奥斯曼舞台上的演员&戏剧文本的跑龙套:西方戏剧中非穆斯林奥斯曼人的表现

Nilgün Firidinoğlu
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引用次数: 0

摘要

尽管非穆斯林是奥斯曼帝国采用西式戏剧的先驱,但在试图为文学注入“民族”性格的剧作家的作品中,非穆斯林奥斯曼人的表现却如此稀缺,本研究分析了原因。本文讨论了在奥斯曼帝国经济和政治变化的背景下,非穆斯林奥斯曼人的表现,重点是没有改编自西方文学作品的戏剧和奥斯曼作家用土耳其语写的戏剧。有人认为,“我们”和“他们”的概念源于一种民族主义情绪,这种情绪在19世纪奥斯曼帝国和有益于非穆斯林的经济变革期间加剧。这些因素决定了非穆斯林奥斯曼文字的表现。有人认为,“我们”的观念在这一时期所写的戏剧中占主导地位,因为标志着人物宗教或种族身份的非穆斯林元素根本不包括在内,或者有条件地包括在内。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Actors of the Ottoman Stage & Walk-Ons of Dramatic Texts: Representation of Non-Muslim Ottomans in the Western-Style Drama
This study analyzes the reasons why representations of non-Muslim Ottomans are so scarce in the works of playwrights who tried to imbue literature with a “national” character, despite the fact that non-Muslims were pioneers in the adoption of Western-style theater in the Ottoman Empire. This paper discusses the representation of non-Muslim Ottomans within the context of the economic and political changes in the Ottoman Empire, focusing on plays that were not adapted from Western literary works and plays written in Turkish by the Ottoman writers. It is argued that the sense of “us” and “them” originated from a nationalist sentiment which intensified during the 19th century in the Ottoman Empire and economic changes which benefited non-Muslims. These factors are what determined the representation of non-Muslim Ottoman characters. It is maintained that an idea of “us” is dominant in the plays written in this period, as non-Muslim elements which mark either the religious or ethnic identity of characters are not included at all, or are conditionally included.
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