Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]最新文献

{"title":"The Order of Things. Analysis and Sketch Study in Two Works by Steve Reich","authors":"Twila Bakker, P. A. Siôn.","doi":"10.31751/1003","DOIUrl":"https://doi.org/10.31751/1003","url":null,"abstract":"This article explores the boundaries that lie between analysis and sketch study, as found in two works by American composer Steve Reich (b. 1936). The article begins by examining the relationship between analysis and sketch study in relation to minimalist music. From this initial overview, the authors propose that one of the dangers intrinsic to sketch study—not saying anything particularly revealing about the musical work—can also be found in musical analysis. To combat this inherent weakness, the article advocates what William Kinderman has described as an “‘integrated approach’ whereby musical analysis takes guidance from sources” (2009, 7). Kinderman’s “integrated” approach is applied during the second half of the article, when two case studies relating to Reich’s compositions— both of which have previously received detailed analytical attention by other scholars—are examined in more detail. In analyzing Reich’s music, these scholars did not have access to the wealth of sketch materials now housed at the Paul Sacher Stiftung (PSS) Basel. In the first case study, John Roeder’s account, published in 2003, of the first movement of Reich’s popular New York Counterpoint (1985) is read against the authors’ own research of the composer’s extant sketches held at PSS. Likewise, a second case study examines Ronald Woodley’s article, published in 2007, of Reich’s Proverb (1996) in relation to the work’s sketch materials. The article concludes by noting that while sketch studies should not be viewed as a kind of “holy grail”—revealing hidden truths or inner meanings about a work and unlocking the door to the composer’s inner thoughts and working processes—the working documents can (and do) offer insights that analysis does not always provide. \u0000 \u0000Der Beitrag untersucht die Grenzen zwischen Analyse und Skizzenstudien am Beispiel von zwei Werken des amerikanischen Komponisten Steve Reich (geb. 1936). Der Artikel beginnt mit einer Untersuchung des Zusammenhangs zwischen Analyse und Skizzenstudien in Bezug auf minimalistische Musik. Ausgehend von diesem Uberblick wird vorgeschlagen, dass eine der Gefahren, die dem Skizzenstudium innewohnt – namlich nichts besonders Aufschlussreiches uber das musikalische Werk zu sagen – auch die Musikanalyse betreffen kann. Um diese inharente Schwache zu bekampfen, befurwortet der Artikel das, was William Kinderman als »›integrativen‹ Ansatz« beschrieben hat, bei dem die musikalische Analyse von Quellen geleitet wird (2009, 7). Kindermans »integrativer« Ansatz wird in der zweiten Halfte des Artikels angewendet. Dort werden zwei Fallstudien anhand von Steve Reichs Kompositionen – die beide zuvor von anderen Wissenschaftlern ausfuhrlich analysiert worden sind – naher diskutiert. Bei ihren Analysen von Reichs Kompositionen hatten diese Wissenschaftler keinen Zugang zu dem umfangreichen Skizzenmaterial, das sich heute in der Paul Sacher Stiftung (PSS) Basel befindet. In der ersten Fallstudie wird John Roeders 2003 veroffentlichte","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116908854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Benedict Taylor, Towards a Harmonic Grammar of Grieg’s Late Piano Music: Nature and Nationalism (= RMA Monographs, vol. 29), London: Routledge 2017","authors":"Bjørnar Utne-Reitan","doi":"10.31751/1146","DOIUrl":"https://doi.org/10.31751/1146","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121333974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Patrick Boenke / Birger Petersen (Hg.), Musikalische Logik und musikalischer Zusammenhang (= Studien und Materialien zur Musikwissenschaft, Bd. 82), Hildesheim: Olms 2014","authors":"Kilian Sprau","doi":"10.31751/1018","DOIUrl":"https://doi.org/10.31751/1018","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125924911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ludwig Holtmeier, Rameaus langer Schatten. Studien zur deutschen Musiktheorie des 18. Jahrhunderts (= Studien zur Geschichte der Musiktheorie, Bd. 13, Veröffentlichungen des Staatlichen Instituts für Musikforschung, Bd. 23), Hildesheim: Olms 