{"title":"Stability of individual loudness functions obtained by magnitude estimation and production","authors":"R. Hellman","doi":"10.1121/1.2017347","DOIUrl":"https://doi.org/10.1121/1.2017347","url":null,"abstract":"A correlational analysis of individual magnitude estimation and production exponents at the same frequency was perfor.med, as well as an analysis of individual exponents produced in different sessions by the same procedure across frequency(250, 1, 000, and 3, 000 Hz). Taken together, results show, first, that individual exponent differences do not decrease by counterbalancing magnitude estimation with magnitude production, and, second, that individual exponent differences remain stable over time despite changes in stimulus frequency. Further results disclose that although individual magnitude estimation and production exponents do not necessarily obey the .6 power law, it is possible to predict the slope (exponent) of an equal-sensation function averaged for a group of listeners from individual magnitude estimation and production data. Assuming that individual listeners with sensorineural hearing loss also produce stable and reliable magnitude functions, it is also shown that the slope of the loudness-recruitment function measured by magnitude estimation and production can be predicted for individuals with bilateral losses of long duration. Thus, results obtained in normal and in pathological ears suggest that individual listeners can produce loudness judgments that reveal, albeit indirectly, the input-output characteristic of the auditory system.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"16 1","pages":"63-70"},"PeriodicalIF":0.0,"publicationDate":"1979-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73106497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Identification, discrimination, and selective adaptation of simultaneous musical intervals","authors":"R. Zatorre, Andrea R. Halpern","doi":"10.1121/1.2017241","DOIUrl":"https://doi.org/10.1121/1.2017241","url":null,"abstract":"Four experiments investigated perception of major and minor thirds whose component tones were sounded simultaneously. Effects akin to categorical perception of speech sounds were found. In the first experiment, musicians demonstrated relatively sharp category boundaries in identification and peaks near the boundary in discrimination tasks of an interval continuum where the bottom note was always an F and the top note varied from A to A flat in seven equal logarithmic steps. Nonmusicians showed these effects only to a small extent. The musicians showed higher than predicted discrimination performance overall, and reaction time increases at category boundaries. In the second experiment, musicians failed to consistently identify or discriminate thirds which varied in absolute pitch, but retained the proper interval ratio. In the last two experiments, using selective adaptation, consistent shifts were found in both identification and discrimination, similar to those found in speech experiments. Manipulations of adapting and test showed that the mechanism underlying the effect appears to be centrally mediated and confined to a frequency-specific level. A multistage model of interval perception, where the first stages deal only with specific pitches may account for the results.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"20 1","pages":"384-395"},"PeriodicalIF":0.0,"publicationDate":"1979-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90835596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Influence of vocalic context on perception of the [∫]-[s] distinction","authors":"V. Mann, B. Repp","doi":"10.1121/1.2004052","DOIUrl":"https://doi.org/10.1121/1.2004052","url":null,"abstract":"When synthetic fricative noises from a [∫]-[s] continuum are followed by [a] or [u] (with appropriate formant transitions), listeners perceive more instances of [s] in the context of [u] than in the context of [a]. Presumably, this reflects a perceptual adjustment for the coarticulatory effect of rounded vowels on preceding fricatives. In Experiment 1, we found that varying the duration of the fricative noise leaves the perceptual context effect unchanged, whereas insertion of a silent interval following the noise reduces the effect substantially. Experiment 2 suggested that it is temporal separation rather than the perception of an intervening stop consonant that is responsible for this reduction, in agreement with recent, analogous observations on anticipatory coarticulation. In Experiment 3, we showed that the vowel context effect disappears when the periodic stimulus portion is synthesized so as to contain no formant transitions. To dissociate the contribution of formant transitions from contextual effects due to vowel quality per se, Experiment 4 employed synthetic fricative noises followed by periodic portions excerpted from naturally produced [∫a], [sa], [∫u], and [su]. The results showed strong and largely independent effects of formant transitions and vowel quality on fricative perception. In addition, we found a strong speaker (male vs. female) normalization effect. All three influences on fricative perception were reduced by temporal separation of noise and periodic stimulus portions. Although no single hypothesis can explain all of our results, they are generally supportive of the view that some knowledge of the dynamics of speech production has a role in speech perception.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"3 1","pages":"213-228"},"PeriodicalIF":0.0,"publicationDate":"1978-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91247899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Request for brightness matching data and mathematical color vision models.","authors":"J. Kinney","doi":"10.1364/JOSA.68.1155_4","DOIUrl":"https://doi.org/10.1364/JOSA.68.1155_4","url":null,"abstract":"The principles of light measurement as a true visual quantity are discussed in a recent technical report prepared by CIE (Note 1). The great achievements of the CIE in defining the photopic and scotopic standard observers were noted. Experience with these observers has shown that, while the scotopic standard luminous efficiency function (y'A) is satisfactory, the photopic function Y(A) has some drawbacks. Y(A) serves adequately enough for assessing many continuous spectral broad-band light sources, according to the equation:","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"68 1","pages":"104"},"PeriodicalIF":0.0,"publicationDate":"1978-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80815575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Repeated observation of an uncertain signal.","authors":"J. Swets, T. Birdsall","doi":"10.1121/1.2016086","DOIUrl":"https://doi.org/10.1121/1.2016086","url":null,"abstract":"The focus here is on sensory adaptation, or progressively more appropriate attention, as repeated observations yield more information about a signal with an uncertain parameter. The signal was a brief sinusoid; its uncertain parameter was frequency. Detection performance is predicted from data on a signal of known and constant frequency, as a function of the number of frequencies the uncertain signal could assume. A comparison condition presented a signal that varied in a manner not permitting adaptation. Models derived from signal detection theory describe the ideal observation processes for the three signal conditions, and supply quantitative predictions of relative performances. The models are generally supported by the data.