Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]最新文献

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Using Linear Mixed-Effects Models to Analyze Historical Trends in Performance Strategies . Commentary on Majid Motavasseli’s Article “Interpretation of Cyclic Form in Bach’s ‘Goldberg Variations’ through Performance History” 利用线性混合效应模型分析业绩策略的历史趋势。马吉德·莫塔瓦塞利《从演奏历史看巴赫《哥德堡变奏曲》的循环曲式》述评
B. Gingras
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引用次数: 0
Patrick Dinslage, Edvard Grieg und seine Zeit, Laaber: Laaber 2018
Ariane Jeßulat
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引用次数: 0
Das paradisziplinäre Paradigma. Anmerkungen zu einem Papier des Wissenschaftsrates 拟向纪律的范例科学顾问论文的评注
Benjamin Sprick
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引用次数: 0
»Von einem Mann gesungen ist sie so etwas vollkommen anderes«. Schuberts Winterreise in der Deutung von Sängerinnen »的人唱歌是他们这种截然不同的«.舒伯特的冬季之旅了解歌手
Thomas Seedorf, Marc Bangert
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引用次数: 0
Das natürliche Vorbild der Harmonielehre . Naturwissenschaftliche Modelle in Rameaus Musiktheorie 风声世界的自然模范拉姆音乐理论的自然科学模型
Anna Hausmann
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引用次数: 0
Effekt, Extrem – oder Erfindergeist? Niels W. Gades Fünfte Sinfonie und der obligate Klavierpart 作用,极端还是创新?尼尔斯·盖德第五交响曲还有债券
Lara Nettelmann
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引用次数: 0
Rotting Sounds . Artistic Research Practice in Experimental Sound Art 腐烂的声音。实验声音艺术的艺术研究实践
Till Bovermann, Thomas Grill, A. Schilling
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引用次数: 0
Probenprozesse (nicht) als Artistic Research. Perspektiven auf Intentionen, Kriterien und Praktiken der Wissensgenerierung im Bereich Dirigieren 就是一个艺术实验(不是)关于指挥所的预计、标准和实践
C. Bauer
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引用次数: 0
“Du meine Seele, du mein Herz” . Self, Other, and Hermaphroditic Union in the Music of Robert (and Clara) Schumann " Du meine Seele, Du mein Herz "罗伯特(和克拉拉)舒曼音乐中的自我、他者和雌雄同体的结合
Benedict Taylor
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引用次数: 1
Das Hörbar-Machen von zyklischen Potentialen in der musikalischen Interpretation. Eduard Steuermanns Live-Mitschnitt der ›Diabelli-Variationen‹ vom 13. Mai 1963 用音乐的描绘曲调13日的爱德华Steuermanns Live-Mitschnitt›Diabelli-Variationen‹.1963年5月
Martin Zenck
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引用次数: 0
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