{"title":"Modelling through Modality: (Re)shaping Brexit","authors":"Aroa Orrequia-Barea, Encarnación Almazán Ruiz","doi":"10.24197/ersjes.42.2021.127-153","DOIUrl":"https://doi.org/10.24197/ersjes.42.2021.127-153","url":null,"abstract":"Due to Brexit, the UK has been involved in a continuous political debate between Boris Johnson, the Prime Minister, and Jeremy Corbyn, the leader of the opposition. This paper compares and analyses the modality used in a corpus consisting of their political speeches until Brexit day. Modal verbs are used to express ability, possibility, willingness, certainty, obligation and necessity. Politicians’ choice of certain words can be a useful tool to affect voters’ decisions and modality is a resource which reinforces that influence. The findings show remarkable similarities between both politicians and reveal that possibility is the most frequent meaning of the modal verbs used in the corpus.","PeriodicalId":229163,"journal":{"name":"ES Review. Spanish Journal of English Studies","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116685723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reflexive Identity Construction in South Asian American Diaspora in Jhumpa Lahiri’s The Namesake","authors":"Muqarram Khorakiwala","doi":"10.24197/ersjes.42.2021.261-281","DOIUrl":"https://doi.org/10.24197/ersjes.42.2021.261-281","url":null,"abstract":"Cultural identity in contemporary diasporic communities is dynamic, multifaceted, and cyclical. In the age of reflexive modernity, it is imperative to think about new ways of conceptualizing the experience of individuals straddling multiple geographies. A model of identity for such individuals should not only explain the plurality of “being” but also the fluidity of “becoming.” In this article, the question of multiple and shifting identities of the four main characters in Jhumpa Lahiri’s intergenerational novel, The Namesake, is explored using an interdisciplinary model from the field of business management based on Giddens’ theorization of reflexivity. The inward reflexive relationship between the “self” and the “other” through the discursive articulation of the ontological journey of the novel’s characters highlights the complex nature of diasporic identity construction.","PeriodicalId":229163,"journal":{"name":"ES Review. Spanish Journal of English Studies","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115692725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"For the Dead cannot Shrive me Now”: Gender Violence, Precariousness and the Neo-Victorian Gothic in Katy Darby’s The Whores’ Asylum (2012)","authors":"María Isabel Romero Ruiz","doi":"10.24197/ersjes.42.2021.155-177","DOIUrl":"https://doi.org/10.24197/ersjes.42.2021.155-177","url":null,"abstract":"Katy Darby’s neo-Victorian novel The Whores’ Asylum (2012) is set in Oxford in the 1880s. The Gothic plays an important role in the process of re-writing the Victorian period as a mirror of our contemporary societies where depravity and lack of humanity co-exist with modernity and civilisation. The protagonists—Stephen, Edward and Diana—are involved in the process of showing sympathy for the lives and deaths of the destitute and the dispossessed. Under the stance of Judith Butler’s theories of mourning and violence, my analysis has a two-fold aim: to discuss issues of the Victorian past such as venereal disease, prostitution and gender violence in the text, and to question to what extent the novel can be an attempt to hear the voices of the victims of sexual exploitation, giving them restoration and agency. However, my conclusion is that the text does not grant the victims of sexual exploitation real voice or agency.","PeriodicalId":229163,"journal":{"name":"ES Review. Spanish Journal of English Studies","volume":"133 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116597721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dante’s Influence on Seamus Heaney’s Poetry on the Troubles in Northern Ireland: “The Strand at Lough Beg,” “An Afterwards” and “Ugolino”","authors":"Juan José Cogolludo Díaz","doi":"10.24197/ersjes.42.2021.239-260","DOIUrl":"https://doi.org/10.24197/ersjes.42.2021.239-260","url":null,"abstract":"Dante’s Divine Comedy had an enormous influence on Seamus Heaney’s oeuvre, especially from Field Work (1979) onwards. Heaney exploits the great Dantean epic poem to create a framework that allows him to contextualise some of the most painful political and social episodes in Irish history, namely the Great Hunger and the secular clashes between Protestants and Catholics. Heaney pays special attention to the problems originating from the outburst of the atavistic and sectarian violence—euphemistically known as “the Troubles”—between the unionist and nationalist communities in Northern Ireland as from 1969, causing great suffering and wreaking havoc on the Northern Irish population for decades.","PeriodicalId":229163,"journal":{"name":"ES Review. Spanish Journal of English Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132363459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“I would have to be mad to leave this bed.” A Female Heterotopia of Self-confinement in Sue Townsend’s The Woman Who Went to Bed for a Year","authors":"Nieves De Mingo Izquierdo","doi":"10.24197/ersjes.42.2021.217-237","DOIUrl":"https://doi.org/10.24197/ersjes.42.2021.217-237","url":null,"abstract":"What happens when a woman, housewife and mother, decides to take to her room and stay in bed for a whole year? This scarcely plausible proposition opens the last published work by the late British author Sue Townsend. This paper aims to explain the main coordinates of the narrative by using Foucault’s concept of heterotopia; an effective, theoretical tool when applied to the analysis of a contained, physical space which is eventually turned into a site of contestation by means of the protagonist’s self-imposed confinement. This implies further questioning on the degree of agency she displays within her environment and, in addition, raises doubts about whether the novel responds to a feminist stance on the part of the author or to a literary depiction of her unavoidable withdrawal from the outside world due to her personal circumstances.","PeriodicalId":229163,"journal":{"name":"ES