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Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]最新文献

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Marcus Aydintan / Laura Krämer / Tanja Spatz (Hg.), Solmisation, Improvisation, Generalbass. Historische Lehrmethoden für das heutige Musiklernen, Hildesheim: Olms 2021 突袭效果如何?解决了，解决了现代音乐工作者的历史说教者，希尔德斯海姆:Olms 2021
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] Pub Date : 1900-01-01 DOI: 10.31751/1164
Lutz Felbick
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引用次数: 0
Schon wieder das Lied!. Robert Schumanns »In der Fremde« und die Kriterien musikalischer Analyse 又是那首歌!罗伯特Schumanns»«异乡和标准的音乐分析
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] Pub Date : 1900-01-01 DOI: 10.31751/1176
Felix Diergarten
{"title":"Schon wieder das Lied!. Robert Schumanns »In der Fremde« und die Kriterien musikalischer Analyse","authors":"Felix Diergarten","doi":"10.31751/1176","DOIUrl":"https://doi.org/10.31751/1176","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"210 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132943599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Michael Jakumeit, Vom Aufbau einer Welt. Untersuchungen zur makrologischen Harmonik in den Kopfsätzen der ersten drei Symphonien von Gustav Mahler (= Schriften der Musikhochschule Lübeck, Bd. 3), Hildesheim: Olms 2022 迈克尔·贾昆特研究作makrologischen Harmonik Kopfsätzen中的前三个Symphonien古斯塔夫·马勒(=著作的音乐学院Lübeck 4:39 . 3),搞价格同盟:Olms 2022年
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] Pub Date : 1900-01-01 DOI: 10.31751/1180
Stephan Quandel
{"title":"Michael Jakumeit, Vom Aufbau einer Welt. Untersuchungen zur makrologischen Harmonik in den Kopfsätzen der ersten drei Symphonien von Gustav Mahler (= Schriften der Musikhochschule Lübeck, Bd. 3), Hildesheim: Olms 2022","authors":"Stephan Quandel","doi":"10.31751/1180","DOIUrl":"https://doi.org/10.31751/1180","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133786857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Laura Krämer, Musik verstehen und erfinden. Übungs- und Spielbuch für Melodieinstrumente (= Spezialheft aus der Reihe üben & musizieren), Mainz: Schott 2021 Laura拐杖，创作音乐美因茨，2021年
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] Pub Date : 1900-01-01 DOI: 10.31751/1157
A. Gatz
{"title":"Laura Krämer, Musik verstehen und erfinden. Übungs- und Spielbuch für Melodieinstrumente (= Spezialheft aus der Reihe üben & musizieren), Mainz: Schott 2021","authors":"A. Gatz","doi":"10.31751/1157","DOIUrl":"https://doi.org/10.31751/1157","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128251859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Felix Wörner / Ullrich Scheideler / Philip Rupprecht (Hg.), Tonality Since 1950, Stuttgart: Steiner 2017 Felix Wörner / Ullrich Scheideler / Philip Rupprecht (Hg.)，《调性自1950年以来》，斯图加特:施泰纳出版社2017年版
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] Pub Date : 1900-01-01 DOI: 10.31751/1025
Jan Philipp Sprick
{"title":"Felix Wörner / Ullrich Scheideler / Philip Rupprecht (Hg.), Tonality Since 1950, Stuttgart: Steiner 2017","authors":"Jan Philipp Sprick","doi":"10.31751/1025","DOIUrl":"https://doi.org/10.31751/1025","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129352183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Joseph N. Straus, Introduction to Post-Tonal Theory, New York, 4. Auflage, London: W. W. Norton & Company 2016 约瑟夫·斯特劳斯:《后调性理论导论》，纽约，第4期。Auflage，伦敦:w.w. Norton & Company 2016
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] Pub Date : 1900-01-01 DOI: 10.31751/1165
Ullrich Scheideler
{"title":"Joseph N. Straus, Introduction to Post-Tonal Theory, New York, 4. Auflage, London: W. W. Norton & Company 2016","authors":"Ullrich Scheideler","doi":"10.31751/1165","DOIUrl":"https://doi.org/10.31751/1165","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134162426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Performance of Beethoven’s “Diabelli Variations”. Continuity, Discontinuity, Cyclic Integration, Irony 贝多芬《迪亚贝利变奏曲》的演奏。连续性，非连续性，循环整合，反讽
