The Hemingway Review最新文献

{"title":"Hemingway’s Slang in Lyndsay Faye’s The Paragon Hotel","authors":"R. Pottle","doi":"10.1353/hem.2023.0008","DOIUrl":"https://doi.org/10.1353/hem.2023.0008","url":null,"abstract":"Abstract:The historical novelist Lyndsay Faye pilfered Hemingway’s 1918 correspondence for slang usages that would definitively locate the characters in her 2019 book, The Paragon Hotel, in the late nineteen-teens, rather than have the novel’s dialogue bleed into usages more common in the high-Jazz Age. Cross-referencing text from the novel with Hemingway’s 1918 correspondence collected in the Hemingway Letters Project, then comparing the results against entries from the Oxford English Dictionary and the New Partridge Dictionary of Slang and Unconventional English, shows the complex relationship between the voices of the Faye’s characters—particularly the novel’s narrator—and the young Ernest Hemingway.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"35 1","pages":"105 - 112"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82187121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Hemingway’s Widow: The Life and Legacy of Mary Welsh Hemingway by Timothy Christian (review)","authors":"H. K. Justice","doi":"10.1353/hem.2023.0009","DOIUrl":"https://doi.org/10.1353/hem.2023.0009","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"10 1","pages":"113 - 116"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81120138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reading “On the Quai at Smyrna” and “A Natural History of the Dead” in Consideration of Hemingway’s Anti-Humanism","authors":"M. Norris","doi":"10.1353/hem.2023.0006","DOIUrl":"https://doi.org/10.1353/hem.2023.0006","url":null,"abstract":"Abstract:This article proposes that readers consider “On the Quai at Smyrna” and “A Natural History of the Dead” as part of the same conceptual project. Both pieces advance a negative critique of humanism that blurs the distinctions between human and animal. Despite religious and pseudo-religious narratives to the contrary, human life is not superior to animal life, Hemingway discovers, for we are all of us violent beasts who eventually end up in the ground. These works reject the idea that we are fundamentally superior to nonhuman entities. Likewise, they reject the idea that human life is sacred.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"42 1","pages":"75 - 90"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87742602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Current Bibliography","authors":"Steve Paul, Kelli A. Larson","doi":"10.1353/hem.2023.0002","DOIUrl":"https://doi.org/10.1353/hem.2023.0002","url":null,"abstract":"Current Bibliography Steve Paul and Kelli A. Larson [The current bibliography aspires to include all serious contributions to Hemingway scholarship. Given the substantial quantity of significant critical work appearing on Hemingway’s life and writings annually, inconsequential items from the popular press have been omitted to facilitate the distinction of important developments and trends in the field. Annotations for articles appearing in The Hemingway Review have been omitted due to the immediate availability of abstracts introducing each issue. Kelli Larson welcomes your assistance in keeping this feature current. Please send reprints, clippings, and photocopies of articles, as well as notices of new books, directly to Larson at the University of St. Thomas, 333 JRC, 2115 Summit Avenue, St. Paul, MN 55105-1096. E-Mail: Kalarson1@stthomas.edu.] The Hemingway Bibliography Online Database: The Hemingway Bibliography is a searchable database consisting of the most comprehensive record of annotated Hemingway-related scholarship published worldwide in English from 1990 to the present. Researchers can search by title, author, subject, keyword, publisher, or periodical. The database is updated annually. Visit The Hemingway Bibliography at https://ir.stthomas.edu/hemingway/ BOOKS Buchholtz, Miroslawa and Dorota Guttfeld. Ernest Hemingway in Interview and Translation. Cham, Switzerland: Springer Nature, 2022. [Brings together interview and translation studies to explore how interviewers and translators serve as mediators between EH and his audience, creating versions of the author and his writing through their hands-on approach. Section One draws on interview theory to examine some of EH’s last conversations with George Plimpton and others within their Cold War context. Focuses not only on EH’s response but also on the interviewer’s agenda and dynamics of their exchange. Concludes that these “’last’ conversations repeatedly expose Hemingway’s resistance to interviewing and publishing of interviews,” with the interview-savvy author adopting different personas depending on the interviewer. Section Two details the life and career of Bronislaw Zieliński, the Polish