{"title":"Hemingway in Black and White: An Introduction","authors":"Ian Marshall, Margaret E. Wright Cleveland","doi":"10.1353/hem.2023.a913495","DOIUrl":"https://doi.org/10.1353/hem.2023.a913495","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139344801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"PEN/Hemingway Keynote Address: Delivered at the PEN/Hemingway Awards Ceremony hosted by the John F. Kennedy Memorial Library April 2, 2023","authors":"Jennifer Haigh","doi":"10.1353/hem.2023.a913494","DOIUrl":"https://doi.org/10.1353/hem.2023.a913494","url":null,"abstract":"Abstract:Each year the Ernest Hemingway Foundation and PEN award the PEN/Hemingway prize for the year’s best debut novel. The award is presented at a gala reception at the John F. Kennedy Library in Boston, Massachusetts. The 2023 PEN/Hemingway prize was awarded to Oscar Hokeah for his book, Calling for a Blanket Dance. We are pleased to present the keynote address of Jennifer Haigh, a New York Times Best Selling author who has been called a “gifted chronicler of the human condition” (Washington Post Book World).","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139346727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Remembering Charles M. “Tod” Oliver: Founding Editor, The Hemingway Review 1932–2022","authors":"Susan F. Beegel","doi":"10.1353/hem.2023.a913492","DOIUrl":"https://doi.org/10.1353/hem.2023.a913492","url":null,"abstract":"Abstract:Susan F. Beegel, second editor of The Hemingway Review, remembers the important contributions and kind nature of Charles M. “Tod” Oliver, the founding editor, to Hemingway studies and to the Hemingway Society.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139343810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Importance of Not Being Ernest: My Life with the Uninvited Hemingway by Mark Kurlansky (review)","authors":"Thomas Bevilacqua","doi":"10.1353/hem.2023.a913504","DOIUrl":"https://doi.org/10.1353/hem.2023.a913504","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139344900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Early Years of the Hemingway Review (1981–1992): An Interview with Charles M. (“Tod”) Oliver Reprinted from the Spring 2016 issue of The Hemingway Review","authors":"Kirk Curnutt","doi":"10.1353/hem.2023.a913493","DOIUrl":"https://doi.org/10.1353/hem.2023.a913493","url":null,"abstract":"Abstract:We are reprinting this interview with Tod Oliver, which appeared in the Spring 2016 issue of The Hemingway Review to commemorate the thirty-fifth anniversary of the Review. In this interview, Tod reminisces about the early years of the journal. He recalls its evolution from Hemingway notes, the “technologies” available for producing an issue, the founding of the Hemingway Society, and important relationships and issues along the way.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139346647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Constructions of Race and Revolution in Ernest Hemingway’s “The Porter”","authors":"Ian Marshall","doi":"10.1353/hem.2023.a913500","DOIUrl":"https://doi.org/10.1353/hem.2023.a913500","url":null,"abstract":"Abstract:In this essay, Ian Marshall analyzes Ernest Hemingway’s writing methodology in his short fiction, paying particular attention to constructions of labor, landscape, and African American male identity. Marshall argues that Hemingway was incapable of imagining a black working-class revolution, or a racially unified working-class revolution in the United States. This inability shapes his characters actions, particularly George, the main African American character in “The Porter,” and contributes to our understanding of revolutionary and social class consciousness in the U.S. as presented in Hemingway’s fiction.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139343858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Norton Critical Edition: Ernest Hemingway’s The Sun Also Rises ed. by Michael Thurston (review)","authors":"Donald A. Daiker","doi":"10.1353/hem.2023.0010","DOIUrl":"https://doi.org/10.1353/hem.2023.0010","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75612456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Sun Also Rises: A Pilgrimage Novel","authors":"Jeffrey Herlihy-Mera","doi":"10.1353/hem.2023.0004","DOIUrl":"https://doi.org/10.1353/hem.2023.0004","url":null,"abstract":"Abstract:While allusions to the Camino de Santiago are concealed in Ernest Hemingway’s The Sun Also Rises, Jake Barnes follows the Camino path in Paris, Burguete, Pamplona, San Sebastián and Madrid, and he visits the specific citygates, hostels, and hospitals used by Medieval pilgrims. The way Barnes uses language, perceives space and direction, depend largely upon his location in relation to the pilgrimage route. As his inner north, the Camino de Santiago provides a hidden structure in the novel: through a discussion of the social history of the Camino in Celtic and Catholic traditions, this article examines Hemingway’s first novel through the lens of the pilgrimage, an approach that sheds important light on how Hemingway’s conversion to Catholicism shaped his writing.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73003392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hemingway and the Harvard Poets ed. by Luca Fondazione (review)","authors":"M. Cirino","doi":"10.1353/hem.2023.0000","DOIUrl":"https://doi.org/10.1353/hem.2023.0000","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77330852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hemingway’s Nick Adams and His Lost “Indian Girl”","authors":"Donald A. Daiker","doi":"10.1353/hem.2023.0003","DOIUrl":"https://doi.org/10.1353/hem.2023.0003","url":null,"abstract":"Abstract:Two Scribner’s-excised passages from the manuscript of the posthumously published “The Last Good Country” reinforce the importance of the Indian girl Trudy in Hemingway’s fiction and of Prudence Boulton in his life. Both passages underline Nick’s depth of feeling for Trudy and the pain of her loss—a metaphor for the fate of Indians, who “all ended the same way. Long time ago good. Now no good.” But the theme of Indian extinction is itself a metaphor for the power, prominence, and even prevalence of loss in Hemingway’s fiction. Excepting the positive portrayals of Nick Adams and Jake Barnes, Hemingway’s earliest protagonists, loss dominates—in at least half the In Our Time stories, in the bitter conclusion of A Farewell to Arms, and in the four new tales of defeat and death that open The Fifth Column and the First Forty-Nine Stories. Hemingway agrees with Jig that “once they take it away, you never get it back.”","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73050535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}