/10.26650/jtcd.809806","url":null,"abstract":"20. yuzyil tiyatro dusuncesini etkileyen Konstantin Stanislavski, Vsevolod Meyerhold ve Jerzy Grotowski, oyunculuk sanatinin teatral estetik icindeki yeri uzerine kapsamli calismalar yurutmuslerdir. Bu tiyatro insanlari, oyuncularin, hedefledikleri teatral estetigi hayata gecirebilmek icin sistematik egzersizler yapmalari ve sahne uzerinde gundelik hayattakinden farkli bir davranis bicimi gelistirmeleri gerektigine vurgu yapmislardir. Yaptiklari calismalarla, oyunculuga dair kuramsal calismalarin onu acilmistir. Sahne uzerinde kurgulanan bir gosterimin icinde hareket edecek oyuncunun, sahne gercekliginin gundelik gerceklikle iliskisi ne boyutta olursa olsun, gundelik yasamda sergiledigi otomatiklesmis davranis bicimini bir kenara birakmasi, sahne uzerindeki baglamin gerekleri cercevesinde sekillenmis bir teknik gelistirmesi gerekmektedir. Bu makalede Odin Tiyatrosu oyuncularinin gundelik-disi sahne davranisinin temelleri, calismalari 20. yuzyil tiyatrosuna yon veren Konstantin Stanislavski, Vsevolod Meyerhold ve Jerzy Grotowski’nin yaklasimlari isiginda ortaya konmaktadir.","PeriodicalId":231637,"journal":{"name":"Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127817831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Halil Babür’ün “Kasap” Adlı Oyununun Ekofeminist Bakış Açısıyla İncelenmesi
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Pub Date : 2020-09-24 DOI: 10.26650/jtcd.793215
Gamze Güzel
{"title":"Halil Babür’ün “Kasap” Adlı Oyununun Ekofeminist Bakış Açısıyla İncelenmesi","authors":"Gamze Güzel","doi":"10.26650/jtcd.793215","DOIUrl":"https://doi.org/10.26650/jtcd.793215","url":null,"abstract":"90’li yillardan itibaren hem kamusal alanda hem de akademik arastirmalarda karsimiza cikan “ekofeminizm” kavrami, ekoloji ve feminizmi bir araya getirerek feminizme turculuk, irkcilik ve sinifsal ayrimcilik karsiti bir boyut kazandirir. Bu calisma Halil Babur’un 2015 yilinda yazdigi Kasap adli oyunu ekofeminizm ve ekofeminist yazar Carol J. Adams’in yaklasimi ekseninde incelemeyi hedefler. Adams 1990 yilinda yayimlanan kitabi Etin Cinsel Politikasi’nda “kayip gonderge” kavramini kuramsallastirir ve hayvanlarin kesim yoluyla bir canli olmaktan bir nesneye, “et”e donusmelerini ele alir. Kasap metni, cevresel bir felaketi takip eden yillarda hayvanlarin ortadan kayboldugu, et yemek icin tek yol olarak insan eti yemenin tartismaya acildigi bir dunyayi karsimiza cikararak insanlari ve hayvancilik sektorunde “kayip gonderge”ye donusmus hayvanlari ortak bir kaderde bulusturur. Bu calismada, oyunun anlatisi ve anlatim bicimi ekofeminist elestirel yaklasimla ele alinacaktir.","PeriodicalId":231637,"journal":{"name":"Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127155746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Aristotelesyen Tragedya Çerçevesinde David Mamet’in “Oleanna” Oyunun İncelenmesi
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Pub Date : 2020-09-24 DOI: 10.26650/jtcd.772910
Tufan Karabulut
{"title":"Aristotelesyen Tragedya Çerçevesinde David Mamet’in “Oleanna” Oyunun İncelenmesi","authors":"Tufan Karabulut","doi":"10.26650/jtcd.772910","DOIUrl":"https://doi.org/10.26650/jtcd.772910","url":null,"abstract":"David Mamet’in tartisma yaratan oyunu Oleanna, elestirmenler tarafindan, genellikle, cinsel taciz, siyaseten dogruculuk ve akademik egitimin sorunlarini ele alan bir cercevede degerlendirilmistir. Mamet’in oyunlari, ayni zamanda absurt tiyatro ile geleneksel realizmin bir biresimi olarak gorulmustur. Mamet ise tum bu yaklasimlara karsi cikarak Oleanna’nin, yuksek ogrenimin kurumsal zemininde, bir profesor ile ogrencisi arasindaki esit olmayan guc iliskisini anlatan Aristotelesyen bir tragedya oldugunu ifade etmistir. Bu calismada, Mamet’in bu nitelendirmesinin izi surulerek Oleanna, Aristotelesyen tragedyanin olay orgusunu belirleyen unsurlar cercevesinde degerlendirilmektedir. Bu baglamda, Aristoteles’in tragedya tanimindan hareketle, oyunun protagonisti olan profesor John ve olay orgusu “hubris”, “hamartia”, “peripeteia”, “anagnorisis” ve “katharsis” kavramlari acisindan incelenerek, John’un modern trajik bir kahraman, Oleanna’nin da modern Aristotelesyen bir tragedya oldugu dusuncesi tartisilmaktadir.","PeriodicalId":231637,"journal":{"name":"Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi","volume":"236 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115585689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Erken Cumhuriyet Dönemi Tiyatro Oyunlarında Köken ve Medeniyet Miti
