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2022 PEN/Hemingway Keynote Address 2022年笔会/海明威主题演讲
The Hemingway Review Pub Date : 2022-09-01 DOI: 10.1353/hem.2022.0028
T. Williams
{"title":"2022 PEN/Hemingway Keynote Address","authors":"T. Williams","doi":"10.1353/hem.2022.0028","DOIUrl":"https://doi.org/10.1353/hem.2022.0028","url":null,"abstract":"ABSTRACT:Each year the Ernest Hemingway Foundation and PEN America award the PEN/Hemingway prize for the year's best debut novel by an American author. The award is usually presented at a gala reception at the John F. Kennedy Library in Boston, Massachusetts; however, in 2022, the award celebration was held online via Zoom due to ongoing concern about COVID-19. The 2022 PEN/Hemingway prize was awarded to Torrey Peters for her book, Detransition, Baby (Penguin Random House). This year we are pleased to present the keynote address of American writer, educator, conservationist, and activist Terry Tempest Williams. Tempest Williams is the author of over twenty books including the environmental literature classic, Refuge: An Unnatural History of Family and Place. Her other books include Finding Beauty in a Broken World; When Women Were Birds; The Hour of Land - A Personal Topography of America's National Parks; and most recently, Erosion - Essays of Undoing. A recipient of a John S. Guggenheim Fellowship, a Lannan Literary Award in Creative Nonfiction, and the Robert Kirsch Award, Tempest Williams is writer-in-residence at the Harvard Divinity School. She is a member of the American Academy of Arts & Letters and divides her time between Cambridge, Massachusetts and Castle Valley, Utah.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"25 1","pages":"14 - 9"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82236909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reading Hemingway's Winner Take Nothing: Glossary and Commentary ed. by Mark Cirino and Susan Vandagriff (review) 阅读海明威的《胜者一无所有:词汇与评论》马克·奇里诺、苏珊·凡达格里夫主编(书评)
The Hemingway Review Pub Date : 2022-09-01 DOI: 10.1353/hem.2022.0023
Lisa Tyler
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引用次数: 2
Current Bibliography 当前的参考书目
The Hemingway Review Pub Date : 2022-09-01 DOI: 10.1353/hem.2022.0026
Kelli A. Larson, S. Paul
{"title":"Current Bibliography","authors":"Kelli A. Larson, S. Paul","doi":"10.1353/hem.2022.0026","DOIUrl":"https://doi.org/10.1353/hem.2022.0026","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"56 1","pages":"118 - 130"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74726646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Norton Critical Edition: Ernest Hemingway In Our Time ed. by J. Gerald Kennedy (review) 诺顿评论版:我们这个时代的欧内斯特·海明威，j·杰拉尔德·肯尼迪主编(评论)
The Hemingway Review Pub Date : 2022-09-01 DOI: 10.1353/hem.2022.0022
L. Miller
{"title":"A Norton Critical Edition: Ernest Hemingway In Our Time ed. by J. Gerald Kennedy (review)","authors":"L. Miller","doi":"10.1353/hem.2022.0022","DOIUrl":"https://doi.org/10.1353/hem.2022.0022","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"2016 1","pages":"103 - 107"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86581383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
True at First Light and Under Kilimanjaro: The African Book in Two Parts 《初见曙光时的真实》和《乞力马扎罗山下的真实》:非洲书的两部分
The Hemingway Review Pub Date : 2022-09-01 DOI: 10.1353/hem.2022.0017
Michael D. Dubose
{"title":"True at First Light and Under Kilimanjaro: The African Book in Two Parts","authors":"Michael D. Dubose","doi":"10.1353/hem.2022.0017","DOIUrl":"https://doi.org/10.1353/hem.2022.0017","url":null,"abstract":"ABSTRACT:Hemingway's second safari of 1953-1954 provided the basis for a manuscript Hemingway called the African Book. Unfinished at the time of his death, this book would be posthumously published: first as shorter excerpts in Sports Illustrated (1971), and later in two editions: True at First Light, an abridged version edited by Patrick Hemingway (1999) and Under Kilimanjaro, a comprehensive text edited by Robert W. Lewis and Robert E. Fleming (2005). Neither book has superseded the other as the definitive African Book treatment, and their significant differences illuminate one another. This article considers differences between the texts, including differences in genre, in portrayal of the \"tribalization\" of the author, and in Hemingway's attitude toward critical opinion.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"9 1","pages":"50 - 67"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87367417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Ernest Hemingway, A Cuban Exile 欧内斯特·海明威，古巴流亡者
The Hemingway Review Pub Date : 2022-09-01 DOI: 10.1353/hem.2022.0019
Jeffrey Herlihy-Mera
{"title":"Ernest Hemingway, A Cuban Exile","authors":"Jeffrey Herlihy-Mera","doi":"10.1353/hem.2022.0019","DOIUrl":"https://doi.org/10.1353/hem.2022.0019","url":null,"abstract":"ABSTRACT:The second instalment in \"Hemingway as a Caribbean Writer\" examines Hemingway's day-to-day life at the Finca Vigía and his influence on the development of a budding Cuban artist. The final article in this series, Enrique Cirules's \"Ernest Hemingway and the Faded Fame of Antonio Gattorno\" considers Hemingway's role in the life of a Antonio Gattorno, an artist from Havana who, in part from Hemingway's advice, relocated to the U.S.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"260 1","pages":"80 - 84"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74517679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Addressing Modernity from the Woods: Utopian Counter-Discourses in "Big Two-Hearted River" 从森林中面对现代性:《大双心河》中的乌托邦反话语
