Perception & Psychophysics最新文献

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Within-category discrimination of musical chords: Perceptual magnet or anchor? 和弦的类别内辨别:知觉磁铁还是锚?
Perception & Psychophysics Pub Date : 1994-05-01 DOI: 10.1121/1.409169
B. E. Acker, R. Pastore, M. D. Hall
{"title":"Within-category discrimination of musical chords: Perceptual magnet or anchor?","authors":"B. E. Acker, R. Pastore, M. D. Hall","doi":"10.1121/1.409169","DOIUrl":"https://doi.org/10.1121/1.409169","url":null,"abstract":"Recent speech research has begun to evaluate the internal structure of categories. In one such study, Kuhl (1991) found that discrimination was poorer for vowel stimuli that were more representative of the category (prototype, or P, set) than it was for less representative stimuli (nonprototype, or NP, set). This finding was interpreted as indicating that a category prototype may function as a “perceptual magnet,” effectively decreasing perceptual distance, and thus discriminability, between stimuli. The present study examines the function of prototypes in a musical category—another natural, but nonspeech category. Paralleling the Kuhl study, representative (P) and less representative (NP) sets of major triad stimuli were constructed, based on equal temperament. Musically experienced subjects rated the stimuli in each set for goodness as a major triad, with the highest rated stimulus serving as a prototype standard for a subsequent discrimination task. Results from the discrimination task demonstrated better performance in the P context than in the NP context. The current nonspeech results indicate that a prototype functions as an anchor rather than a magnet. In addition to providing a natural, nonspeech standard for comparison with speech findings, the results provide some important insights into the nature of musical categories.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"48 1","pages":"863-874"},"PeriodicalIF":0.0,"publicationDate":"1994-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82603846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 25
A multidimensional scaling analysis of vowel discrimination in humans and monkeys. 人类和猴子元音辨别的多维尺度分析。
Perception & Psychophysics Pub Date : 1993-09-01 DOI: 10.1121/1.407533
J. Sinnott, C. H. Brown, W. T. Malik, R. A. Kressley
{"title":"A multidimensional scaling analysis of vowel discrimination in humans and monkeys.","authors":"J. Sinnott, C. H. Brown, W. T. Malik, R. A. Kressley","doi":"10.1121/1.407533","DOIUrl":"https://doi.org/10.1121/1.407533","url":null,"abstract":"Multidimensional scaling (MDS) was used to compare perceptual maps for 10 synthetic English vowels in humans and Old World monkeys (Macaca fuscata and Cercopithecus albogularis). Subjects discriminated among the vowels using a repeating background procedure, and reaction times were submitted to an MDS analysis to derive measures of perceive similarity. The dimensions that emerged related to the frequencies of the first (F1), second (F2), and third (F3) formants. Human data indicated a good match to previous MDS studies using rating procedures or confusion matrices: The dominant dimension mapped onto vowel F2, the phonetically most important formant, and the second and third dimensions mapped onto F1 and F3, respectively. For monkeys, equal weightings occurred for F1 and F2, and F3 was not clearly represented. Monkey sensitivity to the formants appeared to relate to formant amplitudes. If monkeys are giving an accurate representation of the psychoacoustic relations among the formants, then our human results suggest that species-specific mechanisms, reflecting the salience of the phonetic feature of advancement, may contribute to vowel coding in humans.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"1 1","pages":"1214-24"},"PeriodicalIF":0.0,"publicationDate":"1993-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80319349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 16
Perceived motion in structure from motion: pointing responses to the axis of rotation. 从运动中感知结构中的运动:指向旋转轴的响应。
Perception & Psychophysics Pub Date : 1993-07-27 DOI: 10.11485/TVAC.29.0_117
F. Pollick, S. Nishida, Y. Koike, M. Kawato
{"title":"Perceived motion in structure from motion: pointing responses to the axis of rotation.","authors":"F. Pollick, S. Nishida, Y. Koike, M. Kawato","doi":"10.11485/TVAC.29.0_117","DOIUrl":"https://doi.org/10.11485/TVAC.29.0_117","url":null,"abstract":"We investigated the ability to match finger orientation to the direction of the axis of rotation in structure-from-motion displays. Preliminary experiments verified that subjects could accurately use the index finger to report direction. The remainder of the experiments studied the perception of the axis of rotation from full rotations of a group of discrete points, the profiles of a rotating ellipsoid, and two views of a group of discrete points. Subjects' responses were analyzed by decomposing the pointing responses into their slant and tilt components. Overall, the results indicated that subjects were sensitive to both slant and tilt. However, when the axis of rotation was near the viewing direction, subjects had difficulty reporting tilt with profiles and two views and showed a large bias in their slant judgments with two views and full rotations. These results are not entirely consistent with theoretical predictions. The results, particularly for two views, suggest that additional constraints are used by humans in the recovery of structure from motion.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"188 1-6","pages":"91-109"},"PeriodicalIF":0.0,"publicationDate":"1993-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91509708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 16