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"16 1","pages":"269-74"},"PeriodicalIF":0.0,"publicationDate":"1977-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74652007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Perception of clicks in music.","authors":"A. Gregory","doi":"10.1121/1.2016464","DOIUrl":"https://doi.org/10.1121/1.2016464","url":null,"abstract":"Subjects were asked to judge the position of a click which occurred during a short piece of music. Clicks were on average judged to be later than their actual position for a slow tune, but almost no bias in the judgement of click position was found for a fast tune. The click and the music were presented through headphones to different ears, and the clicks were judged to be significantly later if they arrived at the right ear rather than the left. There was also a significant tendency for clicks to be attracted to phrase boundaries in the music. These last two results are similar to those from experiments with a click during speech, but the late judgements of a click in music contrasts with the tendency for early judgements of a click in speech.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"56 1","pages":"171-4"},"PeriodicalIF":0.0,"publicationDate":"1977-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84761902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dichotic and monotic interactions between speech and nonspeech sounds at different stimulus onset asynchronies","authors":"R. Porter, P. Mirabile","doi":"10.1121/1.1995283","DOIUrl":"https://doi.org/10.1121/1.1995283","url":null,"abstract":"Subjects’ identification of stop-vowel “targets” was obtained under monotic and dichotic, forward and backward, masking conditions. Masks, or “challenges,” were another stop-vowel or one of three nonspeech sounds similar to parts of a stop-vowel. Backward masking was greater than forward in dichotic conditions. Forward masking predominated monotically. Relative degree of masking for different challenges suggested that dichotic effects were predicated on interference with processing of a complex temporal array of auditory “features” of the targets, prior to phonetic decoding but subsequent to basic auditory analysis. Monotic effects seemed best interpreted as dependent on relative spectrum levels of nearly simultaneous portions of the two signals.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"54 1","pages":"408-412"},"PeriodicalIF":0.0,"publicationDate":"1975-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77990645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Frequency discrimination of complex periodic tones","authors":"L. Feth","doi":"10.1121/1.1995152","DOIUrl":"https://doi.org/10.1121/1.1995152","url":null,"abstract":"When the components of a two-tone periodic complex differ slightly in amplitude and frequency, the pitch is shifted toward the more intense tone. This well-known phenomenon has been explained by differences in the instantaneous frequency functions of the complex tones. In this experiment, three listeners were asked to discriminate between complementary pairs of two-component complex tones. The results indicate that discriminability may depend upon differences in the envelope-weighted instantaneous frequency functions of the two-tone complexes.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"1 1","pages":"375-378"},"PeriodicalIF":0.0,"publicationDate":"1974-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90101585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The effect of masker duration on forward and backward masking","authors":"M. J. Penner, E. Cudahy, G. C. Jenkins","doi":"10.1121/1.3437234","DOIUrl":"https://doi.org/10.1121/1.3437234","url":null,"abstract":"Temporal masking of clicks by noise was investigated using forward and backward masking paradigms. Both the noise duration and the temporal separation, ΔT, between the click and noise were varied. For very brief ΔTs (100 microsec) and for very long ΔTs (100 msec), the duration of the masker did not greatly affect the click threshold. However, for intermediate ΔTs (3 msec), the threshold increased by as much as 44 dB as the noise duration increased from 0.1 to 100 msec. Temporal weighting functions, which describe the relative effectiveness of the noise as a function of ΔT, were computed from these data.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"7 1","pages":"405-410"},"PeriodicalIF":0.0,"publicationDate":"1974-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79351698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Effects of signal duration and masker duration on detectability under diotic and dichotic listening conditions","authors":"D. E. Robinson, C. Trahiotis","doi":"10.1121/1.1975523","DOIUrl":"https://doi.org/10.1121/1.1975523","url":null,"abstract":"The detectability of a 500-Hz tone of either 32- or 256-msec duration in a broad-band 50-dB spectrum level noise was measured as a function of the duration of the noise. The noise was continuous or was gated 0, 125, or 250 msec before the onset of the signal. For the gated noise conditions the noise was terminated approximately 5 msec after termination of the signal. With a homophasic condition (NO SO), the three noise conditions led to approximately the same detectability as did the continuous masker. In an antiphasic condition (NO Sπ), detectability was poorest when signal and masker began together and improved as the delay between noise onset and signal onset increased. The difference between the simultaneous onset and the continuous noise condition was about 9 dB for the 32-msec signal and about 2 dB for the 256-msec signal. These results are compared to those reported by McFadden (1966).","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"26 1","pages":"333-334"},"PeriodicalIF":0.0,"publicationDate":"1972-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73976105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}