{"title":"Art Expressing Human Dialogue with the Land","authors":"Janet Botes","doi":"10.37536/ECOZONA.2021.12.1.4225","DOIUrl":"https://doi.org/10.37536/ECOZONA.2021.12.1.4225","url":null,"abstract":"Janet Botes creates artwork inspired by our experience of - and learning within - our environment(s)","PeriodicalId":222311,"journal":{"name":"European journal of literature, culture and the environment","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115175824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Audial and Visual Conversation in Mary Oliver's Dog Songs: Language as a Trans-Species Faculty","authors":"P. Loreto","doi":"10.37536/ECOZONA.2021.12.1.3677","DOIUrl":"https://doi.org/10.37536/ECOZONA.2021.12.1.3677","url":null,"abstract":"The essay investigates Mary Oliver’s reflection upon, and questioning of, language as a marker of human/nonhuman divide as it unfolds in her second, 2013 “species collection” on dogs, Dog Songs (her first one being Owls and Other Fantasies, her 2006 similar collection, portraying her ways of communicating with birds). Through an exploration of both the visual and audial modes of Oliver’s conversations with the dogs she lived with in her life, and treated as companions, this study demonstrates that the poet held an attitude toward the nonhuman which in contemporary theoretical terms would be defined as an “indistinction approach” to the animal question (Calarco 2015). In Dog Songs, Oliver portrays a proximity between humans and animals that ultimately preserves an unavoidable distance. Her writing exploits both her intuition of animals’ capacity for agency and creativity—which accompanies the de-emphasizing of human uniqueness—and her consciousness that we need tropes from human experience to convey our perception of nonhuman ways of life. Moreover, through her representation of the animal’s gaze, of a powerfully ironic reversal of the aims (and effects) of the pathetic fallacy, and of narrative empathy, she proves that a “zoopoetics”, i.e., an imaginative use of language in poetry, can make it a distinct space for our efforts to envisage an ecosystem that animals may inhabit as our equals.","PeriodicalId":222311,"journal":{"name":"European journal of literature, culture and the environment","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123053866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"We are the Delta\": Nature and Agency in Helon Habila’s Oil on Water","authors":"Felicity Hand","doi":"10.37536/ECOZONA.2021.12.1.3556","DOIUrl":"https://doi.org/10.37536/ECOZONA.2021.12.1.3556","url":null,"abstract":"At first sight there appear to be three human groups in the Niger Delta struggle in Helon Habila’s novel Oil on Water. The soldiers sent by the federal government who keep the oil business running; the armed rebels who fight to protect the environment and for a say in the distribution of petrodollars; and the local villagers who find themselves wedged in-between. This article claims that the fourth actor in the ecodrama is the brutalized landscape. Far from assuming a passive role, nature in Oil on Water strikes back through Habila’s prose. The devastated land is given a powerful voice in order to demand an urgent need for action to stop any further destruction caused by mindless oil extraction.","PeriodicalId":222311,"journal":{"name":"European journal of literature, culture and the environment","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114259760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Climate Fiction and the Ethics of Existentialism","authors":"Jens Kramshøj Flinker","doi":"10.37536/ECOZONA.2021.12.1.3826","DOIUrl":"https://doi.org/10.37536/ECOZONA.2021.12.1.3826","url":null,"abstract":" The purpose of this article is twofold: Existentialism as a philosophical discipline and ethical reference point seems to be a rare guest in ecocriticism. Based on an analysis of Lyra Koli's climate fiction Allting Växer (2018) this article argues that existentialism has something to offer to the ecocritical field. I make use of an econarratological approach, drawing on James Phelan's narrative ethics. Thus, I emphasize the article's second purpose, as narrative ethics is about reconstructing narratives own ethical standards rather than the reader bringing a prefabricated ethical system to the narrative. This reading practice can help to question the idea that some ethical and philosophical standards are better than others within ecocriticism—by encouraging scholars in ecocriticism to relate to what existentialism has to do with climate change in this specific case. In continuation of my analysis, I argue that Allting Växer is pointing at a positive side of existentialist concepts such as anxiety or anguish, that is, that there is a reflecting and changing potential in these moods or experiences. This existentialist framework contrasts with the interpretation of \"Anthropocene disorder\" (Timothy Clark) as the only outcome when confronting the complexity of the Anthropocene.","PeriodicalId":222311,"journal":{"name":"European