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Hemingway in Black and White: An Introduction 黑与白中的海明威简介
The Hemingway Review Pub Date : 2023-09-01 DOI: 10.1353/hem.2023.a913495
Ian Marshall, Margaret E. Wright Cleveland
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引用次数: 0
PEN/Hemingway Keynote Address: Delivered at the PEN/Hemingway Awards Ceremony hosted by the John F. Kennedy Memorial Library April 2, 2023 笔会/海明威主题演讲:在约翰-肯尼迪纪念图书馆主办的笔会/海明威颁奖典礼上发表,2023 年 4 月 2 日
The Hemingway Review Pub Date : 2023-09-01 DOI: 10.1353/hem.2023.a913494
Jennifer Haigh
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引用次数: 0
Remembering Charles M. “Tod” Oliver: Founding Editor, The Hemingway Review 1932–2022 缅怀查尔斯-M-"托德"-奥利弗:海明威评论》创刊编辑,1932-2022 年
The Hemingway Review Pub Date : 2023-09-01 DOI: 10.1353/hem.2023.a913492
Susan F. Beegel
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引用次数: 0
The Importance of Not Being Ernest: My Life with the Uninvited Hemingway by Mark Kurlansky (review) 不做欧内斯特的重要性:我与不请自来的海明威的生活》,马克-库兰斯基著(评论)
The Hemingway Review Pub Date : 2023-09-01 DOI: 10.1353/hem.2023.a913504
Thomas Bevilacqua
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引用次数: 0
The Early Years of the Hemingway Review (1981–1992): An Interview with Charles M. (“Tod”) Oliver Reprinted from the Spring 2016 issue of The Hemingway Review 海明威评论》早年(1981-1992):与查尔斯-M-("托德")-奥利弗的访谈 转载自《海明威评论》2016 年春季号
The Hemingway Review Pub Date : 2023-09-01 DOI: 10.1353/hem.2023.a913493
Kirk Curnutt
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引用次数: 0
Constructions of Race and Revolution in Ernest Hemingway’s “The Porter” 海明威《波特》中的种族与革命建构
The Hemingway Review Pub Date : 2023-09-01 DOI: 10.1353/hem.2023.a913500
Ian Marshall
{"title":"Constructions of Race and Revolution in Ernest Hemingway’s “The Porter”","authors":"Ian Marshall","doi":"10.1353/hem.2023.a913500","DOIUrl":"https://doi.org/10.1353/hem.2023.a913500","url":null,"abstract":"Abstract:In this essay, Ian Marshall analyzes Ernest Hemingway’s writing methodology in his short fiction, paying particular attention to constructions of labor, landscape, and African American male identity. Marshall argues that Hemingway was incapable of imagining a black working-class revolution, or a racially unified working-class revolution in the United States. This inability shapes his characters actions, particularly George, the main African American character in “The Porter,” and contributes to our understanding of revolutionary and social class consciousness in the U.S. as presented in Hemingway’s fiction.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139343858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Norton Critical Edition: Ernest Hemingway’s The Sun Also Rises ed. by Michael Thurston (review) 诺顿评论版:欧内斯特·海明威的《太阳照常升起》,作者:迈克尔·瑟斯顿
The Hemingway Review Pub Date : 2023-03-01 DOI: 10.1353/hem.2023.0010
Donald A. Daiker
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引用次数: 0
The Sun Also Rises: A Pilgrimage Novel 《太阳照常升起:一部朝圣小说》
The Hemingway Review Pub Date : 2023-03-01 DOI: 10.1353/hem.2023.0004
Jeffrey Herlihy-Mera
{"title":"The Sun Also Rises: A Pilgrimage Novel","authors":"Jeffrey Herlihy-Mera","doi":"10.1353/hem.2023.0004","DOIUrl":"https://doi.org/10.1353/hem.2023.0004","url":null,"abstract":"Abstract:While allusions to the Camino de Santiago are concealed in Ernest Hemingway’s The Sun Also Rises, Jake Barnes follows the Camino path in Paris, Burguete, Pamplona, San Sebastián and Madrid, and he visits the specific citygates, hostels, and hospitals used by Medieval pilgrims. The way Barnes uses language, perceives space and direction, depend largely upon his location in relation to the pilgrimage route. As his inner north, the Camino de Santiago provides a hidden structure in the novel: through a discussion of the social history of the Camino in Celtic and Catholic traditions, this article examines Hemingway’s first novel through the lens of the pilgrimage, an approach that sheds important light on how Hemingway’s conversion to Catholicism shaped his writing.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73003392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hemingway and the Harvard Poets ed. by Luca Fondazione (review) 《海明威与哈佛诗人》,卢卡·福达齐奥内主编(书评)
The Hemingway Review Pub Date : 2023-03-01 DOI: 10.1353/hem.2023.0000
M. Cirino
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引用次数: 0
Hemingway’s Nick Adams and His Lost “Indian Girl” 海明威的尼克·亚当斯和他失踪的“印第安女孩”
The Hemingway Review Pub Date : 2023-03-01 DOI: 10.1353/hem.2023.0003
Donald A. Daiker
{"title":"Hemingway’s Nick Adams and His Lost “Indian Girl”","authors":"Donald A. Daiker","doi":"10.1353/hem.2023.0003","DOIUrl":"https://doi.org/10.1353/hem.2023.0003","url":null,"abstract":"Abstract:Two Scribner’s-excised passages from the manuscript of the posthumously published “The Last Good Country” reinforce the importance of the Indian girl Trudy in Hemingway’s fiction and of Prudence Boulton in his life. Both passages underline Nick’s depth of feeling for Trudy and the pain of her loss—a metaphor for the fate of Indians, who “all ended the same way. Long time ago good. Now no good.” But the theme of Indian extinction is itself a metaphor for the power, prominence, and even prevalence of loss in Hemingway’s fiction. Excepting the positive portrayals of Nick Adams and Jake Barnes, Hemingway’s earliest protagonists, loss dominates—in at least half the In Our Time stories, in the bitter conclusion of A Farewell to Arms, and in the four new tales of defeat and death that open The Fifth Column and the First Forty-Nine Stories. Hemingway agrees with Jig that “once they take it away, you never get it back.”","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73050535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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