"We are the Delta": Nature and Agency in Helon Habila’s Oil on Water

Felicity Hand
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引用次数: 1

Abstract

At first sight there appear to be three human groups in the Niger Delta struggle in Helon Habila’s novel Oil on Water. The soldiers sent by the federal government who keep the oil business running; the armed rebels who fight to protect the environment and for a say in the distribution of petrodollars; and the local villagers who find themselves wedged in-between. This article claims that the fourth actor in the ecodrama is the brutalized landscape. Far from assuming a passive role, nature in Oil on Water strikes back through Habila’s prose. The devastated land is given a powerful voice in order to demand an urgent need for action to stop any further destruction caused by mindless oil extraction.
“我们是三角洲”:Helon Habila的《水上石油》中的自然与代理
在Helon Habila的小说《水上石油》中,乍一看,尼日尔三角洲似乎有三个人类群体在斗争。联邦政府派来维持石油生意的士兵;为保护环境和争取石油美元分配发言权而战斗的武装叛军;当地村民发现自己被夹在中间。本文认为,生态剧中的第四位演员是被野蛮化的景观。《水上石油》中的自然并没有扮演被动的角色,而是通过哈比拉的散文进行了反击。被破坏的土地发出了强有力的声音,要求立即采取行动,制止盲目的石油开采造成的进一步破坏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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