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] Pub Date : 1900-01-01 DOI: 10.31751/1126
William A Kinderman
{"title":"The Performance of Beethoven’s “Diabelli Variations”. Continuity, Discontinuity, Cyclic Integration, Irony","authors":"William A Kinderman","doi":"10.31751/1126","DOIUrl":"https://doi.org/10.31751/1126","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129692427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Explizite und implizite Regeln der modalen Solo-Improvisation in iranischer Musik. Eine vergleichende Analyse 明确的和隐性的莫特伦即兴创作在伊朗音乐。对照
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] Pub Date : 1900-01-01 DOI: 10.31751/1107
Davoud Tavousi
{"title":"Explizite und implizite Regeln der modalen Solo-Improvisation in iranischer Musik. Eine vergleichende Analyse","authors":"Davoud Tavousi","doi":"10.31751/1107","DOIUrl":"https://doi.org/10.31751/1107","url":null,"abstract":"Dieser Artikel untersucht die kreativen Prozesse in der freien modalen Solo-Improvisation in iranischer klassischer Musik mithilfe eines analytisch-vergleichenden Ansatzes. Der Text ist in drei Hauptabschnitte gegliedert: (1) »Lehr- und Lernprozesse in der Improvisation iranischer Musik«, (2) »Die Wechselbeziehung zwischen persischer Sprache und iranischer Musik«, (3) »Die Herleitung theoretischer Regeln der iranischen modalen Solo-Improvisation durch vergleichende Analyse«. Der Schwerpunkt der Untersuchung liegt auf der vergleichenden Analyse von neun Auffuhrungen einer Gūse namens Qaratsche – funf vokalen und vier instrumentalen Performances , die ein breites Spektrum von Moglichkeiten innerhalb eines bestimmten Modalbereichs abdecken. Auserdem wird in der Analyse gezeigt, wie das gleiche melodische Material in unterschiedlichen Arrangements prasentiert werden kann. \u0000 \u0000This article explores creative processes in free modal improvisation by soloists in Iranian classical music through an analytical-comparative approach. The text is divided into three main sections: (1) “Teaching and learning Iranian music improvisation,” (2) “The interrelationship between Persian language and Iranian music,” (3) “The derivation of theoretical rules for Iranian modal solo improvisation through comparative analysis.” The study is based on a comparative analysis of nine performances (five vocal and four instrumental) of a gūse called Gharache covering a broad spectrum of possibilities within a certain modal area. The study also demonstrates how the same melodic material can be presented in different arrangements.","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128611498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
»Eine halbe terra incognita«. Zur frühen Aufführungs- und Rezeptionsgeschichte der ›Diabelli-Variationen‹ »半terra«.而开展的Aufführungs和Rezeptionsgeschichte›Diabelli-Variationen‹
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] Pub Date : 1900-01-01 DOI: 10.31751/1124
Markus Neuwirth
{"title":"»Eine halbe terra incognita«. Zur frühen Aufführungs- und Rezeptionsgeschichte der ›Diabelli-Variationen‹","authors":"Markus Neuwirth","doi":"10.31751/1124","DOIUrl":"https://doi.org/10.31751/1124","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120950720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zu einigen Paradigmen musiktheoretischen Denkens der 1920er Jahre 20世纪20年代音乐理论性思维模式
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] Pub Date : 1900-01-01 DOI: 10.31751/1140
F. Wörner
{"title":"Zu einigen Paradigmen musiktheoretischen Denkens der 1920er Jahre","authors":"F. Wörner","doi":"10.31751/1140","DOIUrl":"https://doi.org/10.31751/1140","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115783318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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