translator of EH’s works beginning with his 1956 translation of OMS. Chronicles their brief 1958 meeting in Ketchum, Idaho, which grew into an epistolary friendship against the backdrop of Cold-War paranoia. Pieces together their relationship through correspondence and Zieliński’s notes and private diary. Closes with commentary on Zieliński’s 1959 article on why EH is a “Polish writer.” Section Three discusses an experiment using Polish MA-level student translations of EH’s “Cat in the Rain” to illustrate the dangers faced by translators when confronted with ambiguity or simplicity. Research results show the students’ unconscious tendency to embellish meaning according to stereotypical notions of literariness, thus narrowing the story’s range of possible interpretations. Finds this same disturbin","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134954955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Pure Literature Is Today Doomed”: Hemingway’s Modernism and the transatlantic review","authors":"Sarah Selden","doi":"10.1353/hem.2023.0005","DOIUrl":"https://doi.org/10.1353/hem.2023.0005","url":null,"abstract":"Abstract:Hemingway’s editorial role in Ford Madox Ford’s second modernist little magazine project, the transatlantic review, is overlooked both in critical scholarship and within the scope of his biography. The editorials he published in the review reveal Hemingway’s assessment of the modernist movement as it developed around him and his devotion to the idea of “pure literature” that stems from authentic inspiration rather than contrived experimentalism. This article offers an analysis of four such editorials and how they, along with his leadership over the July and August issues of the magazine, provide insight into Hemingway’s development as a modernist figure and the brand of modernism he would promote throughout his career.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"63 1","pages":"56 - 74"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79715597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cuban Quartermoon by Ann Putnam","authors":"Kirk Curnutt","doi":"10.1353/hem.2023.0001","DOIUrl":"https://doi.org/10.1353/hem.2023.0001","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88589612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"One True Sentence: Writers & Readers on Hemingway’s Art by Mark Cirino and Michael Von Cannon (review)","authors":"K. Forrest","doi":"10.1353/hem.2023.0011","DOIUrl":"https://doi.org/10.1353/hem.2023.0011","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"243 1","pages":"120 - 122"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75891885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"They’ve All Gone to Look For America: Perpetual Exile in Ernest Hemingway’s In Our Time","authors":"Eric Vanderwall","doi":"10.1353/hem.2023.0007","DOIUrl":"https://doi.org/10.1353/hem.2023.0007","url":null,"abstract":"Abstract:In Our Time can be interpreted as a cohesive work, presented in stories and vignettes, dealing with perpetual exile and the search for America. This exile plays out within stories and vignettes and over the course of the collection. With some feints and complications, the movement of the narrative is from America's past into exile (both internal and abroad), failed homecoming in the middle stories, a resumption of exile abroad, and a return to America followed by a final move into exile, with the collection’s last line expressing a desire to come to America and “America” as its final word.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"29 1","pages":"104 - 91"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74916816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Abbreviations for the Works of Ernest Hemingway","authors":"","doi":"10.1353/hem.2023.0012","DOIUrl":"https://doi.org/10.1353/hem.2023.0012","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"248 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134954933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Nuns Help Hemingway with Tale and Piece of Tail","authors":"P. Hays","doi":"10.1353/hem.2022.0021","DOIUrl":"https://doi.org/10.1353/hem.2022.0021","url":null,"abstract":"ABSTRACT:This essay explores Hemingway's treatment for a spiral fracture at St. Vincent's Hospital, which was staffed by the Sisters of Charity of Leavenworth after a 1930 car crash in Billings, Montana. It details the surgical intervention to repair the fracture, which used sutures made of kangaroo tail and Hemingway's subsequent fourteen-week recovery. The essay also explores how Hemingway's stay at the hospital influenced his short story, \"The Gambler, the Nun, and the Radio.\"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"14 1","pages":"102 - 96"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78258310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}