Review. Spanish Journal of English Studies","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116331626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dickinson’s Prosodic Music: Subtlety and Exuberance","authors":"J. Simons","doi":"10.24197/ersjes.42.2021.37-54","DOIUrl":"https://doi.org/10.24197/ersjes.42.2021.37-54","url":null,"abstract":"This essay explores Dickinson’s prosodic music by evidencing its expressions of subtlety and exuberance. The essay unfolds in four steps. The first step finds the poet’s prosodic music in distinctive word arrangements with these three features: interlaced phonic echoes, the rhythms of short-lined verse where rhyme marks stanzas, and the motions of intonation. The second step instances Dickinson’s prosodic subtlety in one of her envelope poems, “A Pang is more conspicuous in Spring” (Fr1545B). The third step identifies Dickinson’s prosodic exuberance in two of her bee poems, “There is a flower that Bees prefer” (Fr642) and “I suppose the time will come” (Fr1389). In this step, we discern a hermeneutic key to Dickinson’s lyric art: when a sound in the world catches her ear, the poet’s prosodic music intensifies to reflect her enchantment. The essay’s last step applies the hermeneutic key to a superlative sound in Dickinson’s poetry, that of the wind in “Of all the Sounds despatched abroad” (Fr334).","PeriodicalId":229163,"journal":{"name":"ES Review. Spanish Journal of English Studies","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129371881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reorienting Vulnerability: An Analysis of Deborah Levy’s Hot Milk","authors":"María Magdalena Flores-Quesada","doi":"10.24197/ersjes.42.2021.105-125","DOIUrl":"https://doi.org/10.24197/ersjes.42.2021.105-125","url":null,"abstract":"This article seeks to challenge the traditionally negative connotations of the notion of vulnerability. I propose to approach the concept in dialogue with Giorgio Agamben’s idea of potentiality to demonstrate that both potential and vulnerability can be regarded as transforming and empowering characteristics for the subject. I analyse the protagonist of Deborah Levy’s Hot Milk (2016) under this light to show how a subject can use vulnerability as the fulcrum of freedom and agency, particularly in the context of a problematic mother-daughter relationship. I suggest that understanding vulnerability as potentiality allows a reorientation of our conception of the victim or the vulnerable as subjects in potential power.","PeriodicalId":229163,"journal":{"name":"ES Review. Spanish Journal of English Studies","volume":"4 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128378603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ballads as Vessels for Collective Cultural Memory: A Critical Comparison of Alfred Noyes’s “The Highwayman” and Federico García Lorca’s “Romance sonámbulo”","authors":"Maria C. Fellie","doi":"10.24197/ersjes.42.2021.55-79","DOIUrl":"https://doi.org/10.24197/ersjes.42.2021.55-79","url":null,"abstract":"Alfred Noyes’s “The Highwayman” (1906) and Federico García Lorca’s “Romance sonámbulo” (1928), two early twentieth-century ballad poems, serve as literary vessels for the collective memory of historical periods and share aesthetic and narrative similarities. Common images and colors (red, green) also illustrate both texts. The shared imagery calls attention to the ballads’ roles in preserving and transmitting collective memories. This study references the way that ballads stabilize in cultural memory, in line with David Rubin’s assessments of memory and literature in Memory in Oral Traditions (1995), as well as the studies of other scholars (e.g., Benjamin, Boyd, Connerton).","PeriodicalId":229163,"journal":{"name":"ES Review. Spanish Journal of English Studies","volume":"498 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134189705","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The History of the Seven Wise Mistrisses of Rome (1663) as Children’s Literature: Textual History, Gender and Folktale Motifs","authors":"Tomás Monterrey","doi":"10.24197/ersjes.42.2021.11-36","DOIUrl":"https://doi.org/10.24197/ersjes.42.2021.11-36","url":null,"abstract":"This article analyses The History of the Seven Wise Mistrisses of Rome, attributed to Thomas Howard, and traditionally underrated by literary critics and historians as a mere imitation of the Seven Sages, despite its enormous success. The early parts examine the literary and editorial relationship with its source text, and Howard’s prefatory “Epistle.” The latter parts concentrate on the frame story and the fifteen exemplary tales. Special attention is drawn to the gender/feminist issues in the original extension of the frame story, and to the folktale motifs displayed in this compilation, stylistically and thematically conceived to help children improve their reading competence.","PeriodicalId":229163,"journal":{"name":"ES Review. Spanish Journal of English Studies","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123139051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Spectral Streams of Post-Consciousness in Mike McCormack’s Solar Bones (2016)","authors":"Asier Altuna-García de Salazar","doi":"10.24197/ersjes.42.2021.81-103","DOIUrl":"https://doi.org/10.24197/ersjes.42.2021.81-103","url":null,"abstract":"This article analyses Mike McCormack’s novel Solar Bones (2016) which narrates in a run-on sentence Marcus Conway’s everyday life within the rural context of a 2008 Celtic Tiger Ireland about to collapse. Drawing upon the narratological precepts of experimental writing, especially the use of streams of consciousness, and Derrida’s hauntology, this article argues that McCormack’s novel charts tensions of coherence and collapse in post-Celtic Tiger fiction. The narration takes place within a post- perspective as Marcus’s ghost brings it into existence. The experimentation with streams of post-consciousness and spectrality provides McCormack with valid aesthetic mechanisms to respond in fiction to Celtic Tiger concerns.","PeriodicalId":229163,"journal":{"name":"ES Review. Spanish Journal of English Studies","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123226200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}