2017","authors":"Christophe Guillotel-Nothmann","doi":"10.31751/1010","DOIUrl":"https://doi.org/10.31751/1010","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122873381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Robert Rabenalt, Musikdramaturgie im Film. Wie Filmmusik Erzählformen und Filmwirkung beeinflusst, München: edition text + kritik 2020","authors":"Matthieu Stepec","doi":"10.31751/1116","DOIUrl":"https://doi.org/10.31751/1116","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129798375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Musiktheorie und ›Satzlehre‹ im Kontext der Diskussion um Artistic Research","authors":"R. Bauer","doi":"10.31751/1171","DOIUrl":"https://doi.org/10.31751/1171","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130499658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Marion Saxer, Quintendiskurse. Das Quintparallelenverbot in Quellentexten von 1330 bis heute, unter redaktioneller Mitarbeit von Sebastian Rose, Hildesheim: Olms 2021","authors":"M. Roth","doi":"10.31751/1163","DOIUrl":"https://doi.org/10.31751/1163","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123975234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cycling in Tonal Space. Neo-Riemannian Theory in der dritten Dimension","authors":"J. Rieke","doi":"10.31751/1009","DOIUrl":"https://doi.org/10.31751/1009","url":null,"abstract":"Der Beitrag greift Ideen der Neo-Riemannian Theory auf, nimmt Bezug auf Richard Cohn und stellt neu entwickelte dreidimensionale Modelle vor, mit denen sich Dreiklangs- und Vierklangsverbindungen alternativ zum Cube Dance von Jack Douthett und Peter Steinbach und zu Cohns 4-Cube-Trio darstellen lassen. Ausgehend von Edward Gollins 3D-Tonnetz beschreibt er auserdem variable Modelle, die sich auf verschiedene Akkordklassen anwenden lassen. \u0000 \u0000This article responds to suggestions of Neo-Riemannian Theory, referring to Richard Cohn. It presents some new three-dimensional models that depict the connections of triads and seventh chords as alternatives to Jack Douthett’s and Peter Steinbach’s Cube Dance and to Cohn’s 4-Cube-Trio. Finally, models based on Edward Gollin’s 3D-Tonnetz are described that may be applied to diverse chord classes.","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114392117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Solmisationssysteme in El cantor instruido von Manuel Cavaza. Ein Fallbeispiel zur Methodenvielfalt im 18. Jahrhundert","authors":"Luis Ramos","doi":"10.31751/1108","DOIUrl":"https://doi.org/10.31751/1108","url":null,"abstract":"In der Gesangsschule El cantor instruido o Maestro aliviado (Madrid 1754) stellt Manuel Cavaza verschiedene Systeme zur Handhabung von Solmisationssilben einander gegenuber. Neben der guidonischen Solmisation mit Hexachorden und Mutationen stellt er zwei Methoden ohne Mutation sowie eine Art ›Tonika-Do-System‹ mittels Schlusselsimulation vor. Cavazas Manuskript ist ein hervorragendes Zeugnis der Vielfalt von Solfege-Traditionen an der europaischen Peripherie in der Mitte des 18. Jahrhunderts. Allen Anzeichen nach sollte ein gut informierter Gesangslehrer damals ein musikalischer Polyglott sein. \u0000 \u0000In his singing treatise El cantor instruido o Maestro aliviado (Madrid 1754) Manuel Cavaza contrasts different systems for handling solmization syllables. In addition to Guidonian solmization with hexachords and mutations, he presents two methods without mutation as well as a kind of “moveable do” system using key simulation. Cavaza’s manuscript is an excellent testimony to the diversity of solfege traditions on the European periphery in the mid-eighteenth century. According to this source, a well-informed singing teacher at that time had to be a musical polyglot.","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127643314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Exzentrisch geformte Klang-Landschaften. Dimensionen des Zyklischen im Lichte von 106 Tonaufnahmen von Schuberts Winterreise aus dem Zeitraum 1928–2020","authors":"C. Utz","doi":"10.31751/1132","DOIUrl":"https://doi.org/10.31751/1132","url":null,"abstract":"","PeriodicalId":228522,"journal":{"name":"Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory]","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128102267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}