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Pub Date : 2020-07-07 DOI: 10.26650/jtcd.746119
İ̇stek Serhan Erbek
{"title":"Erken Cumhuriyet Dönemi Tiyatro Oyunlarında Köken ve Medeniyet Miti","authors":"İ̇stek Serhan Erbek","doi":"10.26650/jtcd.746119","DOIUrl":"https://doi.org/10.26650/jtcd.746119","url":null,"abstract":"In this article, traces of the myth of origin and civilization, which became the sacred narratives of the new regime at the time of the proclamation of the Republic, will be revealed through Early Republican Era theatre plays. The article will emphasize the contribution that the myth of origin and civilization made to the process of construction of Turkish identity, as well as the effective part that it played throughout the nation-state building process by its creation of collective identity and historiography as well as its effect on the field of art. Furthermore, this paper will use examples from theatre plays of the period to analyze the reflections of the process of nation-building upon the theatre plays of the era, and to examine the relationship between the state and the theatre as well as the effects of the myth of origin and civilization (a necessity for the nation-state ideology) on the playwrights of that time. In addition, the way in which political myths become a necessity for playwrights will also be analyzed.","PeriodicalId":231637,"journal":{"name":"Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi","volume":"262 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121888936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Actors of the Ottoman Stage & Walk-Ons of Dramatic Texts: Representation of Non-Muslim Ottomans in the Western-Style Drama 奥斯曼舞台上的演员&戏剧文本的跑龙套:西方戏剧中非穆斯林奥斯曼人的表现
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Pub Date : 2020-07-07 DOI: 10.26650/jtcd.742928
Nilgün Firidinoğlu
{"title":"Actors of the Ottoman Stage & Walk-Ons of Dramatic Texts: Representation of Non-Muslim Ottomans in the Western-Style Drama","authors":"Nilgün Firidinoğlu","doi":"10.26650/jtcd.742928","DOIUrl":"https://doi.org/10.26650/jtcd.742928","url":null,"abstract":"This study analyzes the reasons why representations of non-Muslim Ottomans are so scarce in the works of playwrights who tried to imbue literature with a “national” character, despite the fact that non-Muslims were pioneers in the adoption of Western-style theater in the Ottoman Empire. This paper discusses the representation of non-Muslim Ottomans within the context of the economic and political changes in the Ottoman Empire, focusing on plays that were not adapted from Western literary works and plays written in Turkish by the Ottoman writers. It is argued that the sense of “us” and “them” originated from a nationalist sentiment which intensified during the 19th century in the Ottoman Empire and economic changes which benefited non-Muslims. These factors are what determined the representation of non-Muslim Ottoman characters. It is maintained that an idea of “us” is dominant in the plays written in this period, as non-Muslim elements which mark either the religious or ethnic identity of characters are not included at all, or are conditionally included.","PeriodicalId":231637,"journal":{"name":"Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126742646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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