The influence of spectral composition of complex tones and of musical experience on the perceptibility of virtual pitch. 复杂音调的谱组成和音乐经验对虚拟音高感知的影响。
Perception & Psychophysics Pub Date : 1992-04-01 DOI: 10.1121/1.403147
A. Preisler
{"title":"The influence of spectral composition of complex tones and of musical experience on the perceptibility of virtual pitch.","authors":"A. Preisler","doi":"10.1121/1.403147","DOIUrl":"https://doi.org/10.1121/1.403147","url":null,"abstract":"A matching paradigm was used to evaluate the influence of the spectral characteristics number, relative height, and density of harmonics on the perceptibility of the missing fundamental. Fifty-eight musicians and 58 nonmusicians were instructed to adjust mistuned sinusoids to the subjectively perceived fundamental pitches of corresponding overtone spectra. Analyses of variance were used to compare the average of absolute and relative deviations of the tunings from the highest common divisors of the complex tones. The results indicate that musical experience is the most influential single factor determining the assessment of fundamental pitch. Nevertheless, all spectral parameters significantly affect tuning performance. Systematic relative deviations (stretching/compression effects) were observed for all considered variables. An increase of the optimum subjective distance between an overtone spectrum and its corresponding fundamental was characteristic of musicians and unambiguous spectra, whereas the compression effect was typical of nonmusicians and complex tones containing spectral gaps.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"46 1","pages":"589-603"},"PeriodicalIF":0.0,"publicationDate":"1992-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90907923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 9
Increasing the intelligibility of speech through multiple phonemic restorations. 通过多种音位恢复来提高语音的可理解性。
Perception & Psychophysics Pub Date : 1990-05-01 DOI: 10.1121/1.2028340
J. A. Bashford, K. R. Riener, R. M. Warren
{"title":"Increasing the intelligibility of speech through multiple phonemic restorations.","authors":"J. A. Bashford, K. R. Riener, R. M. Warren","doi":"10.1121/1.2028340","DOIUrl":"https://doi.org/10.1121/1.2028340","url":null,"abstract":"Outside of the laboratory, listening conditions are often less than ideal, and when attending to sounds from a particular source, portions are often obliterated by extraneous noises. However, listeners possess rather elegant reconstructive mechanisms. Restoration can be complete, so that missing segments are indistinguishable from those actually present and the listener is unaware that the signal is fragmented. This phenomenon, called temporal induction (TI), has been studied extensively with nonverbal signals and to a lesser extent with speech. Earlier studies have demonstrated that TI can produce illusory continuity spanning gaps of a few hundred milliseconds when portions of a signal are replaced by a louder sound capable of masking the signal were it actually present. The present study employed various types of speech signals with periodic gaps and measured the effects upon intelligibility produced by filling these gaps with noises. Enhancement of intelligibility through multiple phonemic restoration occurred when the acoustic requirements for TI were met and when sufficient contextual information was available in the remaining speech fragments. It appears that phonemic restoration is a specialized form of TI that uses linguistic skills for the reconstruction of obliterated speech.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"174 1","pages":"211-7"},"PeriodicalIF":0.0,"publicationDate":"1990-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79644388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 83
The communication of dynamics between musicians and listeners through musical performance. 通过音乐表演,音乐家和听众之间的动态交流。
Perception & Psychophysics Pub Date : 1989-05-01 DOI: 10.1121/1.2026770
T. Nakamura
{"title":"The communication of dynamics between musicians and listeners through musical performance.","authors":"T. Nakamura","doi":"10.1121/1.2026770","DOIUrl":"https://doi.org/10.1121/1.2026770","url":null,"abstract":"Musicians perform music according to their own interpretations. How does a player realize his/her interpretation of a piece of music in the form of tones? How is his/her intention understood by a listener? The relations among the performers' intentions, intensity of tones produced by the performers, and listeners' perception were investigated quantitatively. The noteworthy findings were as follows. (1) Crescendo was easier to recognize than decrescendo. (2) It appeared that rising pitch enhanced an impression of crescendo, and falling pitch enhanced that of decrescendo. (3) The influence of “impression of the end” on crescendo was suggested. These findings were confirmed in the experiments by means of synthesized sound sequences and under well‐controlled conditions.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"40 1","pages":"525-33"},"PeriodicalIF":0.0,"publicationDate":"1989-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79565855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 51