The Hemingway Review Pub Date : 2022-09-01 DOI: 10.1353/hem.2022.0015
L. La Rocque, Lisa Narbeshuber, Ricardo Marín Ruiz, Michael D. Dubose, Hideo Yanagisawa, Jeffrey Herlihy-Mera, Enrique Cirules, Peter L. Hays, L. Miller, Lisa Tyler, Ellen Andrews Knodt, Stacey Guill, Kelli A. Larson, S. Paul, T. Williams
{"title":"Addressing Modernity from the Woods: Utopian Counter-Discourses in \"Big Two-Hearted River\"","authors":"L. La Rocque, Lisa Narbeshuber, Ricardo Marín Ruiz, Michael D. Dubose, Hideo Yanagisawa, Jeffrey Herlihy-Mera, Enrique Cirules, Peter L. Hays, L. Miller, Lisa Tyler, Ellen Andrews Knodt, Stacey Guill, Kelli A. Larson, S. Paul, T. Williams","doi":"10.1353/hem.2022.0015","DOIUrl":"https://doi.org/10.1353/hem.2022.0015","url":null,"abstract":"ABSTRACT:Ernest Hemingway's \"Big Two Hearted River\" creates a utopian space for reimagining multiple senses of time, space, and embodiment. The story is not a mere escape into the woods to nourish the soul of the main character, Nick Adams. The text throughout keeps an eye on the structural forces (advanced technologies, techniques for controlling selves and collectives) homogenizing behavior, reductively streamlining concepts of place, objects, time, and bodies. The story carefully creates a counter-discourse (alternative structures), the aims of which are to facilitate embodiment (a human scale) and the possibility of engaging with forms of time and space that elude the processes of industrialization. Hemingway, through his open-ended style and increasingly embodied character, Nick, explores the possibility of relating to the world in a non-dominating, mindful way. The quality of consciousness mapped out are meant to be carried back to a modernist culture as a kind of revolution. Nick, then, is not a self so much as a revolutionary method.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"1 1","pages":"102 - 103 - 107 - 107 - 110 - 110 - 113 - 113 - 117 - 118 - 130 - 14 - 15 - 34 - 35 - 49 - 50 - 67 -"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83210437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Influence of Cubism in Hemingway's Conception of Bullfighting in "The Capital of the World" 立体主义对海明威《世界之都》中斗牛观的影响
The Hemingway Review Pub Date : 2022-09-01 DOI: 10.1353/hem.2022.0016
R. Marín Ruiz
{"title":"The Influence of Cubism in Hemingway's Conception of Bullfighting in \"The Capital of the World\"","authors":"R. Marín Ruiz","doi":"10.1353/hem.2022.0016","DOIUrl":"https://doi.org/10.1353/hem.2022.0016","url":null,"abstract":"ABSTRACT:This essay shows the connection between two fields Hemingway was particularly keen on—modern art and bullfighting. More specifically, this article pivots around \"The Capital of the World,\" a story that contains several interesting examples of the influence that Cubism, one of the artistic movements most admired by Hemingway, had on his way of understanding tauromachy inside and outside the bullring. The use of certain stylistic techniques based on cubist pictorial techniques give shape and highlight some of the main ideas the American author had on bullfighting.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"148 1","pages":"35 - 49"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77878565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Hemingway's Roadmaps in Cuba: "The Strange Country" as a Postwar Road Narrative 海明威在古巴的路线图:作为战后道路叙事的“陌生的国家”
The Hemingway Review Pub Date : 2022-09-01 DOI: 10.1353/hem.2022.0018
Hideo Yanagisawa
{"title":"Hemingway's Roadmaps in Cuba: \"The Strange Country\" as a Postwar Road Narrative","authors":"Hideo Yanagisawa","doi":"10.1353/hem.2022.0018","DOIUrl":"https://doi.org/10.1353/hem.2022.0018","url":null,"abstract":"ABSTRACT:Several roadmaps in the Hemingway Museum in Havana, which Ernest Hemingway probably used in the 1950s, contain marginalia, such as his name and highlighted travel routes. The markings on the roadmaps appear to allude to Hemingway's Cuba-U.S. driving tours in the 1950s and connect to his nostalgic memory as a writer and father of broken families, in \"The Strange Country.\" Through several similarities with Hemingway's roadmaps in Cuba, \"The Strange Country\" might be understood as Hemingway's only road narrative.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"6 4 1","pages":"68 - 79"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82251179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Mosaic Fictions: Writing Identity in the Spanish Civil War by Emily Robins Sharpe (review) 《马赛克小说:西班牙内战中的写作身份》艾米丽·罗宾斯·夏普著(书评)
The Hemingway Review Pub Date : 2022-09-01 DOI: 10.1353/hem.2022.0025
Stacey Guill
{"title":"Mosaic Fictions: Writing Identity in the Spanish Civil War by Emily Robins Sharpe (review)","authors":"Stacey Guill","doi":"10.1353/hem.2022.0025","DOIUrl":"https://doi.org/10.1353/hem.2022.0025","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"11 1","pages":"113 - 117"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85156525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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