journal of literature, culture and the environment","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131238257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ornithological Passions of American Poet Celia Thaxter","authors":"Ellen M. Taylor","doi":"10.37536/ECOZONA.2021.12.1.3831","DOIUrl":"https://doi.org/10.37536/ECOZONA.2021.12.1.3831","url":null,"abstract":" American poet Celia Leighton Thaxter (1835 – 1894) was shaped by both environmental beauty and destruction she witnessed in her New England community. As a woman who spent much of her life on a small wind-swept island, she was educated by seasons and migrations that later informed her work. A brief education among Boston’s literary elite launched her creative career, where she focused on her local ecology. At that time, over-hunting and newly fashionable plumed hats and accessories had created a serious possibility of avian decimation. By creating awareness of humans’ culpability for birds’ endangerment, Thaxter’s work evoked public sympathy and contributed to social and political change. \u0000 This essay applies ecofeminist and cultural analyses to Thaxter’s work written as part of the 19th century bird defense movement, by examining the emotional rhetoric employed and activism implied in her poems and prose about birds, specifically: “The Kittiwakes,” “The Wounded Curlew,” and “The Great Blue Heron: A Warning.” Little attention has been paid to Thaxter’s didactic poems which use birds as subjects to instruct children and adults about the fragility of birdlife and to warn of humans’ destructive behaviors. These works illustrate Thaxter’s ecological sensibility and her use of emotion and reason to communicate an ecological message. Her poetry and prose about birdlife fortified the budding Audubon Society and contributed to the birth of the environmental movement. We can learn from such poetic activism, from attention to nature turned commodity, and the dangers of depleting finite resources. In our global environmental crisis, we recognize the interwoven relationships between birds and humans. Perhaps poems can help stymie our current ecological trajectory.","PeriodicalId":222311,"journal":{"name":"European journal of literature, culture and the environment","volume":"17 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131071760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review of Ecology and Literatures in English: Writing to Save the Planet","authors":"Bénédicte Meillon","doi":"10.37536/ECOZONA.2021.12.1.3724","DOIUrl":"https://doi.org/10.37536/ECOZONA.2021.12.1.3724","url":null,"abstract":"Book review of Ecology and Literatures in English: Writing to Save the Planet.","PeriodicalId":222311,"journal":{"name":"European journal of literature, culture and the environment","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128387952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review of Climate Change and Storytelling: Narratives and Cultural Meaning in Environmental Communication","authors":"Eline D Tabak","doi":"10.37536/ECOZONA.2021.12.1.3621","DOIUrl":"https://doi.org/10.37536/ECOZONA.2021.12.1.3621","url":null,"abstract":"Book review of Climate Change and Storytelling: Narratives and Cultural Meaning in Environmental Communication.","PeriodicalId":222311,"journal":{"name":"European journal of literature, culture and the environment","volume":"115 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116689121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review of Characterising the Anthropocene: Ecological Degradation in Italian Twenty-First-Century Literary Writing","authors":"Paolo Saporito","doi":"10.37536/ECOZONA.2021.12.1.3622","DOIUrl":"https://doi.org/10.37536/ECOZONA.2021.12.1.3622","url":null,"abstract":"Book review of Characterising the Anthropocene: Ecological Degradation in Italian Twenty-First-Century Literary Writing.","PeriodicalId":222311,"journal":{"name":"European journal of literature, culture and the environment","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123213349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review of Cultural Representations of Other-Than-Human-Nature","authors":"M. Moss","doi":"10.37536/ECOZONA.2021.12.1.3638","DOIUrl":"https://doi.org/10.37536/ECOZONA.2021.12.1.3638","url":null,"abstract":"Book review of Cultural Representations of Other-Than-Human-Nature.","PeriodicalId":222311,"journal":{"name":"European journal of literature, culture and the environment","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126702617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review of The Value of Ecocriticism","authors":"S. Nitzke","doi":"10.37536/ECOZONA.2021.12.1.3711","DOIUrl":"https://doi.org/10.37536/ECOZONA.2021.12.1.3711","url":null,"abstract":"Book review of The Value of Ecocriticism.","PeriodicalId":222311,"journal":{"name":"European journal of literature, culture and the environment","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116967203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}