Speech perception by budgerigars (Melopsittacus undulatus): spoken vowels. 虎牙的言语感知:语音元音。
Perception & Psychophysics Pub Date : 1988-05-01 DOI: 10.1121/1.2025392
R. Dooling, S. D. Brown
{"title":"Speech perception by budgerigars (Melopsittacus undulatus): spoken vowels.","authors":"R. Dooling, S. D. Brown","doi":"10.1121/1.2025392","DOIUrl":"https://doi.org/10.1121/1.2025392","url":null,"abstract":"Discrimination of natural, sustained vowels was studied in 5 budgerigars. The birds were trained using operant conditioning procedures on a same-different task, which was structured so that response latencies would provide a measure of stimulus similarity. These response latencies were used to construct similarity matrices, which were then analyzed by multidimensional scaling (MDS) procedures. MDS produced spatial maps of these speech sounds where perceptual similarity was represented by spatial proximity. The results of the three experiments suggest that budgerigars perceive natural, spoken vowels according to phonetic categories, find the acoustic differences among different talkers less salient than the acoustic differences among vowel categories, and use formant frequencies in making these complex discriminations.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"82 1","pages":"568-74"},"PeriodicalIF":0.0,"publicationDate":"1988-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80528120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 48
Effect of click rate and delay on breakdown of the precedence effect. 点击率和延迟对击穿优先效应的影响。
Perception & Psychophysics Pub Date : 1987-11-01 DOI: 10.1121/1.2024882
R. K. Clifton, R. Freyman
{"title":"Effect of click rate and delay on breakdown of the precedence effect.","authors":"R. K. Clifton, R. Freyman","doi":"10.1121/1.2024882","DOIUrl":"https://doi.org/10.1121/1.2024882","url":null,"abstract":"The precedence effect was tested as a function of echo-click delay and click rate after an abrupt switch in location between leading and lagging clicks. Click trains at three rates, 1/sec, 2/sec, and 4/sec, with delays ranging between 2 and 20 msec, were presented to subjects in an anechoic chamber. Duration of the click train after the switch in location was 12 sec, and echo click perceptibility was assessed throughout this period. The number of echo clicks heard was an increasing monotonic function of delay. The subjects reported a \"fade-out\" of echo clicks after a set number of clicks at each delay, regardless of rate. This result was interpreted as a buildup in inhibition of echoes produced by the ongoing click train. Suppression of echoes was stronger when the leading click originated from the right side than from the left side.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"118 1","pages":"139-45"},"PeriodicalIF":0.0,"publicationDate":"1987-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87655986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 44
Vowel and consonant judgments are not independent when cued by the same information. 当受到相同信息的提示时,元音和辅音的判断不是独立的。
Perception & Psychophysics Pub Date : 1987-11-01 DOI: 10.1121/1.2025022
Douglas H. Whalen
{"title":"Vowel and consonant judgments are not independent when cued by the same information.","authors":"Douglas H. Whalen","doi":"10.1121/1.2025022","DOIUrl":"https://doi.org/10.1121/1.2025022","url":null,"abstract":"Despite many attempts to define the major unit of speech perception, none has been generally accepted. In a unique study, Mermelstein (1978) claimed that consonants and vowels are the appropriate units because a single piece of information (duration, in this case) can be used for one distinction without affecting the other. In a replication, this apparent independence was found, instead, to reflect a lack of statistical power: The vowel and consonant judgments did interact. In another experiment, interdependence of two phonetic judgments was found in responses based on the fricative noise and the vocalic formants of a fricative-vowel syllable. These results show that each judgment made on speech signals must take into account other judgments that compete for information in the same signal. An account is proposed that takes segments as the primary units, with syllables imposing constraints on the shape they may take.","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"66 1","pages":"284-92"},"PeriodicalIF":0.0,"publicationDate":"1987-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79778857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 41
The understanding of melody and rhythm. 对旋律和节奏的理解。
Perception & Psychophysics Pub Date : 1987-06-01
{"title":"The understanding of melody and rhythm.","authors":"","doi":"","DOIUrl":"","url":null,"abstract":"","PeriodicalId":19838,"journal":{"name":"Perception & Psychophysics","volume":"41 6","pages":"482-656"},"PeriodicalIF":0.0,"publicationDate":"1987-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"14735636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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